Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.
German journalist Jürgen Todenhöfer uses this unique opportunity to expose ISIS' apocalyptic vision for the world and to document everyday life in the cities it controls. He finds a population terrified into submission by beheadings, enslavement and torture, and an organisation unwavering in its commitment to its divine mission: to spread fear and violence throughout the world, no matter the cost.
For consumers, bananas are a delicious and nutritious start to the day, a healthy snack and a fixture in our fruit bowls. For millions of residents in the banana lands, the production of bananas means social upheaval, violence and pesticide poisoning. Banana Land explores the origins of these disparate realities, and opens the conversation on how workers, producers and consumers can address this disconnect.
Sarah Jordan, an American living in London in 1984, is married to the son of a wealthy British industrialist. She encounters Nick Callahan, a renegade doctor, whose impassioned plea for help to support his relief efforts in war-torn Africa moves her deeply. As a result, Sarah embarks upon a journey of discovery that leads to danger, heartbreak and romance in the far corners of the world.
The story of good and evil faith and Proxy wars for a world's dominating Kingdom where the world ruler will be the patriarch of an international worship places. Film is based on current world order scenarios but is fiction, where we have heroes who are trying to save humanity.
After the Cuban Revolution, Che is at the height of his fame and power. Then he disappears, re-emerging incognito in Bolivia, where he organizes a small group of Cuban comrades and Bolivian recruits to start the great Latin American Revolution. Through this story, we come to understand how Che remains a symbol of idealism and heroism that lives in the hearts of people around the world.
The Argentine, begins as Che and a band of Cuban exiles (led by Fidel Castro) reach the Cuban shore from Mexico in 1956. Within two years, they mobilized popular support and an army and toppled the U.S.-friendly regime of dictator Fulgencio Batista.
Throughout history, regimes have used terror attacks as a means of control over their populations, and for the last 100 years, Western governments have employed the same measures.
Madiha Aijaz’s observational documentary on public libraries in Karachi, Pakistan, provides an entry point into present-day Karachi, where irredeemable changes feel imminent. While the libraries become a bastion for the literary tradition of Urdu, their frequent visitors lament the increasing dominance of English – a residual reminder of colonialism, partition and the ‘globalising’ present. Wrapped in quiet solitude, seated readers are shown hiding away from the hustle and bustle of urban life that can be seen outside.
Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.