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Over fifty years after this was made, I reckon you'd still struggle to find a better filmed documentary that extolled the amazing constructions from Mexico's ancient past. From as far back at 1200 BC, the Toltecs, Olmecs, Monte Alto and Maya civilisations were erecting pyramid structures hundreds of feet into the sky, with perfect symmetries while constructing complex cities of stone with broad avenues and plazas. What's helped this nation enormously is that even though time has ravaged many of the buildings, the delights of modern day ordnance have not and so even at their most turbulent, the battles and warfare of these tribes wasn't actually able to inflict the degrees of destruction seen in other, similar, sites around the globe. The city of Tenochtitlán is astonishingly well preserved and the aerial photography not only gives us an indication of the sheer scale of the place, but also a look at it's inhospitable location from a logistics perspective. How did they manage to build amidst the dense forest in the first place? Could we even do that now? We are taken on a brief tour of half a dozen amazing archaeological and architectural locations accompanies by a rousing score and some magical use of light and clouds and this really is worth a look as it begs questions about humanity's worship of the sun whilst building pyramids all over a globe by peoples who could share no knowledge of life in Asia or Europe or Africa with each other. Or could they?
The film portraits the stage previous to the outbreak of the Mexican Revolution, from the end of Porfirio Díaz´ government, the social volatility, the ephemeral government of Madero and the presence of the working class in the figures of Villa and Zapata, until the signing if the Constitution of 1917. All of this through moving images, filmed during those events mainly by the Alva brothers, filmmakers of that time. Those images let us perceive the contradictory and shuddered glance of the people of that period.
Monarch butterflies have brought hope to the darkest times of people's lives. In Mexico, when they arrive for Day of the Dead, they are thought to be souls of the departed. Coincidence?
This Traveltalk series short chronicles the sights and sounds on a train ride from Veracruz to Mexico City.
This Traveltalk series short visits two of the most important cities on Mexico's Yucatán Peninsula.
Lake Patzcuaro, located 230 miles west of Mexico City, is one of the highest and most picturesque bodies of water in Mexico. The heritage of the indigenous peoples of the area, the Tarascans, still prevails, such as the production of lacquer-ware handicrafts, and the means of hunting and fishing, the latter which uses nets shaped like large butterfly wings. Although most current day Tarascans are Roman Catholic, they have not totally abandoned their indigenous pagan gods. On Janitzio, one of the many islands in the lake, stands a large statue commemorating José María Morelos, a prominent figure in Mexican liberation and a great benefactor to the Tarascans. Janitzio is also the inspiration for many famous paintings. The town of Tzintzuntzan just inland from the lake's shore acts as the regional center for the market and for festivals.
This Traveltalk series short showcases the Mexico City police department's various units as they participate in a yearly festival. Included are a marching band, a parade of patrol cars, the motorcycle unit, equestrian unit, and the department's pistol team.
Is the story of a generation of thieves who achieved their greatest victories in the sixties; their distinctive code of ethics, the various categories of delinquents inhabiting the citys streets, their alliances with high ranking police officials that allowed them to operate, the betrayals that followed, and the price they ended up paying.
April 1994 in the Lacandona Jungle, Chiapas, México. The Zapatista women talk about the living conditions of Mexican indigenous populations and the life of peasant women. They explain the reasons for their struggle and their uprising.