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**_Old-fashioned murder mystery at a house of wax in England_** At the turn of the century in Victorian London, the owner of a wax museum (John Carradine) is offered to sell by a Broadway producer (Broderick Crawford). But his associate doesn’t want him to sell (Ray Milland) and there are relatives who have an interest in the property as well (Elsa Lanchester and Nicole Shelby). When people start winding up dead, a Scotland Yard inspector (Mark Edwards) tries to solve the mystery. “Terror in the Wax Museum” (1973) is a Victorian murder mystery in the tradition of Poe’s "The Murders in the Rue Morgue," which started the genre in 1841 and influenced Arthur Conan Doyle's Sherlock Holmes, amongst others. The best film version of “Rue Morgue” is arguably the 1986 one with George C. Scott, Val Kilmer and Rebecca De Mornay. I bring it up because this is cut from the same cloth. Other comparisons include “House of Wax” (1953), Hammer's "The Two Faces of Dr. Jekyll" (1960) and Klaus Kinski's "Jack the Ripper" (1976), as well as "Edge of Sanity" (1989) and "From Hell" (2001). This one isn’t as sensationalistic as some of those as it prefers to focus on the murder mystery and the seasoned actors. It’s basically “old-fashioned” horror that’s timelessly entertaining since these types of films keep being made decade after decade. "The Limehouse Golem" is a well-done example from more modern times. Redhead Shani Wallis stands out in the beauty department as the tavern singer while Nicole Shelby is worth a mention as the brunette who may inherit the museum and catches the eye of the young detective. While not exactly great, if you're in the mood for a Victorian milieu, black coats, cobblestone streets, gas lamps, horse-driven carriages, London fog, pub entertainment, ghastly killings, fortune tellings and quaint mystery, this nicely fills the bill. The film runs 1 hour, 33 minutes, and was shot at Paramount Studios in Hollywood. GRADE: B-
A group of unwitting teens are stranded near a strange wax museum and soon must fight to survive and keep from becoming the next exhibit.
A one-handed madman (he lost the hand while escaping a hanging) uses various detachable devices as murder weapons to gain revenge on those he believes have wronged him.
A New York sculptor who opens a wax museum to showcase the likenesses of famous historical figures runs into trouble with his business partner, who demands that the exhibits become more extreme in order to increase profits.
The disappearance of people and corpses leads a reporter to a wax museum and a sinister sculptor.
A Scotland Yard investigator looks into four mysterious cases involving an unoccupied house.
A wax museum run by a demented doctor contains statues of such crime figures as Jack the Ripper and Bluebeard. In addition to making wax statues the doctor performs plastic surgery. It is here that an arch fiend takes refuge.
The disfigured curator of a wax museum murders his enemies and then uses their bodies as exhibits in his museum.
A poet is hired by the owner of a wax museum in a circus to write tales about Harun al Raschid, Ivan the Terrible and Jack the Ripper. While writing, the poet and the daughter of the owner, Eva, fantasize the fantastic stories and fall in love for each other.
The survivors of the first Waxwork must use a portal through time to defeat the evil that has followed them and turned their lives upside down.
Paris, 1900: a couple are horribly murdered by a masked man with a metal claw who rips their hearts out. The sole survivor and witness to the massacre is a young girl. Twelve years later in Rome a new wax museum is opened, whose main attractions are lifelike recreations of gruesome murder scenes. A young man bets that he will spend the night in the museum but is found dead the morning after. Soon, people start disappearing from the streets of Rome and the wax museum halls begin filling with new figures...
