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The female of the species is more deadly than the male. Black Widow is directed by Bob Rafelson and written by Ronald Bass. It stars Debra Winger and Theresa Russell. Music is by Michael Small and cinematography by Conrad L. Hall. Two women. Catherine marries men for their money, then murders them. The other, Alexandra Barnes is on her tail, getting in close to hopefully expose her crimes... Rafelson's neo-noir homages the film noir femme fatales of the 40s and 50s with a high degree of success. There's much potency in the screenplay that puts it firmly in the noir universe. Flip flopping the misogyny angles of yesteryear, pic pitches the ultimate femme fatale destroyer of men into a cat and mouse scenario with a sexually repressed opponent - or is she a jealous but secret admirer? The transformation of Winger's dowdy Justice Department Agent into a blossoming lady at Catherine Black Widow's (Russell super sexy and sensuous) side brings in the doppelgänger effect, a good old noir staple. The sexual tension is a constant, particularly when Paul Nuytten (Sami Frey) is brought into proceedings, something which shifts the piece still further into noirville. There's also other characters straight out of film noir. Be it Alexandra's boss (the always reliable Terry O'Quinn), who's a lech harbouring desires for Alex, or sleazy Private Investigator H Shin (James Hong) who has a needle habit, it's clear that Rafelson and Bass know their noir. Unfortunately most of the play is in daylight, meaning missed opportunities for some psychological shadow play is passed up. Though it should be noted that Hall's photography is slick and tonally in tune, especially when lighting scenes involving Russell as prime focus. It all builds to a splendid finale, the makers pulling us both ways as to where it will lead. Sure, some of the plot devices are weak, but in the main this is sexy, intriguing and tricksy in narrative, whilst tech credits stay at the higher end of the scale. 7/10
"Black Widow" belongs in the category which seems to be attempting to recapture and recreate the classic film noir of the 1940's (this impression is subtly reinforced here by Michael Small's suitably evocative musical score). We first had "The Postman Always Rings Twice" (1981) and then this was followed by the explicit - and subsequently divisive - sexuality of "Body Heat" (1981), but it is "Black Widow" which successfully comes the closest to achieving the incomparable quality to be found in that glorious by-gone cinematic era. It is a wholly compelling and extremely well constructed film which features some beautiful locations (especially those in exqusite Hawaii) that are absolutely breathtaking (replete as they are with even an impressive volcano eruption at one point) and some gorgeously photographed underwater sequences which must surely be every travel agent's ultimate dream.
After spending two years in prison, framed for accepting a bribe, former newspaper reporter Harry Barber is released, bitter and disillusioned. Feeling like he were owed something for his loss of time, he proceeds to get himself involved in a simple kidnapping plot which turns out to be more complex than he imagined.
After Faye and her psychotic boyfriend, Vince, successfully rob a mob courier, Faye decides to abscond with the loot. She heads to Reno, where she hires feckless private investigator Jack Andrews to help fake her death. He pulls the scheme off and sets up Faye with a new identity, only to have her skip out on him without paying. Jack follows her to Vegas and learns he's not the only one after her. Vince has discovered that she's still alive.
Richard spots a man dumping a body, and decides to expose the man he thinks is the culprit with his friend Alex Cutter.
A group of thieves attempt to rob an art gallery, but when plans backfire and one of the men winds up dead, the group head down south, running afoul of the law. Along the way, they meet up with a seductive con artist with ideas of her own.
Betty has a crush on her tennis instructor Mike. He promises to call her for a date, but never does – she doesn’t know he sells drugs on the side. After botching a deal on someone else’s turf, Mike has to disappear for a while. He contacts Betty – then he’s killed before they can meet. Betty tries to find out what happened, leading her straight into a hornet's nest of vice.
The quiet life of Baker Dill, a fishing boat captain who lives on the isolated Plymouth Island, where he spends his days obsessed with capturing an elusive tuna while fighting his personal demons, is interrupted when someone from his past comes to him searching for help.
An inventor of a secret process suddenly finds himself alone as both his friends and the corporation he works for turn against him.
Four prison inmates have been hatching a plan to literally dig out of jail when another prisoner, Claude Gaspard, is moved into their cell. They take a risk and share their plan with the newcomer. Over the course of three days, the prisoners and friends break through the concrete floor using a bed post and begin to make their way through the sewer system - yet their escape is anything but assured.
Lake Tahoe, 1969. Seven strangers, each one with a secret to bury, meet at El Royale, a decadent motel with a dark past. In the course of a fateful night, everyone will have one last shot at redemption.
An idealistic FBI agent is enlisted by a government task force to aid in the escalating war against drugs at the border area between the U.S. and Mexico.