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'The Monkey' has a great concept and I enjoyed the wacky nature of it, I did almost lose interest in the human characters towards the end though. That isn't the best sign given the short 90 minute run time, but the end does come when desired so that saves it. Theo James is pretty good in this, for sure the most I've liked seeing him. I haven't seen him act much (five films now), my main thought of him is actually with human excrement up his nose (yep) in 'The Inbetweeners Movie'... hopefully this performance will override that memory (it won't). The gore shown for all the titular character's escapades is very cool and rather creative to be honest, the 'freak accident' angle is a fun one to watch play out onscreen. Everything with the red-eyed fellow is definitely what makes this movie, as it ought to really. A stronger overall story and I probably would've loved it.
FULL SPOILER-FREE REVIEW @ https://movieswetextedabout.com/the-monkey-review-a-chaotic-blend-of-tones-and-genres-that-misses-the-mark/ "The Monkey teeters between ingenuity and frustration. Osgood Perkins crafts moments of inspiration and gets the best out of a solid cast, but the lack of a cohesive identity prevents its erratic blend of tones and genres from reaching its true potential. For some, this chaotic, blood-soaked mix of horror, satire, family drama, and comedy will feel refreshing and daring; for others, it will be simply exasperating and disorienting. Personally, it didn't work... at all." Rating: C-
This takes for ever to get going and once it does, it’s really an unoriginal semi-comedic horror drama centred around yet another not-so-menacing puppet. This time, it’s squabbling brothers “Hal” and “Bill” who discover an old hat box after their father dies and in it is what looks like a toy monkey. They wind it up and next thing, their babysitter is no more and that’s the just the start of it’s malevolence. Putting two and two together, they decide it’s best to drop the thing down a well and get on with growing up. Scoot on years later and now “Hal” (Theo James) has a son of his own “Petey” (Colin O’Brien) and is trying to rebuild some bridges with him after his marriage collapsed. Equally estranged is his twin, so he’s not impressed when, out of the blue, he is called and told their aunt has died. He now has to drag the reluctant lad along to the home they grew up in and guess what is in the wardrobe? At times it’s quite funny, but I’m not sure how intentional that is as James delivers a seriously flat performance and the epitome of sibling rivalries involves a frankly risible degree of menace. It’s not that the idea is rubbish, though it is derivative, it’s that the acting and writing are poor and the scenarios - familial discord, new stepdad (Elijah Wood) etc. are all just too predictable and it provides virtually nothing new over a lacklustre one hundred minutes. I could certainly think of a few good uses for the chimp, though!
Remake of "Arachnophobia" (1990), in which a deadly South American spider hitches a ride inside a coffin to a small California town and starts to breed and kill.
A man tries to warn his brother away from the new girlfriend he brings home during Thanksgiving, but ends up becoming infatuated with her in the process.
When a former member of a religious cult dies in a mysterious accident, Martha, who now lives alone and close to the cult's church, begins to fear for her life and the lives of her visiting friends.
Sisters Ruth and Eileen Sherwood move from Ohio to New York in the hopes of building their careers. Ruth wants to get a job as a writer, while Eileen hopes to succeed on the stage. The two end up living in a dismal basement apartment in Greenwich Village, where a parade of odd characters are constantly breezing in and out. The women also meet up with magazine editor Bob Baker, who takes a personal interest in helping both with their career plans.
A thirty-seven-year-old woman wakes up from a twenty-year coma and returns to the high school where she was once a popular cheerleader to finish her senior year and become prom queen.
In a small village in Leon, Spain, María José prepares to end her life after failing to get over the suicide of her bullied son years before. Everything changes when she receives a visit from Lucía, a strange little girl who could be connected to a local legend about stopping an impending apocalypse. With the enigmatic girl by her side, María José faces the corrupt community, overloaded with sadistic secrets and immoral lies.
One of Hicks's most famous quotes was delivered during a gig in Chicago - known s the "Infamous Bill Looses it in Chicago" show - in 1989 (later released as the bootleg I'm Sorry, Folks). After a heckler repeatedly shouted "Free Bird", Hicks screamed that "Hitler had the right idea, he was just an underachiever!" Hicks followed this remark with a misanthropic tirade calling for unbiased genocide against the whole of humanity.
Bill Hicks tells us how he feels about non-smokers, blow-jobs, religion, war and peace, and drugs and music.
George Carlin celebrates 40 years of comedy and here, he presents 2 new standup bits, comedian Jon Stewart gives an interview with him, and we look at his old comedy work through the last 4 decades.
Back in Town is George Carlin's ninth HBO special. It was also released on CD on September 17, 1996. This was also his first of many performances at the Beacon Theater in New York City. He rants about Abortion, The death penalty, prison farms, fart jokes, free floating hostility and words.
Dimwitted, somewhat misanthropic Oslo mail carrier Roy's quiet life changes dramatically on the day he steals a set of keys and lets himself into the apartment of a deaf woman who seems to be in trouble with a psychotic criminal. Though he doesn't know it at the time, his and her fate are about to intertwine and this is not going to be to his benefit.