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I never get tired of the idea that someone would think of Groucho Marx is the perfect man to lead a nation into war. Or that Harpo and Chico would be good spies. Or that Zeppo would be interested in another film after this one.
The Marx Bros are to Blockbuster as Monty Python are to Netflix and I mean that in the best way possible
**I would love to send a copy of the film to Vladimir Putin. Would he understand the gesture?** Who would have thought that this film is almost a hundred years old? I just saw it, and it is fresher and lusher than many vegetables in the supermarket! Many people no longer know who the Marx Brothers are, but a hundred years ago, at a time when there were no internet memes (or the internet), they were the kings of comedy, and it's always worth seeing what they did. They passed away a long time ago, but they left us a polite, intelligent, sharp, accessible humor that the whole family can see. The film was released in 1933, at a time dominated by the imminent threats of war. It reminds us of our own time, doesn't it? One hundred years later, we continue to make the same mistakes and show God that we have learned nothing from them. The film makes fun of this by giving us a portrait of a bankrupt country led by an incompetent man, very vain, arrogant and surrounded by sycophants who treat him as a savior of the nation. It could be Mussolini, or Hitler... and the explicit criticism of European dictators could not be sharper today, if we think about some tyrants of our time. The film is dominated by the four Marxes: Zeppo, in his last appearance as a member of the group, has a much more solid character than usual and as a result we never feel that he is too much in the film. Chico also does very well. Harpo does what he's used us to, managing to be funny without saying a word and putting all his tricks as a mime and vaudeville clown to good use. Groucho, as usual, intelligently leads the group. The king of ready answers couldn't have a quicker wit or a sharper tongue. In addition, we have Margaret Dumont in a skillful and healthy collaboration with them. Good sets and very well-imagined costumes help us compose Freedonia, a republic on the verge of collapse, bankruptcy and a foreign invasion. There is an unbelievable dose of anthological scenes in this film, from the motorcycle joke with the sidecar to the joke with the mirror. The black-and-white cinematography is sharp, well-shot, and the film doesn't look as old as it actually is. The soundtrack adds the finishing touch.
The Little Fellow finds the girl of his dreams and work on a family farm. He helps defend the farm against criminals, and all seems well, until he discovers the girl of his dreams already has someone in her life. Unwilling to be a problem in their lives, he takes to the road, though he is seen skipping and swinging his cane as if happy to be back on the road where he knows he belongs.
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
Kat is an aspiring singer-songwriter who dreams of making it big. However, her dreams are stalled by her reality: a conniving and cruel stepfamily and a demoralizing job working as a singing elf at billionaire Terrence Wintergarden’s Santa Land.
An introvert girl agrees to visit social gatherings as suggested by her friends. She takes it as tasks to complete to overcome her fear for crowd. Will she succeed?
Quebec idol Annie Brocoli hits the big screen with a goofy adventure that takes her under the sea to meet a whole host of oddball characters: synchronized-swimming bananas, a vegetarian lady frog, lettuce heads and more!
Leaving their hometown of Fulchester in the North of England, Sandra and Tracey head for the bright lights of London, shagging and boozing their way to fame and fortune.
Cindy Cathcart is a student out of place at an exclusive Swiss finishing school, Von Pupsin Academy. A poor orphan, Cindy is attending on a scholarship, and is resented by her snobby peers as well as Fraulein Stinkenschmidt. She soon finds allies: her British roommate, an outgoing Texan, Lulu Belle, an Italian Mafiosi's daughter, Isabella, and most crucial, the school's headmistress, Countess Von Pupsin.
Rod Steele (aka Agent 0014) is anything but the world's greatest super spy, but when diabolical villainess Tangerina threatens the world again, he's the world's last and only hope.
Never Give a Sucker an Even Break is a 1941 film about a man who wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beaten up for ogling a woman, and abused by a waitress. W. C. Fields' last starring role in a feature-length film.
Formed in 1967 by Gerardo Masana, during the height of a period of very intense Choral Music activity in Argentina's state universities, Les Luthiers premiered this show on May the 30th, 1985 at the El Círculo Theater in Rosario, Argentina. PROGRAM: 1. Vea esta Noche; 2. Serenata Tímida; 3 . El Zar y un Puñado de Aristócratas Rusos...; 4. Una Canción Regia; 5. Truthful Lulu Pulls thru Zulus; 6. El Valor de la Unidad; 7. Les Nuits de París; 8. Pasión Bucólica; 9. Las Majas del Bergantín; 10. Bolero de los Celos; 11. Marcha de la Conquista and; 12. Cuarteto Opus 44. The 'Mandocleta' instrument was presented for the first time during this show. Recorded live at the Colón Theater in Bogotá, Colombia, on April 12, 1986. Numbers 11 and 12 were recorded earlier at that same theater on November 8, 1981. This is the last recorded appearance by Ernesto Acher with Les Luthiers.
