Centinelas del Silencio

As police and DEA agents battle sophisticated cartels, rural, economically-disadvantaged users and dealers–whose addiction to ICE and lack of job opportunities have landed them in an endless cycle of poverty and incarceration–are caught in the middle.

These are the future leaders of their communities. Ever wonder what it’s like to walk a day in their shoes? How the world looks through their eyes? We were curious. So, we asked them.

„The Frontier“ or „La Frontera“ is the undulating landscape of the Sonora Desert in Arizona, which once was a symbol of freedom on the horizon of the American West – and also a region plagued by recurrent territorial struggles. Currently, a high steel fence stretches over several miles strictly separating the USA and Mexico into two territories. Every year, the remains of hundreds of migrants are retrieved from the area. The tense situation in Arizona’s borderland has split the locals into two groups: one demanding a more technically advanced border control system, the other requesting more humanitarian help. Accompanying various locals, NGO workers and self-proclaimed border guards from the region, filmmaker Gudrun Gruber raises the question of whether the latest border control technology will finally bring peace to the area, or rather merely increase the number of deaths.

Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.

A couple of artists travels through the Mexico desert to present their puppet show.

This Traveltalk series short visits two of the most important cities on Mexico's Yucatán Peninsula.

Lake Patzcuaro, located 230 miles west of Mexico City, is one of the highest and most picturesque bodies of water in Mexico. The heritage of the indigenous peoples of the area, the Tarascans, still prevails, such as the production of lacquer-ware handicrafts, and the means of hunting and fishing, the latter which uses nets shaped like large butterfly wings. Although most current day Tarascans are Roman Catholic, they have not totally abandoned their indigenous pagan gods. On Janitzio, one of the many islands in the lake, stands a large statue commemorating José María Morelos, a prominent figure in Mexican liberation and a great benefactor to the Tarascans. Janitzio is also the inspiration for many famous paintings. The town of Tzintzuntzan just inland from the lake's shore acts as the regional center for the market and for festivals.

This Traveltalk series short showcases the Mexico City police department's various units as they participate in a yearly festival. Included are a marching band, a parade of patrol cars, the motorcycle unit, equestrian unit, and the department's pistol team.

American Ocelot tells the story of one of the most endangered and beautiful wild cats in the United States — a species so elusive that high-quality images and video have never been captured until now. With fewer than 100 individuals remaining in the US, the ocelot is critically endangered, genetically isolated, and only exists in Texas.

As was common in Diaz's Mexico, a young hacienda worker finds his betrothed imprisoned and his life threatened by his master for confronting a hacienda guest for raping the girl. This film is the first of several attempts to make a feature-length motion picture out of the 200,000-plus feet of film shot by Sergei Eisenstein, on photographic expedition in Mexico during 1931-32 for Upton Sinclair and a cadre of private American producer-investors. Silent with music and English intertitles.