A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
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The Way Home - (Jan 18th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
The Last American Vagabond - (Jan 18th)
Jesse Watters Primetime - (Jan 18th)
The Five - (Jan 18th)
Gutfeld - (Jan 18th)
Shark Tank India - (Jan 18th)
On Patrol- Live - (Jan 18th)
The Last Word with Lawrence ODonnell - (Jan 18th)
WWE SmackDown - (Jan 18th)
Diners, Drive-Ins and Dives - (Jan 18th)
My Lottery Dream Home - (Jan 18th)
The Young and the Restless - (Jan 18th)
Gold Rush - (Jan 18th)
The directing and the photography are very good. The use of the color, the smoke and fog and the speed of the camera are very well chosen. Fassbender gives a very good performance, but it swallows everybody else in the movie. What I don't like that much of this version is that Lady Macbeth almost fades away. Her character is not as important as it should be and, in the end, everything is expected and everything becomes a bit boring.
The thing about this play is that it is almost impossible to distil it down to two hours. Like most of Shakespeare's tragedies, there is immense richness in the language; in the pace the story develops; in the nuanced characterisations and in the imagery. Sure, the medium can reduce the need for much of the more descriptive narrative but it still takes time for the plotting and scheming; the menace and the power lust to percolate through. Now this isn't a terrible interpretation. Michael Fassbender is reasonable as the ambitious Thane of Glamis. He is informed by three witches after a battle that his accession to King Duncan's throne is assured, and together with his equally determined wife (Marion Cotillard) he sets about expediting that process. Not everyone believes his feigned innocence though, and that means he has to start removing his detractors - not least Banquo (Paddy Considine) and the late king's son Malcolm (an oddly cast Jack Raynor), and it's at this point that their cunning plan begins to unravel. The film looks great, the soundtrack is eerie and effective and the costumes, scenery and lighting really do help to convey something of the real Scottish environment; but again the absence of many significant plot lines - the caveats with the witches' initial prophecy, for example, rob the storyline of much of it's complex potency. The character of Lady Macbeth is underused as an underpinning motivation for her husband's actions and essentially we are just left with a rather straightforward story of power-hungry murder. It is worth watching, but it is also underwhelming.
Slovenian countryside in the 18th century. The future lord of the manor, Ožbej, falls in love with the new maid, Meta. His family, however, is opposed to the match and successfully plots to keep the young couple apart. Although Meta must endure scorn and degradation at the hands of the villagers, Ožbej still cannot tear himself away from her. Five children are born of their union, all of whom are looked upon as bastards by the manor folk. Although driven by desperation to return to the manor, Ožbej still harbours the hope that he will one day be able to live together with his love. Can he survive without the woman he loves and without his children? Will he be able to survive at all?
16 Years of Alcohol is a 2003 drama film written and directed by Richard Jobson, based on his 1987 novel. The film is Jobson's first directorial effort, following a career as a television presenter on BSkyB and VH-1, and as the vocalist for the 1970s punk rock band The Skids.
Comedy drama about a vain barrister who undergoes a personality change after having a heart transplant. Believing that this could be linked to the character of the donor, he travels to a village in Scotland to find out more about him, and there falls for the man's widow.
Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.
Blood will have blood. Unbridled ambition, supernatural forces, and murderous desires reign supreme in Shakespeare’s most poetic examination of evil. When three witches tell Macbeth that he will become King of Scotland, he plots with his wife to attain the title through an assassination; a bloody act that gives him his crown and sends him careening down the path of his own undoing.
Sara reads a story to Victor at night, a story about a grieving princess and a brave prince. Gradually the story draws nearer to their lives until converge in a fatal outcome.
In an ancient time when majestic fire-breathers soared through the skies, a knight named Bowen comes face to face and heart to heart with the last dragon on Earth, Draco. Taking up arms to suppress a tyrant king, Bowen soon realizes his task will be harder than he'd imagined: If he kills the king, Draco will die as well.
When recently single Steven moves into his new apartment, cable guy Chip comes to hook him up—and doesn't let go. Initially, Chip is just overzealous in his desire to be Steven's pal, but when Steven tries to end the 'friendship', Chip shows his dark side. He begins stalking Steven, who's left to fend for himself because no one else can believe Chip's capable of such behaviour.
An epic about anthropologists who hunt and capture pygmies for study back in Europe, in an attempt to illustrate the link between man and ape.
In the class-obsessed and religiously divided UK of the early 1920s, two determined young runners train for the 1924 Paris Olympics. Eric Liddell, a devout Christian born to Scottish missionaries in China, sees running as part of his worship of God's glory and refuses to train or compete on the Sabbath. Harold Abrahams overcomes anti-Semitism and class bias, but neglects his beloved sweetheart in his single-minded quest.