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When one of their number ("Joe") is shot during a robbery, the gangsters responsible try to seek the help of a doctor. The first they find claims that he needs hospital treatment and that's soon the end of him. They move on to another, "Bishop" (Regis Toomey), and lure him to their hideout where he discovers the sister of the wounded man "Nora" (Adele Longmire) who also happens to be a nurse. They are given a very thinly veiled ultimatum - save his life or lose their own. Both reckon they are doomed either way, so have to find a way of getting a message out to the pursuing police before they are toast. Just to add a little spice to the proceedings, "Nora" also happens to be the moll of boss "Dillon" (the not very menacing Howard Da Silva) so some conflict looms? Though it is quite watchable, it hasn't really an original bone in it's body and appears to be supplemented with some archive footage from similar crimes-noir. The denouement is just a little different but for the most part it's all join-the-dots stuff that you've seen before with a cast and writing that's probably just as adequate.
Jonathan is poised to marry the daughter of a wealthy tycoon. The couple appears picture perfect, until the eve of their engagement party, when an unexpected guest threatens to destroy Jonathan's plans for the future.
When the corpse of mobster Miguel "el chino" Sanabria surfaces, everyone thinks his death is the result of an argument during the heat of the moment. That is, everyone except Officer Ferran (Victor Mayo), who believes something more menacing was at fault. Along with Picasso (Juanko Vellido), the last person to see Sanabria alive, Ferran sets out to find the truth behind the murder - and learns something about his own destiny in the process.
A racer in the motorcycle sport called 'sidehacking' goes on a rampage of vengeance when his fiancée is raped and murdered.
When it rains in the city, a serial killer known as "The Judge" looks for his next strangling victim. For months, the madman has been stalking at night, leaving behind clues, but police efforts have been fruitless. Constructing a life-size dummy of the murderer, police Lt. Harry Grant is growing obsessed with capturing him, and always following Grant is the relentless reporter Ann Gorman looking to break the story, but the hunt continues.
A murderous lust for the British throne sees Richard III descend into madness. Though the setting is transposed to the 1930s, England is torn by civil war, split between the rivaling houses of York and Lancaster. Richard aspires to a fascist dictatorship, but must first remove the obstacles to his ascension—among them his brother, his nephews and his brother's wife. When the Duke of Buckingham deserts him, Richard's plans are compromised.
A nameless waiter spends his days sitting around the house watching Faces of Death, slaughterhouse videos, pornography and the German equivalent of The Price Is Right. Deluded, deranged and believing mankind will endure the most horrible experiences, and will resort to any actions in order to sustain their own life, he snaps.
Sexually abused as a young girl, Kate "Ma" Barker grows into a violent and powerful woman by the 1930s. She lovingly dominates her grown sons and grooms them into a pack of tough crooks. The boys include the cruel Herman, who still shares a bed with Ma; Fred, an ex-con who fell in love with a fellow prisoner; and Lloyd, who gets high on whatever's handy. Together they form a deadly, bizarre family of Depression-era bandits.
Richard spots a man dumping a body, and decides to expose the man he thinks is the culprit with his friend Alex Cutter.
A laconic nurse gets sentenced to community service where she has to clean the filthy house of a wildly impulsive recluse.
