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Some couples dance, others go to Mars. It was the year of two Mars based movies, with the other being Red Planet, of Pitch Black and the chaotic history that produced the Supernova. Plenty of sci-fi around but sadly few decent offerings. Mission to Mars is a film you can see had good ideas on the page, some brainy and emotion based narrative threads. Effects work is OK for the era, while there's a very impressive cast put together to tell the story. Yet the script stinks to high heaven, the surprises are as absent as Martians are, while the steals from previous sci-fi movies grate on the nerves. The odd sequence has quality about it (dancing in space, woo-hoo, storm attack, yay), while the finale - all be it still a steal - is well constructed and further proof that someone somewhere had the kernel of a good story idea, but it's laborious trite and devoid of the basic film principals - to entertain and engage. So many things wrong here, so much so the names of all involved have been spared. Join this Mission to Mars at your own peril. 4/10
When a mission to explore the red planet goes wrong, stranding "Luke" (Don Cheadle) alone on this hostile world, his colleagues "Woody" (Tim Robbins), "Jim" (Gary Sinese), "Terri" (Connie Nielsen) and "Phil" (Jerry O'Connell) put huge pressure on their boss to let them take the spare rocket ship and head to the rescue. After a minimum of persuasion, off they go and are soon in sight of the planet and of an anomaly that is defying their instruments and their instincts. They land, discover their friend is alive and well and that there is a strange construction on the planet that needs investigating. Sense might dictate they go home and return to proceed in greater numbers but there's no taming the inquisitiveness of mankind and, well, the action starts to heat up. To be fair, this film looks very good and the use of visual effects and the spaceship interiors are complementary rather than overwhelming. The dialogue, well that's another story - it's pretty poor from start to finish and the plot itself is fairly derivative (and a bit repetitive, too). The acting is really only adequate, but Brian De Palma does manage to engender a sense of camaraderie amongst his astronauts and a workable sense of menace as the plot develops. Jeopardy? No, not really. Of course some of the crew are going to end up Martian toast and I found the science a little bit implausible as we advance. As a throw-away sci-fi adventure film this works fine and passes two hours effortlessly. If you are looking for anything more cerebral and/or original then perhaps not...
Brian De Palma's Mission to Mars (2000) delivers an engaging space exploration adventure that still holds up as a fascinating depiction of outer space, especially given the limited technical knowledge available at the time. While it may not be flawless in its execution, the film does a commendable job of portraying the challenges and mysteries of space travel. The performances, particularly from Gary Sinise and Don Cheadle, are standout elements. Their characters bring depth and emotion to the story, grounding the film's high-concept premise with human connection. The storyline is another highlight, offering a plot that’s unpredictable in true De Palma fashion. The layers of mystery and the well-written underlying message keep the audience invested throughout. The script may not be perfect, with some moments feeling a bit thin, but it works well in service of the overall narrative. Combined with De Palma’s direction, the dialogue and pacing help to maintain the film’s emotional and intellectual impact. Mission to Mars is a movie for those who appreciate science fiction with a thoughtful touch. Its visuals, strong performances, and engaging plot make it a memorable exploration of both outer space and the human spirit. Even after all these years, it’s a film that remains enjoyable to revisit
When carefree Nyles and reluctant maid of honor Sarah have a chance encounter at a Palm Springs wedding, things get complicated when they find themselves unable to escape the venue, themselves, or each other.
A pair of space rangers must rescue the Princess of Earth from the ultimate villain after receiving an urgent plea for help.
A newly designed spacecraft capable of going through time is sent to Mars to rescue a crew previously lost on Mars. The ship is sent through the past but to the wrong time, years later than the first crew. Once they land on Mars, the crew finds that it is a place where Bararians rule. The leader of the Barbarians is a female battle warrior named Giza that wants their ship to use as her own chariot through time where she hopes to steal the ancient power of the Masha. With that power, she will gain complete control of the Siperion Empire. - Empire of Danger is the sequel to the movie "Lost on Mars"
A woman has to rescue her friend, a prisoner of a psychopath who lives in a mechanical workshop.
It's been ten years since the dragons moved to the Hidden World, and even though Toothless doesn't live in New Berk anymore, Hiccup continues the holiday traditions he once shared with his best friend. But the Vikings of New Berk were beginning to forget about their friendship with dragons. Hiccup, Astrid, and Gobber know just what to do to keep the dragons in the villagers' hearts. And across the sea, the dragons have a plan of their own...
Prince Amleth is on the verge of becoming a man when his father is brutally murdered by his uncle, who kidnaps the boy's mother. Two decades later, Amleth is now a Viking who's on a mission to save his mother, kill his uncle and avenge his father.
Iren, who went to visit her grandmother with her mother (Lal), finds her grandmother dead at home. Lal is forced to stay at the deceased mother's house with her child (Iren) for a while to host guests and clean the house. Due to the stress of the situation, Iren is unable to speak (selective mutism/temporary mutism). Lal becomes overly protective of her daughter due to her mutism. Her greatest fear is leaving more wounds with her death than she did while alive. Already afraid of leaving permanent marks, Lal cannot remove the stain left on the wooden floor where her mother died and becomes increasingly tense. In an attempt to conceal it, she covers the stain with a cabinet and tries to entertain guests this way. Meanwhile, Iren begins to hear noises coming from under the unrevealed stain. Despite Lal's efforts to protect her daughter, Iren starts to become a part of the family amid these sounds.
Prahastha, a lonely astronaut, works in a spaceship. Every morning, his spaceship comes close to Earth and Cargos are delivered at the arrival bay. These Cargos are people who have just died on Earth and we learn that Prahastha works for Post Death Transition Services — a large, pioneering, bureaucratic company that stores, transitions, and recycles dead people for rebirth. Today, after many years, a young, popular astronaut — Yuvishka, trained in cutting edge technology, will join the spaceship as his assistant.
Six months into a solo mission, a lonely astronaut confronts the cracks in his marriage with help from a mysterious creature he discovers on his ship.
The spirit of a mass murderer is resurrected to seek revenge on those who wronged a small-town farmer. A determined police officer races against time to stop the killings and send the evil spirit back to where it came from.
