War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Saw this one many years ago, probably when it came out on Blu-ray, and decided to give it another watch at random, and... pretty much lined up with from the first go around. Nothing amazing nor has any great twists, but the performances from Washington and Travolta made the movie worth the time. On the downside, as with many of his later films, Tony Scott's choppy direction was a bit annoying. **3.5/5**
Having seen (and truly loved) 'Unstoppable', it's impossible not to see 'The Taking of Pelham 123' as a rather pale incarnation of that 2010 flick (which also has Tony Scott as director and Denzel Washington as lead!). How strange that those two came together to make two very similar movies so close together. In the end, here, there is enough done to separate them, but early on especially I felt like I was watching the same film almost. For the record, that other release is so vastly better than this... so I'd recommend that more if you want a train-centric production from Scott and Washington. With all that noted, this 2009 film is still a fairly enjoyable 1hr 40mins or so - despite some questionable editing choices. A big reason for my positive rating is the aforementioned Washington, who gives as good a performance as he always tends to give - which is why he is probably my favourite actor, him or Leonardo DiCaprio anyway. John Travolta does well though, even if I kept getting 'Face/Off' vibes throughout. Here, he made me laugh a few times and the guy has some good dialogue/delivery of said dialogue. Even if that latter element is hit-and-miss elsewhere. The rest of the cast are alright-to-meh, nice to see James Gandolfini though. It's, taking everything into account, all worth a watch, I'd say.
It’s not really fair comparing this with the much more sophisticated 1974 version of this story as Tony Scott has taken a fairly broad-brush to that template and pretty much re-characterised the whole story. That’s a story about a gang of well organised criminals who plan a daring hijack of a subway train in New York, USA. Their plan is simple enough. They seize one car and then their leader “Ryder” (John Travolta) demands $10 millions within the hour or the bodies will start mounting up. His contact in the control room is “Garber” (Denzel Washington) and soon wheels are in motion to get the cash. What’s not so clear, though, is just what the agenda of these criminals is. It’s not an excessively large sum of money and we know that “Garber” is under investigation for bribery, so is there something more sinister going on here? What is obvious is that these guys mean business and are not afraid to demonstrate that fact! Tony Scott has managed to convey something of the claustrophobic nature of the tunnels well here and Harry Gregson-Williams’s aggressive score also helps build the tension but for me, Travolta just doesn’t deliver anything on the scale of menace I wanted here. Sure, his character is vile and violent but with the story relying on a degree of ambiguity for much of it’s substance, his unsubtle and charm-free performance is all just too one-dimensional to keep the intrigue sustained. Washington, likewise, just doesn’t impose himself on the story anywhere near enough to give us any real sense of panic and the other supporting efforts are all a bit too underwhelming too, delivering a great deal of wasteful shouty dialogue as this thing rather lumbers along as if it were stuck at the lights, too. It probably didn’t need remaking but it does remind you just how good Robert Shaw was on the less is more front.
Captain Jack Sparrow crosses paths with a woman from his past, and he's not sure if it's love — or if she's a ruthless con artist who's using him to find the fabled Fountain of Youth. When she forces him aboard the Queen Anne's Revenge, the ship of the formidable pirate Blackbeard, Jack finds himself on an unexpected adventure in which he doesn't know who to fear more: Blackbeard or the woman from his past.
Bound by hate and a mystical amulet that holds the powers of life and death, two immortal wizards meet for the last time in an ancient struggle of good versus evil.
He fought his first battle on the Scottish Highlands in 1536. He will fight his greatest battle on the streets of New York City in 1986. His name is Connor MacLeod. He is immortal.
In the year 2024, the ozone layer is believed to have been destroyed, and it's up to MacLeod and Ramirez to set things right. Opposition comes from both the planet Zeist (MacLeod and Ramirez's homeworld) and a corporation profiting from the supposed lack of ozone. Also, flashbacks show the story behind MacLeod and Ramirez's exile from Zeist.
Starts off in the 15th century, with Connor McLeod training with another immortal swordsman, the Japanese sorcerer Nakano. When an evil immortal named Kane kills the old wizard, the resulting battle leaves him buried in an underground cave. When Kane resurfaces in the 20th century to create havoc, it's up to McLeod to stop him.
Gigli is ordered to kidnap the psychologically challenged younger brother of a powerful federal prosecutor. When plans go awry, Gigli's boss sends in Ricki, a gorgeous free-spirited female gangster who has her own set of orders to assist with the kidnapping. But Gigli begins falling for the decidedly unavailable Ricki, which could be a hazard to his occupation.
While drying out on the West Coast, an alcoholic hit man befriends a tart-tongued woman who might just come in handy when it's time for him to return to Buffalo and settle some old scores.
A small, seemingly innocuous plastic reel of film leads surveillance specialist Tom Welles down an increasingly dark and frightening path. With the help of the streetwise Max, he relentlessly follows a bizarre trail of evidence to determine the fate of a complete stranger. As his work turns into obsession, he drifts farther and farther away from his wife, family and simple life as a small-town PI.
Five young New Yorkers throw their friend a going-away party the night that a monster the size of a skyscraper descends upon the city. Told from the point of view of their video camera, the film is a document of their attempt to survive the most surreal, horrifying event of their lives.
When his helicopter goes down during his fourth tour of duty in Afghanistan, Marine Sam Cahill is presumed dead. Back home, brother Tommy steps in to look over Sam’s wife, Grace, and two children. Sam’s surprise homecoming triggers domestic mayhem.
Johnny Truelove likes to see himself as tough. He's the son of an underworld figure and a drug dealer. Johnny also likes to get tough when things don't go his way. When Jake Mazursky fails to pay up for Johnny, things get worse for the Mazursky family, as Johnny and his 'gang' kidnap Jake's 15 year old brother and holds him hostage. Problem now is what to do with 'stolen boy?'