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Sisters are doing it for themselves… Sisters is directed by Brain De Palma who also co-writes the screenplay with Louisa Rose. It stars Margot Kidder, Jennifer Salt, Charles Durning, Lisle Wilson and William Finley. Music is by Bernard Herrmann and cinematography by Gregory Sandor. When newspaper reporter Grace Collier (Salt) observes what she perceives to be a murder in the apartment across the street from her own, it proves to be the catalyst for a trip down a dark psychologically damaged street. To be honest here, the continuous complaints about De Palma being a Hitchcock clone got boring around about the mid eighties. As Hitch is my personal favourite director it has never bothered me one bit that he homaged and borrowed from the great man's cannon, in fact I have always found that when on form it was great to have someone like De Palma to keep the suspense thriller genre going. It's not as if he's the only one who owes his career to director's from the past really is it? Sisters is a wonderfully trippy suspenser, where De Palma lifts from some great Hitchcock motifs to portray a clinically edgy story based around an article he read about Siamese twins Masha and Dasha Krivoshlyapova. Infused with technical flourishes such as split screens, POV filming and close quarter framing, the director is donating his own blood for the veins of the piece. Suspense is rarely far away, be it characters in some sort of danger, or the possible discovery of a body, there is no pause for pointless filler fodder. While twists and revelations engage the brain instead of insulting it, something many of today's horror/thriller directors could learn to "homage" from actually, and a nightmare section of film literally unfurled out of the minds eye is top draw. Herrmann was enticed out of near retirement to score the music, the genre and themes at work in the story ready made for his skilled compositions. The score in all essence is lifted from his own major works for Hitchcock, with added sections taken from Jason and the Argonauts and Mysterious Island, but reworked in such away it drifts a perfectly off-kilter vibe across production. Kidder and Salt do great work in tricky roles, and Finley is suitably edgy. Durning is a little wasted, though, but it's a small complaint in the acting area. There's a couple of plot holes and one turn of events that just doesn't make sense, but this is a prime De Palma thriller and a good starting point for anyone interested in his work. And yes! For anyone who really isn't bothered about someone homaging a past master. 8/10
This is a story about a police officer named Khun Phan in WWII. He is off on an undercover mission to take down a governor at an island which everyone there is considered as bandits.
Emma, the lucky recipient of a recent heart transplant, sets out to find the identity of her donor only to learn that it was her estranged cousin, who may have been murdered.
Oscar, a young boy, commits a noble murder and is forced to runaway from his rural hometown, leaving behind his best friend, Loux. He escapes to the nearest city, where he is inducted into a gang of child street thieves. His innocence slips away as he is introduced to love, murder, and corruption. 15 years later, he has forgotten his past and become the leader of this band of lost children. When Loux moves to the city in search of work, she takes a job with a struggling private investigator. Stumbling upon Oscar's missing child report, she takes it upon herself to find the boy who saved her life.
Chili Palmer is a Miami mobster who gets sent by his boss, the psychopathic "Bones" Barboni, to collect a bad debt from Harry Zimm, a Hollywood producer who specializes in cheesy horror films. When Chili meets Harry's leading lady, the romantic sparks fly. After pitching his own life story as a movie idea, Chili learns that being a mobster and being a Hollywood producer really aren't all that different.
Special Agent Jennifer Marsh works in an elite division of the FBI dedicated to fighting cybercrime. She thinks she has seen it all, until a particularly sadistic criminal arises on the Internet. This tech-savvy killer posts live feeds of his crimes on his website; the more hits the site gets, the faster the victim dies. Marsh and her team must find the elusive killer before time runs out.
While vacationing in St. Moritz, a British couple receive a clue to an imminent assassination attempt, only to learn that their daughter has been kidnapped to keep them quiet.
A former child art prodigy and second generation petty thief arranges to buy his way out of prison to spend time with his ailing son, only to be forced to alter his plans and commit one more job for the man who financed his release.
Lawrence Salva's script centers on a detective on the trail of a murderer, who is led to believe that a local teenager, harboring some sort of strange supernatural power, may be involved. Slater plays a man of the cloth who aids the cop on his mission.
Criminal mastermind Mason is about to execute the score of a lifetime when his lover and key member of his crew, Decker, takes the team down and reveals she’s an undercover Interpol agent. Heartbroken, Mason escapes and retires from the life of crime until his younger brother Shawn is out of his league taking on a big bank heist all on his own. Mason has no choice left but to come to the rescue, while Interpol brings Decker in hoping to unnerve him. Before the SWAT teams storm the bank, Mason must use every tool in his arsenal to not only escape with the prize, but also the love of his life.
For Pablo Escobar family is everything. When young surfer Nick falls for Escobar's niece, Maria, he finds his life on the line when he's pulled into the dangerous world of the family business.
Prot is a patient at a mental hospital who claims to be from a far away planet. His psychiatrist tries to help him, only to begin to doubt his own explanations.