Хайтарма

The extraordinary life and career of the Russian chess grandmaster Garry Kasparov, a brilliant and charismatic, but also rebellious, favorite son of the Soviet Union.

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.

A captain in the Czar's army encounters danger and romance while carrying a secret message across 19th-century Russia.

Russia, China and Iran: three former empires are determined to take their revenge and reassert their power after centuries of humiliation. Since the start of the war in Ukraine, they have never been so aligned on the international stage. Their common goal: to put an end to Western hegemony, restore their zone of influence and propose a new model of society. To achieve this, they are waging a hybrid war against the democracies: military, technological, economic, informational and ideological. Are they on the verge of joining forces to create a new world order?

Nazi-occupied Crimea, 1944. A boy named Itzhak turns to Saide Arifova, a local Tatar Muslim woman, for help, explaining that he and a group of other Jewish orphans are hiding from the Nazis. Arifova faces a moral dilemma: should she try to help them or save herself by refusing? Despite the impending danger, she decides to protect the children by hiding them in plain sight, and disguising them as Tatars and adopting them into the local community.

The crew of Ukrainian NAVY minesweeper U311 "Cherkasy" is resisting seizure of the vessel by Russian army in Crimea in 2014.

Workers in a factory in pre-revolutionary Russia go on strike and are met by violent suppression.

Lieutenant Giovanni Drogo is assigned to the old Bastiani border fortress where he expects an imminent attack by nomadic fearsome Tartars.

Whilst the first shots ring out between pro-Russian government forces and members of the opposition in the winter of 2013, young Nina leaves Crimea. She was raped by a corrupt policeman, her friend was killed, and now she seeks refuge with the protesters on Maidan Square. Revolutionary chaos prevails, and it‘s not at all clear who remains loyal to whom and which means can be regarded as legitimate in the struggle for freedom. Ultimately Nina and her tormentors come face to face again and the spiral of violence is stepped up a further notch. The film was shot to a genuine backdrop, the result of which is a multifaceted allegory on the tragedy currently playing out in the Ukraine.

1971, Odessa Film Studio. The KGB studio curator orders a re-edit of just finished movie about the events of Ukraine’s 1920s "civil war" of a young director in line with the Party’s view on the historical events. This re-editing work is entrusted to a young female editor, which consequently realizes she must protect the director’s vision and the safe-guard the truth about her country under Soviet occupation.

When Emir Feofar Khan, leader of the Tartar hordes, takes up arms and invades the steppes of Eastern Siberia, Czar Alexander II of Russia entrusts the brave officer Michael Strogoff with a dangerous mission.