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**Hopkins and Attenborough in an emotional and feeling-filled work.** When I decided to see this movie, I knew little about the life of the writer C. S. Lewis, who I only knew from having written the books "The Chronicles of Narnia". And I confess that, in order to fully understand the film and also be able to write something about it, I had the curiosity and interest to read one thing or two about him. For example, I was very impressed by his deep connection to the university and his closeness to J. R. R. Tolkien, who is also the author of a great work of fiction. In fact, thinking about it, it is interesting to see how their works share a lot of points of contact, subtle similarities. But that's a thing for another review. The film focuses on Lewis' life and, especially, on his love relationship with his American wife, Joy Gresham. Lewis was an academic, philosopher and theologian who left many works on these topics, and who unexpectedly decides to marry a recently divorced American, in a union that only later gave way to love between them. The film was inspired by a play, which in turn was inspired by the texts that Lewis wrote about what he experienced and felt. The best thing about the film, for me, is the direction and the cast performance. The director, Sir Richard Attenborough, was known for his attention to detail, cinematography and choice of locations. Considered by many to be one of the great British film directors, this film leaves us with a work full of elegance and beauty, but which seems to be largely forgotten these days, undoubtedly deserving more attention. The cast, in turn, is expertly led by Debra Winger and Sir Anthony Hopkins, a duo of actors of great quality and talent. Hopkins does deeply emotional work, in which we can see that he tried to employ a lot of feeling as well as intellect. Winger didn't impress me that much, but the great quality of her work is undeniable, especially in the moments when she plays with Hopkins or with her fictional son, played by a young boy, Joseph Mazello, who also deserves praise for a job well done. The rest of the cast gives the protagonists the necessary support, but does not stand out or stand out. The film was filmed in Oxford, and we can see how Attenboroug tried to take advantage of the original places, where Lewis would have been and that he surely knew, such as the university and academic spaces. The film gives us an aroma of the atmosphere of the old and renowned institution, and of some of the ceremonies and traditions that take place there. The cinematography is very beautiful and makes the best use of light, close-ups, landscapes and the beauty of old buildings. There are no great effects here, nor does the film need that, but we have an effective soundtrack.
Jean-Claude Delsart, a 50 years-old bailiff, with his worn-out smile and heart, abandoned a long time ago the idea that life could give him pleasures. Until the day, he dares to push the doors of a tango lesson...
London, 1929. Frank Webber, a very busy Scotland Yard detective, seems to be more interested in his work than in Alice White, his girlfriend. Feeling herself ignored, Alice agrees to go out with an elegant and well-mannered artist who invites her to visit his fancy apartment.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
Australian good girl Sandy and greaser Danny fell in love over the summer. But when they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance despite their eccentric friends?
It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
In 1931, a young soldier deserts from the army and falls into a country farm, where he is welcomed by the owner due to his political ideas. Manolo has four daughters, Fernando likes all of them and they like him, so he has to decide which one to love.
In his delirium from his return from war, Francesco Bernardone goes back in his memories to the days when he lived for parties and carnal pleasures. He slowly recovers, but after the illness he is no longer the Francesco that everybody knew. Instead of spending hours in taverns, he meditates on the beauty of God's creatures, soon renouncing his riches and his family with plans to rebuild an abandoned church and his life.
Paralyzed in the Vietnam war, Ron Kovic becomes an anti-war and pro-human rights political activist after feeling betrayed by the country he fought for.
Danny Muldoon, a Chicago policeman, still lives with his overbearing mother Rose. He meets and falls in love with Theresa Luna , whose father owns the local funeral parlour. Naturally, his mother objects to the relationship, and Danny and Theresa must either overcome her objections or give up the romance.
