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**Considering that it's based on an action video game, the film is quite enjoyable, and not quite as deserving of the hate it's been getting.** The movie market is full of movies based on video games. I even dare to say that practically all the most popular games have already known a film adaptation, from “Super Mario” to “Angry Birds”. I've seen quite a few of them, and so far I haven't found one that I could say I liked. Or rather, what I can remember right now... I don't know the game “Dungeon Siege”, but from what I saw in a quick search on the Internet it must be very similar to other games of the pseudo-medieval genre. Wicked kings, dungeons and sorcerers are part of this universe. They are fantasy, intended to stimulate the imagination and thirst for action of those who have never picked up a real medieval sword. Directed by Uwe Bol, a director I didn't know until now, and of whom I have not very recommendable references (but let's not, because of that, judge in advance!), the film I've just seen is relatively pleasant, and is based on a struggle for power in a kingdom called Ehb. On one side we have a wicked sorcerer and the late king's nephew, who wants to reign in his place, and on the other we have a poor farmer, at the head of an unlikely revolution. We've seen a lot of this, medieval themed films are always exploring these themes. While originality is lacking here, the film works reasonably well and isn't as bad as some have claimed. There are far worse things floating around between big lauds. All right, the film lacks a more effective direction and a greater epic sense, much of what you see has already been done in other better films and the characters are sketches without personality. But considering that the movie is based on a game, I think a decent effort was made. The cast has several big names. For me, the best and most competent is Ray Liotta, who really makes an effort to raise the quality of what he does with the poor material he receives and manages to steal our attention whenever he appears on the scene. However, I also liked Ron Perlman and John Rhys-Davies. I didn't like Jason Statham, he seems to be in the movie just for the pay, and the rest of the cast has little or little time to do something. Technically, the film deserves praise for its excellent cinematography, the good shooting options and the chosen locations. The soundtrack harmoniously unites an excellent original soundtrack and several hard rock themes that appear more during the credits, and stays in the ear for some time.
David Sumner, a mild-mannered academic from the United States, marries Amy, an Englishwoman. In order to escape a hectic stateside lifestyle, David and his wife relocate to the small town in rural Cornwall where Amy was raised. There, David is ostracized by the brutish men of the village, including Amy's old flame, Charlie. Eventually the taunts escalate, and two of the locals rape Amy. This sexual assault awakes a shockingly violent side of David.
On the east coast of New Zealand, the Whangara people believe their presence there dates back a thousand years or more to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. From then on, Whangara chiefs, always the first-born, always male, have been considered Paikea's direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand tribe, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai loves Koro more than anyone in the world, but she must fight him and a thousand years of tradition to fulfill her destiny.
In a world ravaged by crime, the entire island of Manhattan has been converted into a walled prison where brutal prisoners roam free. After the US president crash-lands inside, war hero Snake Plissken has 24 hours to bring him back.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Nina, an end-of-teenage orphan with mental problems, starts a new job as a garden cleaner when she meets Toni. They fell in love with each other, but soon Toni starts betraying Nina. In the meantime, Francoise is picked up at a psychic department of a Berlin hospital by her husband, Pierre. After seeing Nina, Francoise believes that she has found her kidnapped daughter Marie, but neither Toni nor Pierre believe her. Nina is unsure about what to think...
A mysterious story of two magicians whose intense rivalry leads them on a life-long battle for supremacy - full of obsession, deceit and jealousy with dangerous and deadly consequences.
Paul (Macfadyen), a prize-winning war journalist, returns to his remote New Zealand hometown due to the death of his father, battle-scarred and world-weary. For the discontented sixteen-year-old Celia (Barclay) he opens up a world she has only dreamed of. She actively pursues a friendship with him, fascinated by his cynicism and experience of the world beyond her small-town existence. But many, including the members of both their families (Otto, Moy), frown upon the friendship and when Celia goes missing, Paul becomes the increasingly loathed and persecuted prime suspect in her disappearance. As the violent and urgent truth gradually emerges, Paul is forced to confront the family tragedy and betrayal that he ran from as a youth, and to face the grievous consequences of silence and secrecy that has surrounded his entire adult life.
In Babel, a tragic incident involving an American couple in Morocco sparks a chain of events for four families in different countries throughout the world.
The Queen is an intimate behind the scenes glimpse at the interaction between HM Elizabeth II and Prime Minister Tony Blair during their struggle, following the death of Diana, to reach a compromise between what was a private tragedy for the Royal family and the public's demand for an overt display of mourning.
Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.
His wife is dead and his son hates him, but this old man still has fight in him! When he loses a highly publicized virtual boxing match to ex-champ Rocky Balboa, reigning heavyweight titleholder Mason Dixon retaliates by challenging Rocky to a nationally televised, 10-round exhibition bout. To the surprise of his son and friends, Rocky agrees to come out of retirement and face an opponent who's faster, stronger, and thirty years his junior.
