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In the vault of Hammer Film there was an Ugly Duckling. Thanks to UK Cable channel Talking Pictures, The Ugly Duckling has resurfaced. While it's no hidden gem demanding to be sought out as a critical must, it is however a joy for fans of British cinema with knowledge of such. Story is a reworking of the Jekyll and Hyde story, with Bernard Bresslaw as Henry Jekll, a descendant of the not so good doctor. Henry is a bumbling buffoon, sweet, amiable and harmless, he does however drive all around him to distraction. Messing about in chemistry Henry transforms into Teddy Hyde, a womanising spiv, a man easy in the company of girls and gangsters alike. Trouble ahead does wait... It's all very jolly and harmless, the center piece of plotting being a robbery of precious jewels that thrusts Henry/Teddy to the front of things. There's nothing deep on offer here, the dangers of messing with science, personality changes to fit in etc are not explored, this is played for light entertainment and works on those terms. The dance hall background is firmly of its time, nicely so, with the Joe Loss Orchestra in full effect. While the period flavours are engaging as the rocking 50s close out as the more decadent swinging 60s beckons. The delight for Brit cinema fans here is with the cast, where lining up for some jollification are Jon Pertwee, Reginald Beckwith, Maudie Edwards, Richard Watiss, Michael Ripper, Shelagh Dey and David Lodge all propping up the ever likable Bresslaw. Bonus here is to get a rare look at the adorable Jean Muir, only two film credits when really she should have had more. The Jekyll & Hyde axis of the story gives way to the jewel robbery in the final third, making this a tad disjointed, and the comedy is gentle and not likely to bring about raucous laughter (though one great line from Pertwee is absolute gold dust). Ultimately this has the ability to cover a compliant film fan for this ilk of cinema with a warm comfort blanket, for it be a time capsule worth opening. 7/10
As American policemen in London, Bud and Lou meet up with Dr. Jekyll and Mr. Hyde.
Dr. Jekyll inhales white powder and becomes an obnoxious Southern Californian.
A timid, nearsighted chemistry teacher discovers a magical potion that can transform him into a suave and handsome Romeo. The Jekyll and Hyde game works well enough until the concoction starts to wear off at the most embarrassing times.
A psychological drama based on the popular Jekyll and Hyde theme involving a strict legal official. The simultaneously filmed French language version of the film is titled The Prosecutor Hallers.
When beautiful Carla Purty joins the university faculty, genetic professor Dr. Sherman Klump grows desperate to whittle his 400-pound frame down to size and win her heart. So, with one swig of his experimental fat-reducing serum, Sherman becomes 'Buddy Love', a fast-talking, pumped-up, plumped down Don Juan.
The simultaneously filmed French language version of the 1930 German film The Other. A psychological drama based on the popular Jekyll and Hyde theme involving a strict legal official.
Mrs. Géquil is an eccentric teacher despised by her colleagues and students. On a stormy night, she is struck by lightning and faints. When she wakes up, she feels different. Will she now be able to keep the powerful and dangerous Mrs. Hyde contained?
An ugly, misshapen podiatrist ingests a formula made by a colleague and turns into a handsome, devil-may-care (but violent) ladies' man.
Clawdeen Wolf, half human and half werewolf, has recently started attending Monster High, a school for monsters in all forms. After quickly befriending her classmates Frankie Stein and Draculaura, Clawdeen feels like she has finally found a place where she can truly be herself, or so she thinks. Soon, a devious plan to destroy Monster High threatens to reveal her real identity and Clawdeen must learn to embrace her true monster heart before it's too late.
The son of the notorious Dr. Henry Jekyll is determined to prove that his father's reputation has been unjustly deserved. He sets out to develop his father's formula in order to prove that he was a brilliant scientist rather than a murderous monster.
Sylvester alternates chasing the normal Tweety and fleeing a monster version of Tweety.
