Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
The Forgotten Coast 2024 - Movies (Feb 19th)
Controlling My Husband 2024 - Movies (Feb 19th)
Rosebud Baker The Mother Lode 2025 - Movies (Feb 18th)
We Beat the Dream Team 2025 - Movies (Feb 18th)
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The 11th Hour with Stephanie Ruhle - (Feb 20th)
Green Eyed Killers - (Feb 20th)
On Cinema - (Feb 20th)
Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Storyville - (Feb 20th)
Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Definitely good, though only thanks to Marion Cotillard's excellent performance. The premise is intriguing and features some emotional scenes, there's one with Timur (Timur Magomedgadzhiev) that particularly hit me in the feels out of nowhere; it's not even the most gut-wrenching part of the film, yet it made me feel something the most. The camera work et al. isn't all that great, the dialogue is especially underwhelming. Perhaps I was noticing it more due to viewing with subtitles, but there's a lot of moments where we see Sandra (Cotillard) retrace the same steps with each individual - it gets repetitive. Cotillard, though, is top notch. She brings so much emotion and realness with her, nailing every single scene to deserve notable props. Away from the Parisian, there aren't any others to note; they are all fine but I would've loved a more meaty cast. I'd be rating it a level lower if it wasn't for the lead, who is easily the best thing to come out of 'Two Days, One Night'.
I really wasn't sure of the premiss at first here, but a strong effort from a Marion Cotillard-led cast of natural acting talent does actually bring it off well. We learn that there's been a sort of a referendum at her workplace where the boss has given them a choice. The staff can keep their €1,000 bonus or they can forgo that and "Sandra" gets to keep her job. Perhaps unsurprisingly, she's lost that ballot but when she discovers that one of her colleagues was briefing against her and doing some scaremongering, she manages to get "Dumont" (Baptiste Sornin) to agree to allow another vote. Now she, and her husband "Manu" (Fabrizio Rongione) have to embark on some whistle-stop diplomacy as she must try to convince her workmates that she is a price worth paying. This film is told very much from her perspective, so we are aware of just how strenuous this is for her and her family. She needs the work - for the money, yes, but also for her sanity. The others, however, well we only really encounter them in brief soundbite form as she tries to pitch to them. We don't really learn about their own predicaments nor are we really given much understanding of just how crucial this sum of money might be to them and their own families. It's that developing scenario that didn't quite work for me here, but there's no denying the almost visceral effort delivered by Cotillard as an increasingly frustrated "Sandra" who finds herself more and more emotionally drained as the weekend takes it's toll on everyone. The writing and the direction are potent and taut and it does invite us to ask what we might do in similar circumstances as colleagues or as one struggling with the psychology this dilemma poses.
Cult director Richard Stanley brings Marillion's music to the screen in the 50-minute BRAVE. A teenager believed to be suicidal is discovered wandering near the Severn Bridge. Suffering from severe memory loss, she seeks information about the mysterious events that led to her condition. This work of fiction was inspired from the true story of an amnesiac woman found at the bridge.
The story told in Hisser was inspired by a true occurrence. In 2013, a young man in Florida was literally "swallowed up by the earth" when a cesspool suddenly opened up under his bedroom. The film's main setting is a bedroom by night. From the way it was shot, the viewer has the feeling of peering into an abandoned life-size dollhouse. Other sequences show close-up views of a young man lying on a bed with a tormented look on his face or cowering in a corner. The scene is accompanied by an exaggeratedly romantic song whose refrain – "It took me so long to get my feet back off the ground" – alludes to the loss of a loved one and a sense of abysmal loneliness. The song's emotionality contrasts starkly with the artificiality of the scene. The boundary between reproduction and reality grows fluid, and the virtuality – which the artist has carried to a near- perfect extreme – begins to crumble in view of the protagonist's physical and emotional frailty.
Na bijna dertig jaar keert Germaine, Firmins grote liefde, plots terug naar haar geboortestad. Firmin is dolgelukkig en vastbesloten Germaine's hart te heroveren, maar Germaine wijst zijn avances af. En dan zoekt Mohammed Boutrous, een jonge en getalenteerde bokser, Firmin op. Hij wil dat Firmin hem traint. Firmin accepteert, in de hoop zo zijn eer én de liefde van zijn leven terug te winnen...
A portrait for the condition of a gay teenager, rejected by family and relying on friends.
Rae Ripple, a welder from the outskirts of West Texas transforms neglected metal into works of art and in the process finds healing from her traumatic past.
Five years after Diane leaves, Jack's depression reaches its' breaking point. With nothing to lose, Jack sets out on a cross-country journey of forgiveness, a huge ego, and a cast of wisdom seekers, who are willing to share life's little nuggets. For someone who's spent his whole life getting nowhere fast, Jack must learn how to quit running, so love can catch up. This coming of middle-age story begs you to cheer for the underdog...It's a beautiful moment when you realize the love you've been looking for your whole life, was with you the whole time.
Women’s Wrestling Revolution (WWR) returns to the NYWC Sportatorium on February 23rd with Widowmaker! They’re bringing more of the great women’s wrestling that we know and love. There’s also a few debuts set to take place at Widowmaker. Lisa Marie Varon, Allysin Kay and the rising star Leyla Hirsch all will make their WWR debuts. They will join regulars such as Skylar, Solo Darling, Willow Nightingale, Maria Manic and more.
Maya is an unhappy young woman, fed up with her monotonous job, filthy apartment, and the responsibilities of caring for her drug-addicted mother. One night she comes across Philip, a man of wealth, and the next morning wakes up alone in his large suburban home. With Philip nowhere in sight, Maya attempts to gain possession of the house.
After her widowed father dies, deaf teenager Dot moves in with her godparents, Olivia and Paul Deer. The Deers' daughter, Nina, is openly hostile to Dot, but that does not prevent her from telling her secrets to her silent stepsister, including the fact that she wants to kill her lecherous father.
A sensitive girl is sent to an all-girls boarding school and develops a romantic attachment to one of her teachers.
After running out of money while backpacking in a tiny, male-dominated town in the Australian outback, two friends resort to a working holiday at the Royal Hotel. When the locals' behavior starts crossing the line, the girls find themselves trapped in an unnerving situation that grows rapidly out of their control.