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I was counting on you. You let me down. To Kill a King is directed by Mike Barker and written by Jenny Mayhew. It stars Tim Roth, Dougray Scott, Olivia Williams, James Bolam and Rupert Everett. Music is by Richard G Mitchell and cinematography by Eigil Bryld. It’s the end of the English Civil War and with King Charles 1st (Everett) held prisoner by the Parliamentarians, Sir Thomas Fairfax (Scott) and Oliver Cromwell (Roth), friends and colleagues, fall out over the best plan of action for the New England. A severely troubled production and budgetary constraints left To Kill a King with a mountain to climb just to get acknowledged as a historical epic of worth. Add in the dubious take on this part of English history that so irked the historians, and you would be forgiven for thinking that the film is something of a stinker. Not so actually. For although it’s clearly far from flawless, it’s a literary piece of work that chooses character dynamics over blood and thunder. Suffice to say that those searching for a battle strewn epic should look elsewhere, but if you have a bent for observations on key personalities involved in war politics during times of upheaval in a period setting? Then this delivers the goods. Well performed by the principal players as well. 7/10
Three college students set out to document what other people dread the most. However, one of the three turns out to secretly be a sadistic psychopath who uses this knowledge to gruesomely torture the subjects.
Prague, the beginning of the 17th century. Rozina falls in love with Italian glass worker Nikolo, but after returning home, she gets a message that will never come to Prague. She falls for the promise of an older man to marry her, but when Nikolo does return, the tragic fate of Rozina is sealed.
North Africa, World War II. British soldiers on the brink of collapse push beyond endurance to struggle up a brutal incline. It's not a military objective. It's The Hill, a manmade instrument of torture, a tower of sand seared by a white-hot sun. And the troops' tormentors are not the enemy, but their own comrades-at-arms.
When the young republic of The Netherlands is attacked by England, France and Germany and faces its own civil war no less, only one man, Michael de Ruyter, can lead the county's strongest weapon, the Dutch fleet.
Sir Walter Scott's classic story of the chivalrous Ivanhoe who joins with Robin of Locksley in the fight against Prince John and for the return of King Richard the Lionheart.
Towards the end of the Vietnam war, the US is running low on drivers for their supplies so they bring in a new lot of recruits and have to train them to survive in the dangers of wartorn Vietnam. The recruits are trained briefly by an American officer but are quickly handed off to their South Vietnamese officers and are made to go out into the dangers of Vietnam without getting the protection they need by the Americans who are more concerned with withdrawing their own troops instead of protecting the South Vietnamese
A down-on-his-luck American Indian recently released from jail is offered the chance to "star" as the victim of a snuff film, the resulting pay of which could greatly help his poverty stricken family.
A man (Richard Roxburgh) the Australian government blames for 1990s political woes blames his mother (Judy Davis), a communist Stalin seduced in 1951.
Pocahontas, daughter of a Native American tribe chief, falls in love with an English soldier as colonists invade 17th century Virginia.
A political activist is convinced that her guest is a man who once tortured her for the government.
Sergeant Todd is a veteran soldier for an elite group of the armed forces. After being defeated by a new breed of genetically engineered soldiers, he is dumped on a waste planet and left for dead. He soon interacts with a group of crash survivors who lead out a peaceful existence. The peace is broken as the new soldiers land on the planet to eliminate the colony, which Sergeant Todd must defend.