Konga Yo

On an African safari with his friend Grant, Clyde Beatty plans to buy some black-maned Numbian lions from Jo Carter but her animals are wiped out by a fire. Despite interference by rival dealer Gorman, who hopes to ruin Jo, Beatty saves her business by helping her to capture an adult gorilla. (2nd story) When Grant is bitten by a tsetse fly and falls ill, Beatty heads for the nearest hospital through the territory of the dangerous Matabeles tribe. They are captured and condemned to death by Grubbs, a white man living with the tribe and stealing their gold. Using the Matabele Boy King as a shield, Beatty and Grant make an escape and Grubbs is forced to accompany them, leaving his loot behind.

Lake Tanganyika is an 'Ocean' in Africa. Millions of years ago it was colonized by a little fish called 'Cichlid'. Otters, crocodiles, cobras and cormorants all hunt the fish in clear water. How the Cichlid survived and evolved is an incredible story for, millions of years later, there are over 200 new species - all found only in Lake Tanganyika. Incredibly, they have evolved to look like coral reef fish. There are cichlid equivalents of tuna, snapper, gobies and goatfish. They have evolved bizarre methods of breeding with mouth-incubation, lekking and, unique amongst fish, there is even a cuckoo. Despite all their specialization over millions of years, if an opportunity presents itself, the little fish can behave like their unspecialized ancestor. In the climax of the film, they bang together to feast on a hatch of sardine fry. This is the story of how one little fish has conquered a lake.

Rumba Rules, New Genealogies offers an enjoyable, rough-edged glimpse into the music scene of Kinshasa, with impromptu shots drawing the viewer into jam sessions on plastic chairs, and the quest for perfection at the studio.

Virunga in the Democratic Republic of the Congo is Africa’s oldest national park, a UNESCO world heritage site, and a contested ground among insurgencies seeking to topple the government that see untold profits in the land. Among this ongoing power struggle, Virunga also happens to be the last natural habitat for the critically endangered mountain gorilla. The only thing standing in the way of the forces closing in around the gorillas: a handful of passionate park rangers and journalists fighting to secure the park’s borders and expose the corruption of its enemies. Filled with shocking footage, and anchored by the surprisingly deep and gentle characters of the gorillas themselves, Virunga is a galvanizing call to action around an ongoing political and environmental crisis in the Congo.

The true story of the rise to power and brutal assassination of the formerly vilified and later redeemed leader of the independent Congo, Patrice Lumumba. Using newly discovered historical evidence, Haitian-born and later Congo-raised writer and director Raoul Peck renders an emotional and tautly woven account of the mail clerk and beer salesman with a flair for oratory and an uncompromising belief in the capacity of his homeland to build a prosperous nation independent of its former Belgian overlords. Lumumba emerges here as the heroic sacrificial lamb dubiously portrayed by the international media and led to slaughter by commercial and political interests in Belgium, the United States, the international community, and Lumumba's own administration; a true story of political intrigue and murder where political entities, captains of commerce, and the military dovetail in their quest for economic and political hegemony.

Jazz and decolonization are intertwined in a powerful narrative that recounts one of the tensest episodes of the Cold War. In 1960, the UN became the stage for a political earthquake as the struggle for independence in the Congo put the world on high alert. The newly independent nation faced its first coup d'état, orchestrated by Western forces and Belgium, which were reluctant to relinquish control over their resource-rich former colony. The US tried to divert attention by sending jazz ambassador Louis Armstrong to the African continent. In 1961, Congolese leader Patrice Lumumba was brutally assassinated, silencing a key voice in the fight against colonialism; his death was facilitated by Belgian and CIA operatives. Musicians Abbey Lincoln and Max Roach took action, denouncing imperialism and structural racism. Soviet Premier Nikita Khrushchev intensified his criticism of the US, highlighting the racial barriers that characterized American society.

A thinly-disguised biography of African leader Patrice Lumumba, here called Lalubi. Lalubi, a Christ-like leader determined to save his people, by passive resistance, from the dictatorial regime propped up by European colonialists, is imprisoned and tortured, along with a thief who comes to a greater understanding through his contact with Lalubi.

In the fifties, when the future Democratic Republic of Congo was still a Belgian colony, an entire generation of musicians fused traditional African tunes with Afro-Cuban music to create the electrifying Congolese rumba, a style that conquered the entire continent thanks to an infectious rhythm, captivating guitar sounds and smooth vocals.

In the cobalt mining areas of Katanga in the Democratic Republic of the Congo (DRC), babies are being born with horrific birth defects. Scientists and doctors are finding increasing evidence of environmental pollution from industrial mining which, they believe, may be the cause of a range of malformations from cleft palate to some so serious the baby is stillborn. More than 60% of the world’s reserves of cobalt are in the DRC and this mineral is essential for the production of electric car batteries, which may be the key to reducing carbon emissions and to slowing climate change. In The Cost of Cobalt we meet the doctors treating the children affected and the scientists who are measuring the pollution. Cobalt may be part of the global solution to climate change, but is it right that Congo’s next generation pay the price with their health? Many are hoping that the more the world understands their plight, the more pressure will be put on the industry here to clean up its act.

In Brussels, Belgium, the Royal Museum of Central Africa is undertaking a radical renovation, both physical and ethical, to show with sincerity, crudeness and open-mindedness the reality of the atrocities perpetrated against the inhabitants of the Belgian colonies in Africa, still haunted and traumatized by the ghost of King Leopold II of Belgium, a racist and genocidal tyrant.