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After 12 years, **Dom Hemingway** (Jude Law) finally gets the Call. It is time for him to leave prison and collect what is owed him. 12 years in prison have really fueled this guy's hatred and there are plenty of things to take care of, like the man who stole his wife, the man who got him into jail and who owes him and lastly, the daughter who wants nothing to do with him. There is a lot to dislike about this guy, but for some reason, I don't. Dom is a loser, but he just doesn't know it. Dom has all the self-esteem that a man will ever need, and yet, his life is falling apart around him. Dom Hemingway is not an original movie, but thats ok, all movies doesn't have to be original to be worth watching. This movie, like Dom, has just the right amount of self-esteem, arrogance and cockiness, it believes that it is more than it is, and that makes all the difference. Jude Law delivers a great performance as Dom, especially the scenes where he rambles (like the opening scene), and the scenes where he tries to win back his daughter, is where Mr. Law earns his wages. I don't mind that he is a bit over the top, that is, as far as I am concerned, the strength of the movie. Dom Hemingway is a movie in the tradition of Lock, Stock and Two Smoking Barrels and RockNRolla, only... better, if you ask me. It wants to tell us a story about a man, a man that we all know, a man that we can all relate to, it is not just here to entertain us, it is here to convince us that it has both heart and soul. _Last words... don't expect this movie to change your life, but watch it regardless, and take a moment to reflect over the things that are worth changing in your own life. It won't give you answers, but it might just give you the kick in the balls, that sends you in the right direction._
> An ex-con caught between in his old life and to adapt a new one. The film is worth watching only for Jude Law in the title role. All the other character were weak, only he was the bright shining spot in it. The story also should have been better. At least improvising Emilia Clarke's part as she was in a an important role would have had a good impact on the film. Of course, it's a black-comedy-drama in the crime theme, but utilise its full potential to go some extent like maybe some interesting crime plots. A few segments were quite absorbing like bet on to open the safe and France visit. There's no smooth storytelling, but the constant rise and fall of the main character was the reason for the lag in development and its pace. The overall point was very clear in portraying a struggling ex con and how he adapts to a new life or he desires to go back to his old life tells the remaining film. So some people might like or liked it, but I did not. Just below average film, but it's okay to watch once. 4/10
Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.
A manager of a company has made an embezzlement just to make the sweet life possible with his lover. An office manager promises to take the blame if the manager promises to behave better.
Kim and Anouk are waiting for a bus that will never come. To pass the time they create a story about Ted the cowboy cop and Joe the psychopathic redneck. Suddenly, Ted’s police car stops in front of the bus stop.
A hitman, his boss, an art dealer and a money-laundering scheme that accidentally turns the assassin into an overnight avant-garde sensation, one that forces her to play the art world against the underworld.
Two criminal drifters without sympathy get more than they bargained for after kidnapping and holding for ransom the surrogate mother of a powerful and shady man.
Death-row inmate Sudo sends a letter to magazine reporter Fujii. In his letter, he states that a man named Kimura, also known as "teacher," committed numerous murders for insurance money. While checking out the story, based on Sudo's tip, Fuji becomes convinced that the letter is correct. But, a lot of time has passed from the incidents and Sudo's testimony isn't clear. Due to the persistance of Sudo, who is a former yakuza, and Fuji, the police begin to move.
As the local rivers swell and the urban population is evacuated, a retired policeman escorting three dangerous convicts to another institution finds a simple transportation job complicated by the rapidly worsening natural disaster. The local riverbanks are about to burst, and in order to ensure that three prisoners don't face a watery demise, retired cop Lao Ma is asked to transport the men to safer surroundings. Among Lao Ma's charges is a convicted killer currently awaiting execution, a notorious embezzler rumored to have hidden his fortune before serving his time, and a stone faced thief whose parole date is just on the horizon. When the waterlogged countryside roads prove impassable and the four men are forced to work together to make it through the night alive, the nervous lawman realizes that his gun is the only thing keeping him in charge, and he's only got five rounds of authority left.
Clancy (Malcolm Goodwin), an amateur late-night radio host, decides to play his recently deceased jazz hero Sterling Hutch's (Lester Purry) final recorded single on air. However, Clancy comes to find that what exists on the record isn’t music.
A young man tries to get away from his disfunctional family by working with his friend, a rich boy who lives in excess and sleaze, but he will soon realize how reckless his friend is and that he is submerged in a life of crime, vice and deadly bets.
A rookie officer's career gets turned around when he is pegged as the prime suspect in a crime involving a senior policeman - his own father.