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“Marianne” (Lara Flynn Boyle) is sexily awaiting the return home from work of her executive husband “Jeffrey” (Jonny Lee Miller) but he just mutters something about a jockstrap and shows her little interest. Exasperated, she also needs an handyman to do some household plumbing and so alights on “Lucky” (Nick Nolte). Now he is married to “Phyllis” (Julie Christie) but isn’t averse to playing away from home now and again and so, well what now ensues rather surprised me. Not because it’s very good, but because Julie Christie took part in it. For a film that’s about relationships, possessiveness and sex it’s a shockingly sterile exercise with JLM as wooden as picket fence and Nolte just not at all convincing as the sex magnet his aptly named character would have us believe. “Phyllis” is an erstwhile actress and is a classy woman too, so what she’d ever have seen in her scruffy philandering husband didn’t leap of the screen at me in the first place. The same could be said of the plausibility of the other marriage that’s unsurprisingly struggling here. Perhaps the scenario is supposed to engender empathy from those of us in marriages that have entered cruise control and that have no longer any flare in them, but I just couldn’t find anything about any of these people that I wanted to like, so I couldn’t really have cared less. I did quite like the house with all the gadgets (maybe not the blue lights) but the rest of this, save for some acerbic dialogue from Christie, just didn’t really impress, sorry.
Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.
In a small and conservative Scottish village, a woman's paralytic husband convinces her to have extramarital intercourse so she can tell him about it and give him a reason for living.
When you read the title ‘Summer on the Balcony’ you probably think it will be a light Berlin summer comedy but it’s not. This film is an intimate study of two women friends who come to each other because of troubles with everyday life and with men and thus try to enjoy a life based on their ideas.
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
After a wonderful time in Hungary Sissi falls extremely ill and must retreat to a Mediterranean climate to rest. The young empress’ mother takes her from Austria to recover in Madeira.
Michaela, an epileptic, enrolls in college to study education. She goes off her medication and soon begins hearing voices and seeing apparitions that tell her to avoid religious objects, although she is devoutly Roman Catholic. One priest scoffs at the idea that Michaela could be possessed by demons, but a younger pastor arranges an exorcism for the young woman.
A drama about a boy who's inspired by Dr. Martin Luther King Jr. and challenges repressive school authority in 1969 Denmark.
On the outside, Helen has it all – a loving family and a successful career – but when her suppressed mental illness resurfaces, the world crumbles around her. Crippled by depression, Helen finds solace through her friendship with Mathilda, a kindred spirit struggling with bipolar disorder.
Ken, a WWII GI, returns home after he's paralyzed in battle. Residing in the paraplegic ward of a veteran's hospital and embittered by his condition, he refuses to see his fiancée and sinks into a solitary world of hatred and hostility. Head physician, Dr. Brock cajoles the withdrawn Ken into the life of the ward, where fellow patients Norm, Leo and Angel begin to pull him out of his spiritual dilemma.
Kathy leaves the newspaper business to marry homicide detective Bill, but is frustrated by his lack of ambition and the banality of life in the suburbs. Her drive to advance Bill's career soon takes her down a dangerous path.
"Boxcar" Bertha Thompson, a transient woman in Arkansas during the violence-filled Depression of the early '30s, meets up with rabble-rousing union man "Big" Bill Shelly and the two team up to fight the corrupt railroad establishment.