ICHI

A young undercover cop tries to get back with his former love, while unraveling the mystery behind the head of the police force. Meanwhile he has to protect the boss' daughter.

High school student Yuki Hase wants to become close with classmate Kaori Fujimiya who is alway by herself. Kaori Fujimiya refuses to become close with Yuki Hase, because she forgets her friends every new Monday. Even though Kaori tells Yuki why she doesn't want to become friends, Yuki still wants to become close to her.

A ronin named Azami Onijuro travels the Nikko Highway, he is being followed by the bounty hunter Daihachi and Yukata Danzen. He is pursued by his past as a covert spy under Lord Matsudaira. Due to certain circumstances, Onijuro betrayed him and became a wandering ronin. Ever since, he's been hunted by Matsudaira's subordinates and bounty hunters. After saving the tough and fiery woman Omom from yakuza trouble, Onijuro and his companions head to Akame-shuku (inn town). Here, a conflict brews between the Tsurugame family led by Genroku and the lawless monk group led by Tetsuzan, a former sumo wrestler gone rogue. Onijuro sides with Tetsuzan, while Daihachi and Danzen side with Genroku. This intricate web of allegiances and confrontations unfolds against the backdrop of the bustling post-town.

The stormy tale of the Shinsengumi is told from its birth by master filmmaker Sasaki Yasushi, with an all-star cast based on the original story by Shirai Kyoji. The battles between the royalists and Shogunate supporters come to a fever pitch during the Gion Festival as the exclusionists plot to burn Kyoto and kidnap the Emperor. From its earliest beginnings as a group of ronin brought from Edo to protect the Shogun when he is in Kyoto to see His Imperial Highness, the group had to face difficulties both from within and without. Commander Serizawa Kamo's corrupt practices threaten the group's very existence, as they try to recover from the bad reputation he left them with. Their redemption comes when they learn of Katsura Kogoro plans to gather men at Kyoto's Ikedaya Inn for his attack on the city. Along with Hijikata Toshizo and Okita Soji, Kondo leads the group in an attempt to save Japan from the rebels.

Blind traveler Zatoichi is a master swordsman and a masseur with a fondness for gambling on dice games. When he arrives in a village torn apart by warring gangs, he sets out to protect the townspeople.

At the turn of the century, all of the Earth's monsters have been rounded up and kept safely on Monsterland. Chaos erupts when a race of she-aliens known as the Kilaaks unleash the monsters across the world.

Searching for his brother, Ryota stows away on a boat belonging to a criminal alongside two other teenagers. The group shipwrecks on Letchi island and discover the Infant Island natives have been enslaved by a terrorist organization controlling a crustacean monster. Finding a sleeping Godzilla, they decide to awaken him to defeat the terrorists and liberate the natives.

It's three years after the events of the original Battle Royale, and Shuya Nanahara is now an internationally-known terrorist determined to bring down the government. His terrorist group, Wild Seven, stages an attack that levels several buildings in Tokyo on Christmas Day, killing 8000 people. In order for the government to study the benefits of "teamwork", the new students work in pairs, with their collars electronically linked so that if one of them is killed, the other dies as well. They must kill Nanahara in three days - or die.

A history drama portraying the confrontation between the indigenous Ainu people living on Japan’s northernmost main island—then called “Ezo” and now known as “Hokkaido”—and the “sisam”, the Ainu word for ethnic Japanese.

A humble page fathers a child by the daughter of a clan official and is banished. Years later, the child, now a stable boy, is reunited with his father, but feudal codes threaten their happiness. Uchida’s poignant masterpiece condemns the inflexible class system and launches an indictment of values that favor symbolic objects over human life. The film’s focus is on character rather than swordplay, and charged performances - especially child actor Motoharu Ueki - add to the emotional power.

In the future, the Japanese government captures a class of ninth-grade students and forces them to kill each other under the revolutionary "Battle Royale" act.