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The Mesmerising Menace. The Dark Tower is directed by John Harlow and is adapted to screenplay by Brock Williams from the play George S. Kaufman and Alexander Woollcott. It stars Ben Lyon, Anne Crawford, David Farrar, Herbert Lom and William Hartnell. Music is by Jack Beaver and cinematography by Otto Heller. A failing circus employs a mysterious hypnotist to boost the coffers, which with his skills working superbly makes the show a huge success. However, as Torg (Lom) begins to realise his worth to the show, and starts to make designs on the leading lady of the high-wire act, things quickly turn nasty... The play of the same name had already been adapted to the big screen in 1934, where titled as "The Man with Two Faces" it was directed by Archie Mayo and starred Edward G. Robinson. Here this version differs, but on core principals the story remains thematically the same. It's not a particularly strong plot, with it being a variation on the Svengali story, it never really breaks free of safe narrative projection. Yet it's well constructed by Harlow and in fourth billed Lom (the acting highlight by some distance) the pic has a character to really boo and hiss at. Comic relief comes in the form of Frederick Burtwell and Elsie Wagstaff as a married couple dominated by the wife, while all the various circus acts we see, notably Crawford's high-wire hypnotised balancing act (well shot for breath holding rewards), are hugely enjoyable - even if some come off as padded filler. Having the talents of Heller on photography duties is a plus point, he knows how to light a scene for atmospheric gain, though he would be seen at his noirish best in "Queen of Spades (1949)". While of note is that ace Hammer Horror director Terence Fisher is on editing duty here, though he certainly was a better director than an editor... It's no must see unless you be a fan of the stars, mainly Lom in this instance, but in spite of a daft revelation at pic's end, this is above average and holds its own as a competent circus based thriller. 6/10
Herbert Lom is superbly pervasive in this drama about the hypnotic "Torg", who alights on a struggling circus run by "Phil" (Ben Lyon) and his brother "Tom" (David Farrar). He introduces them to a game-changing acrobatic act that soon has the crowds turning up in droves. As success starts to come, "Torg" seeks more from the pair, and from his high-flying partner "Mary" (Anne Crawford) and when they start resisting his demands, things start to take a some distinctly threatening turns. At times, it's got a really effective feel to it, this film - the cast work well together and Lom really has an eeriness and creepiness about his personality that exudes as good a degree of menace as I've seen in ages. Unfortunately, though, the dialogue is poor as is the overall pace of the story - far too many distracting circus routines and romantic sub-plots that drag it down when "Korn" isn't driving the storyline. Pity. Had John Harlow focussed more on his best asset - the nasty and increasingly egregious character we could have had a better film. Still, it is a good watch.
Govindan Kutty (Raghu) is a clown who works in the circus. He comes to his village looking for a bride. Sharada (Anjali Naidu) is impressed by his charms and seemingly rich lifestyle and agrees to marry him. When they reach back the circus after getting married, things however change considerably. Govindan is an insignificant figure there and is frequently ignored by everyone else. The frustrated Sharada meets a stuntman Vijayan (Mammootty) and gets close to him much to the discomfort of Govindan.
Throughout his life Edward Bloom has always been a man of big appetites, enormous passions and tall tales. In his later years, he remains a huge mystery to his son, William. Now, to get to know the real man, Will begins piecing together a true picture of his father from flashbacks of his amazing adventures.
Focusing on the predicaments of those born with genetic defect causing dwarfism, the film is the love story between Khoka and Soma.
In one of the occupied European cities, the commandant of the garrison gathers a troupe of circus performers. Coming from different countries, they are in the humiliating position of people forced to serve their enslavers. Many of them, recruited from camps and workhouses, were quite content with their lot. Only after a chain of subsequent events, the artists raise an uprising. Unarmed people are not able to resist the arrived guards. They die, but at the cost of their lives they regain their lost human dignity.
When a woman dies in a car accident, her former husband (a traveling circus worker) learns that his wife was pregnant when she divorced him many years earlier. The now teen-aged daughter enters his life. Can they form a relationship?
Two angels, Damiel and Cassiel, glide through the streets of Berlin, observing the bustling population, providing invisible rays of hope to the distressed but never interacting with them. When Damiel falls in love with lonely trapeze artist Marion, the angel longs to experience life in the physical world, and finds - with some words of wisdom from actor Peter Falk - that it might be possible for him to take human form.
In 'The Circus Kid', Buddy, an orphan who runs away from a a harsh orphanage, joins Cadwallader's Circus.
A naive young man witnesses an escalation of violence in his small hometown following the arrival of a mysterious circus attraction.
"Don't pity me, just give me money." A smart little girl, Suzu, for the sake of her beloved sick mother, has no choice but to attempt all ways to fork up the money required for the operation. It includes stealing, cheating and almost anything that could yield cash. However, deep within her is a sadness unseen by many.
Post-war Germany 1945: Two rival gangs of uprooted boys fight each other in the ruins of Berlin, whose business is the black market out of necessity in order to survive. Their respective leaders are Gerhard and Dietrich. A pretty young circus artist named Corona comes to the destroyed city with a traveling circus. She immediately caught the boys' attention. When the latter notice that the circus director is abusing the girl, the two gangs join forces and plot an act of revenge against the tyrant. But with the hustle and bustle caused by this, Corona falls from the trapeze and is seriously injured. When the circus moves on, the boys organize a doctor for the sick artist who has been left behind. Their collectively concern for the blonde beauty makes them forget their enmity. This welds the troops closer together and sets the course for a common, meaningful future.
A circus performer falls in love with the son of a plantation owner in antebellum New Orleans. When the young man's stepmother objects to the wedding, the couple break apart and go their separate ways for a time. Also in the mix are two circus comics who feud over the heart of another Southern belle.