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The story of a salesman who deals with implants that allow the user to blur the line between reality and dream.
AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema-he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again (1969), is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)
The film’s premise is about a group of warriors and scientists, who gathered at the “Oude Kerk” in Amsterdam to stage a crucial event from the past, in a desperate attempt to rescue the world from destructive robots.
A man who still lives with his parents tries to realize his dream of becoming a magician.
The story is the bridges the gap of Assassin's Creed II and Assassin's Creed Brotherhood. After the destruction of Monteriggioni in the year 1500, Ezio met with Leonardo Da Vinci to gather information about the Pope's son, Cesare Borgia. Leonardo tells Ezio of Cesare's rise to power.
The testimonies of three forgotten victims whose lives have changed due to a common tragedy. A tragedy of unimaginable dimensions.
Appetite: Two women on a romantic date playfully express their love for one another. The date quickly takes a turn when they become frustrated that words cannot fully express their feelings. A lighthearted back and forth escalates into a passionate brawl. Ending with hickeys, bruises, and a good dose of public embarrassment love proves to be a battlefield.
The President's Daughter has been kidnapped by the brilliant super-criminal Blood Mamba. All rescue attempts have been thwarted by the evil genius. There's only one thing left to do: send in the Robot. The Robot must fight zombie-monsters and insecurity in order to complete his suicidal mission. This marks the directorial debut of Rob Schrab (Creator of Scud: the Disposable Assassin and Heat Vision and Jack).