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After 12 years, **Dom Hemingway** (Jude Law) finally gets the Call. It is time for him to leave prison and collect what is owed him. 12 years in prison have really fueled this guy's hatred and there are plenty of things to take care of, like the man who stole his wife, the man who got him into jail and who owes him and lastly, the daughter who wants nothing to do with him. There is a lot to dislike about this guy, but for some reason, I don't. Dom is a loser, but he just doesn't know it. Dom has all the self-esteem that a man will ever need, and yet, his life is falling apart around him. Dom Hemingway is not an original movie, but thats ok, all movies doesn't have to be original to be worth watching. This movie, like Dom, has just the right amount of self-esteem, arrogance and cockiness, it believes that it is more than it is, and that makes all the difference. Jude Law delivers a great performance as Dom, especially the scenes where he rambles (like the opening scene), and the scenes where he tries to win back his daughter, is where Mr. Law earns his wages. I don't mind that he is a bit over the top, that is, as far as I am concerned, the strength of the movie. Dom Hemingway is a movie in the tradition of Lock, Stock and Two Smoking Barrels and RockNRolla, only... better, if you ask me. It wants to tell us a story about a man, a man that we all know, a man that we can all relate to, it is not just here to entertain us, it is here to convince us that it has both heart and soul. _Last words... don't expect this movie to change your life, but watch it regardless, and take a moment to reflect over the things that are worth changing in your own life. It won't give you answers, but it might just give you the kick in the balls, that sends you in the right direction._
> An ex-con caught between in his old life and to adapt a new one. The film is worth watching only for Jude Law in the title role. All the other character were weak, only he was the bright shining spot in it. The story also should have been better. At least improvising Emilia Clarke's part as she was in a an important role would have had a good impact on the film. Of course, it's a black-comedy-drama in the crime theme, but utilise its full potential to go some extent like maybe some interesting crime plots. A few segments were quite absorbing like bet on to open the safe and France visit. There's no smooth storytelling, but the constant rise and fall of the main character was the reason for the lag in development and its pace. The overall point was very clear in portraying a struggling ex con and how he adapts to a new life or he desires to go back to his old life tells the remaining film. So some people might like or liked it, but I did not. Just below average film, but it's okay to watch once. 4/10
Lola, a Mexican waitress working in Madrid, befriends a 30-year-old suicidal man who has borrowed $1,000,000 to spend on his last day on Earth, knowing he will be killed anyway if he fails to return the money. After meeting Lola, however, he decides that life might be worth living after all.
A woman, fired from a financial corporation during the Asia crisis, returns home with no money. However, she finds a box with a fortune in front of her door, and decides to keep it. However, the people that left it there soon want it back.
One-time gangster Antoine is enjoying retirement on the coast, now managing a boating club. He receives a visit from a former accomplice who asks for a loan. The money will be repaid by a crook who is now in hiding; Antoine intends to recover his money.
In this fast-paced, noirish road movie, a computer expert embezzles half a million dollars and races off to Reno to start anew. Unfortunately, en route, he picks up a pair of hitchers and ends up entangled with a crazed couple who commandeer his car and leave him alone in the desert to die. As soon as he can, he hits the road to get revenge and to find his money before they do.
Single father Aaron fights to save his 12-year-old hemophiliac son after becoming infected with vampire blood.
Sief is a conman who is hired by the beautiful rich woman, Hala, to help her get her money back from another conman. Their relationship gets them entangled in a web of deceit as they start questioning their stances regarding love, friendship, and the meaning of life.
Ms. Isabel Archer isn't afraid to challenge societal norms. Impressed by her free spirit, her kindhearted cousin writes her into his fatally ill father's will. Suddenly rich and independent, Isabelle ventures into the world, along the way befriending a cynical intellectual and romancing an art enthusiast. However, the advantage of her affluence is called into question when she realizes the extent to which her money colors her relationships.
In London's contemporary art world, everyone has a hustle. Art Spindle runs a high-end gallery: he hopes to flip a Mondrian for millions. One of his assistants, Beth, is sleeping with Art's most acquisitive client, Bob Macclestone. Beth wants Bob to set her up in her own gallery, so she helps him go behind Art's back for the Mondrian. Bob's wife, Jean, sets her eye on a young conceptual artist, Jo, who lusts after Art's newest assistant, Paige. Meanwhile, self-absorbed videographer Elaine is chewing her way through friends and lovers looking to make it: if she'll throw Dewey, her agent, under the bus, Beth may give her a show. And the Mondrian? No honor among thieves.
Set in the People's Republic of China during the 1990s, the film centers on a 13-year-old substitute teacher, Wei Minzhi, in the Chinese countryside. Called in to substitute for a village teacher for one month, Wei is told not to lose any students.
When one of her daughters dies and the second one is diagnosed with the same illness, single mom in Malaysia takes her to a hill station, where the girl starts behaving mysteriously.