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Solid entry that should have been the conclusion to the Bourne character, instead Damon and Greengrass chased the dollar to return to "Jason Bourne" which I remember being underwhelmed by (will be revisiting it sometime during the week). Still, some good chase and fight sequences though the great trailer line ("If you were in your office right now we'd be having this conversation face-to-face.") makes Bourne look like an arrogant a** because if he hadn't tipped off his location, he would've avoided the chase and made it to the E. 71st location having the element of surprise. In addition, the relationship between Bourne and Nicki (sp?) still felt off. Anyway, still was entertained but probably rank this as the third best of the series (right now, going to revisit Legacy soon). **4.0/5**
**The Bourne Ultimatum provides an exciting conclusion to the original Bourne storyline, answering questions and leaving a trail of bodies in the process.** The Bourne Ultimatum picks up immediately where The Bourne Supremacy left off, once again raising the stakes and ratcheting up the action. This time Bourne’s memories are flooding back more and more, and he’s hellbent on bringing those responsible for Treadstone to justice. The story focuses much more on answering the questions of Bourne’s past and the CIA’s illegal activities. I enjoyed the reunion of Julia Stiles’ character with Matt Damon’s. It developed some care between them, providing a little hope and stability in a world filled with betrayal, greed, spycraft, and subterfuge. The Bourne Ultimatum is an explosive conclusion to the original Bourne trilogy and is incredibly satisfying. Still, compared to the first two, it is a little bogged down with all the questions it needs to answer the wrapping up the story. But that is a minor complaint when the movie is one of the best in the spy genre.
I got off to a bit of a bad start with this third instalment - the idea that a bloke in a building in Langley was issuing orders to murder a British journalist in a London railway station used by almost 100 million people a year really didn't sit at all well with me; so I already felt that whatever our hero wanted to do here was OK by me! Just as well, because Matt Damon has his hands full trying to stay alive and to discover the nature of the upgraded "Treadstone" operation - this time called "Blackbriar" which may well shed more light on just how "Bourne' became who he is! Again, Paul Greengrass elicits the best from his star - ably complemented by Joan Allen, again as "Landy"; David Straithairn as his ruthless pursuer "Noah Vosen" and Edgar Ramirez ("Paz") who is never far from his tail/trail. It features more end-to-end action - again, though, not gratuitously long and violent like many others I've seen and although the script is not so good in this one , it remains of the few franchises where the third film is up there with the others. I think it's done now, though - let's not have any more.
The radical new take on Dickens’ classic seeks both to exhume the original story’s gritty commentary on social inequality and the corrupting influence of greed, and to breathe new life into the lyricism of the original text by setting its scenes to extraordinary tableaux of modern dance.
A young Jewish woman is pressured to marry a wealthy man even though she is in love with someone else.
A historical drama set in the 1930s Isan province Thailand, telling the travails of a small clan of subsistence farmers and their village as a particularly bad drought reduces them to bush living.
In a Paris hotel room, Jack Whitman lies on a bed. His phone rings; it's a woman on her way to see him, a surprise. She arrives and the complications of their relationship emerge in bits and pieces. Will they make love? Is their relationship over? (A prequel to The Darjeeling Limited, 2007.)
An emotionally-beaten man with his young daughter moves to his ancestral home in Newfoundland to reclaim his life.
Tatie Danielle is a black comedy about a widow who is intent on ruining the lives of her great-nephew and his wife. Tsilla Chelton plays the title character, who mourns the death of her husband by tormenting everyone she meets. Eventually, she moves in with her nephew and his vain wife. Soon, her family is at war with Tatie, and takes off for Greece, leaving her in the care of Sandrine (Isabelle Nanty), an au pair who is as equally bitter as Tatie herself. At first the two don't get along, yet the two eventually become friends. However, Sandrine is invited to accompany an American student for an overnight stay at the beach, which would leave Tatie alone for a night. Angered, Tatie fires Sandrine, and while she is alone, she goes into deep depression, eventually setting the family's apartment on fire. The fire becomes a national story, with Tatie cast as a poor old lady and the family labeled as cruel and heartless villains.
On Christmas Eve, Léa and Juliette, a couple, want to rob a supermarket that Juliette knows is empty of surveillance on this festive evening. But, as much for each of them as for Eric, the vigil who is there after all, nothing will happen as planned. Besides, shortly before leaving him alone, the store manager gave Eric a gun, just in case.
Chechen rebels take over a Russian nuclear plant and it's up to a mysterious agent (Snipes) to stop them.
Robert Neville is a scientist who was unable to stop the spread of the terrible virus that was incurable and man-made. Immune, Neville is now the last human survivor in what is left of New York City and perhaps the world. For three years, Neville has faithfully sent out daily radio messages, desperate to find any other survivors who might be out there. But he is not alone.
The legendary Power Rangers must stop the evil space pirate Divatox from releasing the powerful Maligore from his volcanic imprisonment on the island of Muranthias, where only the kindly wizard Lerigot has the key to release him. The hope of victory lies in the Ranger's incredible new Turbo powers and powerful Turbo Zords.