Hello Hemingway

At the age of 71, a highly regarded writer, José Cardoso Pires, suffers a major stroke and loses his memory and the ability to relate to the rest of the world. Everybody seems to defy the famous author to write another novel that recounts this adventure telling his "last story", the most conclusive of his career, the one of his accidental journey to the clear shadows territory.

One of several collaborative dance films by the Brothers Quay & (dancer, choreographer) William Tuckett. Little enough info around on line, but there's briefly by way of Wikipedia entry. Adapted rather loosely from the works of the E.T.A. Hoffman. Familiar Quays' tropes, much in evidence: automata, trompe l'oeil effects, etc. No credit on the sound design (which is fairly elaborate), tho' that is possibly Larry Sider.

"Leave out any hope of salvation, now you're getting in, to never leave again" (Hell - Canto III) It's been years since Beatrice died. Dante, now lonely, has lost control of his life and nothing on Earth is able to help him. Is a holy soul from Paradise, her timeless love and endless care that gives Dante's life a twist. Beatrice, bending the rules of the Underworld, offers her old friend the opportunity to understand the value of life. Dante, guided by the knowledgeable soul Virgilio, will have cross Hell and Purgatory and face several challenges to have the chance of being enlightened by the vision of the Empyrean. His journey is physical and emotional. By meeting many wondering souls Dante will have cope with inner resistances and overcome them evolving and growing to move on with his life.

The poet and playwright Lope de Vega is already a priest officially. The love affairs of the Spanish writer and actress Lucía Salcedo, whom he nicknamed as "La loca", are publicly known. Cervantes dies. Lope falls madly in love with Marta de Nevares. She is an intelligent and delicate woman, interested in literature and music. The two attract and live a romantic story.

Short film produced by the BBC about JG Ballard's Crash. “The film was a product of the most experimental, darkest phase of Ballard’s career. It was an era of psychological blowback from the sudden, shocking death of his wife in 1964, an era that had produced the cut-up ‘condensed novels’ of Atrocity plus a series of strange collages and ‘advertisers’ announcements. After Freud’s exploration within the psyche it is now the outer world of reality which must be quantified and eroticised. Later there were further literary experiments, concrete poems and ‘impressionistic’ film reviews, and an aborted multimedia theatrical play based around car crashes. After that came an actual gallery exhibition of crashed cars, replete with strippers and the drunken destruction of the ‘exhibits’ by an enraged audience.” (from: http://aaaaaaaaaaaaaaaaaaaargh.blogspot.de/2013/01/short-film-adaptation-of-jg-ballards.html)

It chronicles the legend of the progressive Telugu poet-saint Vemana from his being a rebellious and hedonistic youth from a landed elite to a renunciate.

Teacher and novelist François Bégaudeau plays a version of himself as he negotiates a year with his racially mixed students from a tough Parisian neighborhood.

At an elite, old-fashioned boarding school in New England, a passionate English teacher inspires his students to rebel against convention and seize the potential of every day, courting the disdain of the stern headmaster.

C.S. Lewis, a world-renowned writer and professor, leads a passionless life until he meets spirited poet Joy Gresham.

A woman and her daughter are each forced to contend with an increasing pressure to marry, particularly from three men who knew her late husband.

Martin, an ex-Parisian well-heeled hipster passionate about Gustave Flaubert who settled into a Norman village as a baker, sees an English couple moving into a small farm nearby. Not only are the names of the new arrivals Gemma and Charles Bovery, but their behavior also seems to be inspired by Flaubert's heroes.