Die Stoßburg

King Arthur, accompanied by his squire, recruits his Knights of the Round Table, including Sir Bedevere the Wise, Sir Lancelot the Brave, Sir Robin the Not-Quite-So-Brave-As-Sir-Lancelot and Sir Galahad the Pure. On the way, Arthur battles the Black Knight who, despite having had all his limbs chopped off, insists he can still fight. They reach Camelot, but Arthur decides not to enter, as "it is a silly place".

Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead.

The sequel to The Visitors reunites us with those lovable ruffians from the French Medieval ages who - through magic - are transported into the present, with often drastic consequences. Godefroy de Montmirail travels to today to recover the missing family jewels and a sacred relic, guarantor of his wife-to-be's fertility. The confrontation between Godefroy's repellent servant Jack the Crack and his descendent, the effete Jacquart, present-day owner of the chateau, further complicates the matter.

The story of Lanze who is in love with the princess. One day the princess is kidnapped by the Dark Knight and Lanze starts his journey to rescue her. But he is not alone because Erdal, a turk, joins him on his journey.

A playboy has the tables turned on him when he finds himself being used as a plaything by an undesirable woman.

A Monty Pythonesque tale of a band of Crusaders who find themselves in possession of an alien ship and the alien to pilot it. Armed with the means to conquer the Holy Land, the naive Crusaders set off on a grand crusade, only to find themselves not in Jerusalem, but at the mercy of an entire alien world.

When Geoff, an orphaned stable boy (Chris Masterson), discovers Drake (voice of Robby Benson), the world's last living dragon, he realizes that his dream of becoming a knight in shining armor can now come true. Together, they soon face challenges that turn them into heroes. But caught up in the excitement of their new lives, Geoff and Drake fail to see the hidden dangers that surround them.

A group of boys and girls are locked up a weekend in a friends house in which they do a party that little to little is converted in an orgy. But not everything is sex, there are also cinematographic digressions, chocolate and churros, and good humor.

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.

The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective-the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time-so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.

A group of rogues steal a scroll granting its bearer the property of the land of Aurocastro in Apulia, a province in the south of Italy. They elect a shaggy knight, Brancaleone from Norcia, as their leader, and decide to get possession of this supposedly wealthy land. Many adventures will occurr during the journey.