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**A film that only interests those who know the animated series, but which marks the end of Orson Welles' work.** I saw this film by mere chance. Later, I was surprised to see how well regarded and highly rated it is. It is based on “Transformers”, an animated series for children and teenagers that was quite successful in the 80s and 90s, but which I have to confess I never saw. Recently, Marvel invested millions in live-action films and revived this universe. I haven't seen them in full yet, but this is where I get to know the characters better. What did I expect from this movie? A bit of easy entertainment, assuming the movie would at least do the work of better introducing the characters and story. That's not what I found. In fact, this is an “inward-facing” film, that is, it is aimed almost exclusively at an audience that already knows the animated series and the characters. Therefore, there are no explanations or introductions, anyone who wants to understand something should go and see the series. Three points down, I thought: I don't feel obligated to watch the series to understand the movie, I can just watch something else and send this movie to the trash can, where it belongs. Despite everything, I saw the film, and after reading a little about the animated series on the Internet, I understood that the film kills a lot of characters that, until then, were central to the plot, and that the film was released between two seasons, introducing characters who would play a relevant role later. Not being an expert, I wonder to what extent the film was not a kind of publicity move, either for the new season or for the merchandising that is usually associated with this type of television material. I won't waste my time describing the script, which involves a giant robot that devours planets and the war between the Decepticons and the Autobots, robotic races of alien origin that fight each other. What I can say is that, in addition to being an uninteresting film that will not captivate those who don't know the series, it has a very confusing and far-fetched plot. The graphics and animations have that kind of quality you find in a lot of animated material from the late 80's, and it made me think about possible influences of Japanese and Korean "anime" on American production. Moreover, just a word to salute the effort that Orson Welles must have made to give voice to one of the creatures, at a stage when he was practically at death's door. The distinguished actor would die days after having recorded the material that was used in this film.
Bruce Banner, a genetics researcher with a tragic past, suffers massive radiation exposure in his laboratory that causes him to transform into a raging green monster when he gets angry.
Claire Forrest seeks her kidnapped scientist father, hidden somewhere on Mystery Island. He is held and forced to work on diabolical inventions by Captain Mephisto, a costumed villain.
Il-ho, a satellite girl, wants to learn about human emotions, and crash lands on Earth. She transforms into a human girl and tries to help Kyung-chun after he is transformed into a milk cow.
The prospects for continuing life on Earth in the year 2058 are grim. So the Robinsons are launched into space to colonize Alpha Prime, the only other inhabitable planet in the galaxy. But when a stowaway sabotages the mission, the Robinsons find themselves hurtling through uncharted space.
In a countryside town bordering on a magical land, a young man makes a promise to his beloved that he'll retrieve a fallen star by venturing into the magical realm. His journey takes him into a world beyond his wildest dreams and reveals his true identity.
Richard Martin buys a gift, a new NDR-114 robot. The product is named Andrew by the youngest of the family's children. "Bicentennial Man" follows the life and times of Andrew, a robot purchased as a household appliance programmed to perform menial tasks. As Andrew begins to experience emotions and creative thought, the Martin family soon discovers they don't have an ordinary robot.
Molly Mahoney is the awkward and insecure manager of Mr. Magorium's Wonder Emporium—the strangest, most fantastic and most wonderful toy store in the world. After Mr. Magorium bequeaths the store to her, a dark and ominous change begins to take over the once-remarkable Emporium.
The Fantastic Four return to the big screen as a new and all powerful enemy threatens the Earth. The seemingly unstoppable 'Silver Surfer', but all is not what it seems and there are old and new enemies that pose a greater threat than the intrepid superheroes realize.
In 2035, where robots are commonplace and abide by the three laws of robotics, a technophobic cop investigates an apparent suicide. Suspecting that a robot may be responsible for the death, his investigation leads him to believe that humanity may be in danger.
Young teenager Sam Witwicky becomes involved in the ancient struggle between two extraterrestrial factions of transforming robots – the heroic Autobots and the evil Decepticons. Sam holds the clue to unimaginable power and the Decepticons will stop at nothing to retrieve it.
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.