War of the Worlds Extinction 2024 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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The One Show - (Mar 29th)
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One Killer Question - (Mar 29th)
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Gogglebox - (Mar 28th)
This documentary is a serious testament to the archivist's art as it pieces together an impressive array of imagery of the great and the good of American Jazz and combines that with some intimate actuality of the turbulence ongoing in the Congo as it strived for independence. Why might anyone care about the future of an impoverished African nation that had all but bankrupted it's "owner" - King Leopold II of Belgium? Well that's because it holds enormous deposits of the uranium required by both the West and the Soviets - and that's just the start of it's reputedly $23 trillion worth of mineral assets. Emerging from the populace to lead this new country is Patrice Lumumba. He's an articulate man who unlike so many who took their nations out of colonial-hood, is not constantly bedecked in medals and ribbons with armed men at his back. What we see over the next couple of hours uses a superb musical soundtrack from the likes of Nina Simone, Louis Armstrong, Miles Davis - you name it, to provide a backdrop to CIA shenanigans, petulant strops from Nikita Khruschev, accusatory comments from just about everyone from Malcolm X to Fidel Castro and some extremely cynical insights into the Eisenhower presidency's approach to this man; to the problems he may bring or solve and to the precedents he was bound to set. As you'll expect, this freedom fight is tied-in closely with the fight for desegregation and equal/human rights for African American people and it uses that platform to illustrate just how ineffective the US-dominated United Nations was at brokering anything akin to a peaceable solution that was in anyway neutral or beneficial to the populace of this vast territory. The secession of Katanga - where the mining was at it's more lucrative and the privatisation of it's principal enterprise ensured that the West still pulled the strings, sets the tone for the final phase of the history and it's tragic conclusion. I knew some of this but I wasn't aware of just how exploitatively the American administration used unwitting people, many globally recognised household hames and who were still treated as second-class citizens (if citizens at all) at home, to peddle a political message of brotherhood and unity in Africa and at just how effective these deceptions were whilst the CIA experimented with new ways of assassinating. There's an arrogance here that's writ large as the local population are treated with a casual disdain that makes your flesh crawl. Fans of jazz will love the accompaniment which mixes some characterful performances of the more famous pieces of music from the genre with some more specifically written and delivered themes that directly address the issues of slavery, exploitation and freedom that led to a protest within the impotent General Assembly chamber itself. It is curious that many of the criticisms levelled at the UN in the mid 1960s are just as valid today, and that little progress as been made changing the format that was established by world powers in the 1940s whose "permanent" roles embedded in the political infrastructure remain unaffected sixty years later. This isn't a film about corporate greed, it's one about political influence and domination and has been thoughtfully put together to open a hornet's nest. Did you know that Dizzy Gillespie actually ran for US President?
Perhaps the most important objective of a documentary is to shed light on a subject and make it comprehensible and insightful for viewers, especially when it involves little-known material. However, when it comes to writer-director Johan Grimonprez’s latest offering, that goal is sorely compromised in multiple respects. The film examines (or, more precisely, attempts to examine) the complex history of the Congo’s struggle for independence from its Belgian colonial masters and the emergence of Prime Minister Patrice Lumumba as a global influencer in the 1950s and early 1960s. The fledgling, resource-rich nation became a flashpoint in international politics on various fronts, including the Cold War between East and West, the rise of the pan-African movement, the ongoing decline of colonial imperialism and the role of the United Nations in global affairs. Its impact also extended into American politics, particularly the birth and growth of the civil rights movement and its impact on leaders like Malcolm X, as well as the Eisenhower Administration’s veiled efforts at protecting the status quo, especially through seemingly benign cultural programs like goodwill exchanges involving popular Black jazz musicians. Many threads are thus involved in telling this tale, but, regrettably, they’re not coherently managed, particularly in the picture’s opening hour (of a surprisingly and arguably somewhat needlessly overlong 2:30:00 runtime). The filmmaker throws a lot of widely diverse material at his audience without coherent, meaningful explanation, and much of that involves reading a series of cryptic screen graphics that fly by hastily with little elaboration, a process that quickly becomes aggravating, frustrating and tiresome, even for the most adept subtitle readers. Then there’s the jazz aspect of this release, whose connection to the narrative isn’t always made clear or relevant, despite its addition of an element of artistic flair. However, these performance sequences – as entertaining and poignant as they are – ultimately do more to promote the film’s style than its substance, To its credit, “Soundtrack to a Coup d’Etat” becomes more cogent (albeit somewhat politically oversimplified) as it moves forward, but, by that point, audiences may well have lost patience with it (I was admittedly on the verge of turning it off myself after the opening 60 minutes, something I generally never do). It’s also obvious that the material here was exceedingly well researched and incorporates a wealth of revelatory archive footage, both from journalistic and jazz performance sources, qualities definitely worthy of commendation. However, a more fluid, better organized telling of this tale (especially one that doesn’t skip around out of temporal sequence) would have helped immeasureably, as would have a better elucidated nexus between its political and musical aspects. There’s clearly an important story to be told here, but this isn’t the vehicle for doing so.
A documentary film honoring the King of Pop showcasing how Michael Jackson's groundbreaking musical legacy has influenced performers of the past, present and future.
Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.
A woman and her daughter struggle to make their way through the aftermath of the Balkan war.
Georges Remi, known as Hergé, a complex and complicated artist, created Tintin, one of the most famous characters in the world. With exceptional access to the archives of Studios Hergé and Moulinsart, this documentary looks at Remi's life and the way he changed the art of comic.
In Havana, Cuba in the late 1950's, a wealthy family, one of whose sons is a prominent nightclub owner, is caught in the violent transition from the oppressive regime of Batista to the Marxist government of Fidel Castro. Castro's regime ultimately leads the nightclub owner to flee to New York.
As the Space Race ensues, seven pilots set off on a path to become the first American astronauts to enter space. However, the road to making history brings forth momentous challenges.
Two soldiers from opposite sites get stuck between the front lines in the same trench. The UN is asked to free them and both sides agree on a ceasefire, but will they stick to it?
Three young Irish women struggle to maintain their spirits while they endure dehumanizing abuse as inmates of a Magdalene Sisters Asylum.
Edward Wilson, the only witness to his father's suicide and member of the Skull and Bones Society while a student at Yale, is a morally upright young man who values honor and discretion, qualities that help him to be recruited for a career in the newly founded OSS. His dedication to his work does not come without a price though, leading him to sacrifice his ideals and eventually his family.
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.