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The 2006 film Ostrov (The Island) is a story of religious faith in the bleak Russian north. As the film opens, it is 1942 and the young Russian sailor Anatoly is forced by the Germans to shoot his captain Tikhon. Left for dead, Anatoly washes up on the shore of an island where a monastery is located. He spends the next three decades among the monks trying to atone for the killing of his friend and shipmate. Eventually, though he considers himself the lowest of the low, Anatoly is granted clairvoyance and the ability to work miracles. A steady stream of visitors comes to the island to seek his help. But Anatoly is a certain kind of saint specific to the Russian tradition, the holy fool. He does things that make no sense to his fellow monks, to the point they think he's insane, but eventually everything he does is revealed to communicate some key spiritual point. Between ministering to the outsiders who visit him and dealing with his exasperated brethren, Anatoly gets no rest. The film is beautiful in a way. The plot is engaging enough, and for audiences outside Russia (as well as many Russians who grew up under Communism) this is an informative presentation of the realities of Orthodox monastic life. The makeup effects are excellent -- Pyotr Mamonov doesn't look this decrepit in real-life, but on the screen he really is convincing as a starets who has spent decades in an unforgiving environment. Nonetheless, I found Ostrov rather too heavy-handed, seeming at best sappy and at worst outright propaganda for a certain kind of contemporary Russian Orthodoxy that doesn't represent the faith entirely well. When one thinks of Russian Orthodoxy in cinema, one is tempted to draw comparisons with Andrei Tarkovsky, but even when Tarkovsky wasn't directly using Orthodox themes, he still communicated Christian truths more powerfully than anything in this film (think of the climax of Tarkovsky's Stalker or the ending of Offret). Thus, all in all, Ostrov is entertaining but not terribly deep.
Beautiful,bleak location. Excellent cinematography and direction highlights this story of guilt and redemption. Some find it in helping others selflessly. Or devotion to one's higher power. The prayer scenes may have been a bit too long or frequent but overall a good film,story and visual feast.
14th-century Franciscan monk William of Baskerville and his young novice arrive at a conference to find that several monks have been murdered under mysterious circumstances. To solve the crimes, William must rise up against the Church's authority and fight the shadowy conspiracy of monastery monks using only his intelligence; which is considerable.
King Arthur, accompanied by his squire, recruits his Knights of the Round Table, including Sir Bedevere the Wise, Sir Lancelot the Brave, Sir Robin the Not-Quite-So-Brave-As-Sir-Lancelot and Sir Galahad the Pure. On the way, Arthur battles the Black Knight who, despite having had all his limbs chopped off, insists he can still fight. They reach Camelot, but Arthur decides not to enter, as "it is a silly place".
An expansive Russian drama, this film focuses on the life of revered religious icon painter Andrei Rublev. Drifting from place to place in a tumultuous era, the peace-seeking monk eventually gains a reputation for his art. But after Rublev witnesses a brutal battle and unintentionally becomes involved, he takes a vow of silence and spends time away from his work. As he begins to ease his troubled soul, he takes steps towards becoming a painter once again.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
Escaping death, a Hebrew infant is raised in a royal household to become a prince. Upon discovery of his true heritage, Moses embarks on a personal quest to reclaim his destiny as the leader and liberator of the Hebrew people.
In this enchantingly cracked fairy tale, the beautiful Princess Buttercup and the dashing Westley must overcome staggering odds to find happiness amid six-fingered swordsmen, murderous princes, Sicilians and rodents of unusual size. But even death can't stop these true lovebirds from triumphing.
In his delirium from his return from war, Francesco Bernardone goes back in his memories to the days when he lived for parties and carnal pleasures. He slowly recovers, but after the illness he is no longer the Francesco that everybody knew. Instead of spending hours in taverns, he meditates on the beauty of God's creatures, soon renouncing his riches and his family with plans to rebuild an abandoned church and his life.
A family living on a farm finds mysterious crop circles in their fields which suggests something more frightening to come.
Set halfway through the 17th century, a church play is performed for the benefit of the young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.
Handa and Bhonda both hate their life and they are looking for a miracle to happen.
This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.