Magic in the Mirror

An American Merchant Marine captain, rescued from a Chinese Communist jail by local villagers, is "shanghaied" into transporting the entire village to Hong Kong on an ancient paddle steamer.

A young girl comes to an embittered town and confronts its attitude with her determination to see the best in life.

Two Viking Gods and sworn enemies fall through a ripple in space time and find themselves in the present day world. Only a young girl, unaware if her powers can find the portal and bring them back.

On a dark and stormy night, four bored ghosts decide to have some fun by calling the Ajax Ghost Exterminators.

Two scientist sisters must destroy their top secret invention before the government can get their hands on it.

Snow White's mother dies during childbirth, leaving baby Snow and father John for dead on an icy field, who then receives a visit from one of Satan's representatives, granting him three wishes.

The countryside isn't always as calm and peaceful as it's made out to be, and the animals on this farm are particularly agitated: a fox who mothers a family of chicks, a rabbit who plays the stork, and a duck who wants to be Santa Claus.

Pop star Christopher Wilde has fame, fortune and a big-budget Hollywood movie awaiting him. But after meeting Jessica Olson, a down-to-earth girl from the Midwest, he is faced with following his heart or doing what's best for his career.

A visionary and artistic young woman finds her love torn between her imaginary boyfriend and a real boy from one of her classes.

Kingdom of Crooked Mirrors is a 1964 Soviet fairy tale film directed by Aleksandr Rou based on a story with the same name by Vitali Gubarev. Both the surreal story by Vladimir Gubarev, together with the 1964 film, written in a Through The Looking Glass style. Alice-type Soviet girl, named Olya meets her counterpart Yalo, while looking into the mirror. Yalo is an absolute antipode to Olya, for example where Olya is precise and neat, Yalo is absent-minded, careless, etc. The explicit plot relates to Olya learning to see herself differently, but this occurs through an experience in the Kingdom of Crooked Mirrors which serves as a mechanism for commenting on the ability of a society to manufacture a false reality.