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Paint Your Wagon is a classic musical set in the mountains of California. A Great cast and pure entertainment. Despite the generally silly plot, the movie provides fun spirited viewing. Besides who knew that Clint Eastwood could sing (well sort of).
2hrs 40mins... 160 whole minutes... Why? What an absolute bore, and a waste, 'Paint Your Wagon' turns into. Why did they make this so long? The plot needn't be that extended, the music doesn't carry it either. It has a few decent parts, but they are surrounded by excess fat. Lee Marvin, Clint Eastwood and Jean Seberg stopped me from hating this, I will say, because that trio are all solid despite the aforementioned. It's amusing, at first anyway, to see Marvin and Eastwood sing, as they aren't the types you'd expect to do so. I'm not saying they can sing per se, but it's comically positive - which is the film's intentional, after all. I wish it was shorter, you could easily take an hour off this and not lose anything. It's a right drag, unfortunately.
This is a fine adaptation of Lerner & Loewe's tale of the escapades of two prospectors on the hunt for gold, whisky and a wife... Clint Eastwood, the slightly more sophisticated tea-totaller, is actually quite a revelation as "Pardner"; yep - he can actually hold a tune alongside the wonderfully curmudgeonly Lee Marvin "Ben Rumson". When a Mormon gent arrives in "No Name City" he decides to auction one of his wives; Marvin makes a purchase and soon there is an uniquely amicable little ménage à trois going on with "their" wife Jean Seberg - the no-nonsense "Elizabeth". The story does take quite a while to get going, but the three principals with the help of some wonderful orchestrations (Nelson Riddle at the helm) of "Wandrin' Star"; "They Call the Wind Maria" & "I Talk to the Trees" all deliver really rather well (if, perhaps not quite so tunefully by Marvin). The actors are having great fun amongst the rain, mud and poverty - and that fun can at times be quite contagious; there are some really enjoyable ensemble scenes/numbers too. The story is, however, strung out far too thinly over what seemed like an age and though there are some quite pithy one liners, the comedy is equally sparsely distributed throughout this all but three hour film. The last ten minutes are quite an achievement for the scenery/props folks as we almost end up where we started... It's entertaining fun....
In post-9/11 New York City, an eclectic group of citizens find their lives entangled, personally, romantically, and sexually, at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality.
“In This Moment” follows Love, a trans woman navigating the complexities of polyamory and self-discovery in a world that often challenges her right to exist. As she unravels what it means to be truly seen and cherished, she confronts the ways love manifests—fluid, unpredictable, and boundless, much like the ocean itself. This story is a testament to resilience, intimacy, and the ever-shifting tides of identity and belonging.
After learning of her husband's infidelities, a housewife invites an itinerant lesbian to move in with them. None of their lives will ever be the same again.
Andy heads off to Cowboy Camp, leaving his toys to their own devices. Things shift into high gear when an obsessive toy collector named Al McWhiggen, owner of Al's Toy Barn kidnaps Woody. Andy's toys mount a daring rescue mission, Buzz Lightyear meets his match and Woody has to decide where he and his heart truly belong.
Lucky Mann is a builder equally handy at repairs and seduction. The latest housewife to succumb to his charms is Marianne, unhappily married to corporate exec Jeffrey. When Jeffrey becomes enraptured by Lucky’s wife Phyllis, the four get caught in a love quadrangle that reignites their marriages.
Stan and Ollie try to deliver the deed to a valuable gold mine to the daughter of a dead prospector. Unfortunately, the daughter's evil guardian is determined to have the gold mine for himself and his saloon-singer wife.
The story of Nola Darling's simultaneous sexual relationships with three different men is told by her and by her partners and other friends. All three men wanted her to commit solely to them; Nola resists being "owned" by a single partner.
After returning to Los Angeles from a group therapy session, documentary filmmaker Bob Sanders and his wife, Carol, find themselves becoming vigilante couples counselors, offering unsolicited advice to their best friends, Ted and Alice Henderson. Not wanting to be rude, the Hendersons play along, but some latent sexual tension among the four soon comes bubbling to the surface, and long-buried desires don't stay buried for long.
In 1890 Minnesota Christine Powell is the scheming head of the Powell dynasty, the richest mining empire of the era. But the Powell mine deposits are diminishing. The Mesabi range represents a whole new productive area but the rights to mine there are held by a young geological engineer, Kyle Ramlo. The latter reaches an impasse when he needs money to continue his experimentation with open-pit mining and goes to Miss Powell for financing. She displays great interest in both his inventive mining method and in him personally but secretly plots to destroy him and take over his Masabi rights. The gullible Ramlo falls into clutches while the girl he really loves, Cathy Norlund, tries desperately to open his eyes to Christine's scheme.
In this western, a crusty old sourdough finally finds the silver mine of his dreams only to find his mine threatened by vicious outlaws. Fortunately, a cowboy hero rides up to save him, but not until considerable rootin' tootin' action.