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**A shame.** If “Dragonheart” managed to make an impact and assert itself as an iconic epic adventure, the same cannot be said of its sequels. In the review I wrote for the initial film, I spoke a little about its popularity and impact… and when a film achieves this effect, it already makes a series of sequels designed to “milk the cow” and monetize the success obtained. This was the first sequel, and it was so weak that it would have been better not to exist. We already know that sequels are rarely as good as the original movies (although we can name several examples of sequels as good or better than the originals), but this movie is so weak and had such a limited budget that I have doubts about the real effort. from the studio to bring the project to a successful conclusion. The most praiseworthy and redeeming aspects of this film reside in some of its technical characteristics. In fact, the film has a good soundtrack (in good part a recycling of the first film's musical themes) and tries its best to be fun, engaging, friendly and enjoyable for the whole family. There's plenty of humor, although the jokes don't always work: burning flatulence or drool dripping over a human are situations we've seen before on film, and much better. Everything else is woefully weak: the script, based on an implausible prophecy and a dragon's egg left behind by Draco, is rather weak and riddled with problems; there are several action-packed scenes, but almost all of them are overly choreographed, imaginative and uninteresting, plus the climax was clearly cobbled together in a hurry. The sets and costumes also suffer from the excesses of imagination applied to the script, turning the Middle Ages into Middle Earth, or almost. There are clearly problems with the lack of good taste in the design of some sets and costumes. The film used CGI and computer effects quite intensively, both for the castles and the dragon itself. Its use, however, should have been more punctual, since nothing is real, and we clearly understand that. I, for one, don't remember seeing many movies with such clearly fake and amateurish CGI and effects! There are also pacing problems, which reveal faulty editing and many shortcomings in the post-production work. About the actors, I can only say that we shouldn't hope for miracles. We are dealing with a very weak cast, with weak talent and little able to shine. The main character is the CGI-created dragon, but despite Robby Benson's good voice work, he's a jerk. The best interpretations are by Christopher Masterson and Harry Van Gorkum. Masterson is the classic hero and Gorkum is the Machiavellian villain. What unites them? Both are crooks.
John Constantine has literally been to Hell and back. When he teams up with a policewoman to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists beneath the landscape of contemporary Los Angeles.
Dashing legionnaire Rick O'Connell stumbles upon the hidden ruins of Hamunaptra while in the midst of a battle to claim the area in 1920s Egypt. It has been over three thousand years since former High Priest Imhotep suffered a fate worse than death as a punishment for a forbidden love—along with a curse that guarantees eternal doom upon the world if he is ever awoken.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
An Eastern European tourist unexpectedly finds himself stranded in JFK airport, and must take up temporary residence there.
Strange phenomena surface around the globe. The skies ignite. Terror races through the world's major cities. As these extraordinary events unfold, it becomes increasingly clear that a force of incredible magnitude has arrived. Its mission: total annihilation over the Fourth of July weekend. The last hope to stop the destruction is an unlikely group of people united by fate and unimaginable circumstances.
During their travel from Chicago to New York, Harry and Sally debate whether or not sex ruins a friendship between a man and a woman. Eleven years later, and they're still no closer to finding the answer.
In his homeland of Alagaesia, a farm boy happens upon a dragon's egg - a discovery that leads him on a predestined journey where he realized he's the one person who can defend his home against an evil king.
A girl who halfheartedly tries to be part of the "in crowd" of her school meets a rebel who teaches her a more devious way to play social politics: by killing the popular kids.
The Dynamic Duo faces four super-villains who plan to hold the world for ransom with the help of a secret invention that instantly dehydrates people.
A Turkish remake of the blockbuster Russian comedy of the same name. A young man born into an oligarch family is so spoiled that he believes he's above the law. When he faces jail, his father decides to 'rehabilitate' his son. An abandoned village is reconstructed, 19th century style. The spoiled brat 'goes back in time', reincarnated as a serf, to learn how to appreciate life and to work hard.
Seven young men who played soccer together since their early youth grow apart and are forced to think about the nature of their friendship. In a comic way and a very Dutch setting, All Stars is about pregnant girlfriends and homosexuality, career plans and the power of parents.
