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I sorta figure blood is thicker than good resolutions... Five Guns to Tombstone is directed by Edward L. Cahn and collectively written by Ricahrd Schayer, Jack De Witt and Arthur Orloff. It stars James Brown, Walter Coy, Robert Karness and Willis Bouchey. Paul Sawtell and Bert Shefter share composing duties and Maury Gertsman provides the cinematography. Not a lot to write home about here, where the plot treads familiar ground as reformed outlaw gets roped into bad ways again, and his brother is involved in the mess that follows. As some Western fans have rightly spotted, this is a remake of Ray Nazarro's Gun Belt from 1953. Itself not a great film, it is however the one to seek out in preference to this offering. Though made in 1960 this actually feels more like a 1940s Western, where an air of serial sogginess hangs over proceedings. Cahn appears to be one of those jobbing directors who studios turned to to haul a pic in on time. Everything is competently staged, the action etc, and the landscapes pleasing, but excitement is in short supply and the finale doesn't pay off for time invested in viewing. 4/10
In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.
Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.
Firehand and his Apache friend Winnetou are determined to get justice for the murder of four young braves. They set off to track down the gang responsible for the horrendous act.
Union officer Kerry Bradford escapes from a Confederate prison and races to intercept $5 million in gold destined for Confederate coffers. A Confederate sympathizer and a Mexican bandit, each with their own stake in the loot, stand in his way.
Marshall Jed Cooper survives a hanging, vowing revenge on the lynch mob that left him dangling. To carry out his oath for vengeance, he returns to his former job as a lawman. Before long, he's caught up with the nine men on his hit list and starts dispensing his own brand of Wild West justice.
Expert conman Joe Thanks teams up with half-breed Bill and naive Lucy to steal $300,000 from the Indian-hating Major Cabot. Their elaborate plan is full of disguises, double-crosses, and chases, but Joe always seems to know what he's doing.
Arizona Territorial Prison inmate Paris Pitman, Jr. is a schemer, a charmer, and quite popular among his fellow convicts — especially with $500,000 in stolen loot hidden away and a plan to escape and recover it. New warden Woodward Lopeman has other ideas about Pitman. Each man will have the tables turned on him.
Opera star-cum-cowboy hero George Houston stars in PRC's The Lone Rider Fights Back. Appropriately enough, Houston disguises himself as a musician to get the goods on a gang of terrorists. The principal villain hopes to scare the local miners off their land, so he can move in and clean up.
Gunning for revenge, outlaw Nat Love saddles up with his gang to take down enemy Rufus Buck, a ruthless crime boss who just got sprung from prison.
After Cacopoulos manages to save himself from being hung on a false charge, he robs Cat Stevens and Hutch Bessy of a lot of money and steals their horses. This results in a merry chase and Stevens and Bessy become unwilling allies in Cacopoulus' revenge against the people who deserted him and framed him to get their money back.