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Up Periscope and Down Tools. Tricky. It's a decent film, lovely to look at with its scope photography and technicolor palettes, James Garner and Edmond O'Brien are holding court in the acting stakes, and of course this being a submarine war film it has the requisite claustrophobic feel. Yet it never really gels as a whole, submerging too far into the mundane to play out a whole bunch of sequences that test the patience of the viewer. There's also the not too small problem of being able to suspend disbelief with the final mission. Now this is Hollywood and a Warner Brothers film, in 1959, so we don't naturally expect realism in our story telling, in fact we often want incredulity to stir the blood, but this kinda takes the rise too far. Alan Hale Junior is on hand for comic relief, and this proves good foil for Garner's lovable charm, but Gordon Douglas directs at such a snails pace you get the feeling that the comedy is just a merciful release for all involved. In short there's both the good and bad of 1950s war film making on show here; production value is high - narrative thrust is tepid. 6/10
As a kid, I always loved submarine films. As a weapon of war, they aways provided a great vehicle for an adventure - great atmosphere, murky depths and torpedos that seemed very rarely to hit what they were aimed at! Best of all, though, there was positively no room at sea, on the boat, for any slushy romance!! This film opens with James Garner ("Braden") doing his best impression of the beach scene in "From Here to Eternity" (1953) with Andra Martin ("Sally") and my heart sank - yuk, I thought! Yet, no - stick with it. Shortly after all this sand in the swimsuit malarkey and a marriage proposal after knowing each other for a fortnight, he is shipped out to Pearl Harbour and is soon at sea engaged on a perilous top secret mission to photograph some Japanese radio codes. Edmond O'Brien is his captain - the men don't initially hit it off, and Alan Hale Jr ("Malone") is the generally jovial Irish man in the middle trying to keep the peace, and the pace starts to pick up nicely. Garner was better with more comedic roles; he's probably nobody's idea of an hero but he does OK with this. The tension with O"Brien is just too forced, though - we know all along what's going to happen, so why create this extra layer of animosity? Once it's underway (so to speak) it has a fair degree of action and the denouement provides for quite an exciting display of pyrotechnics. Not the best of this genre by a long chalk, but forget the first twenty minutes and it's well worth a watch.
In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics.
The true story of pianist Władysław Szpilman's experiences in Warsaw during the Nazi occupation. When the Jews of the city find themselves forced into a ghetto, Szpilman finds work playing in a café; and when his family is deported in 1942, he stays behind, works for a while as a laborer, and eventually goes into hiding in the ruins of the war-torn city.
The true story of how businessman Oskar Schindler saved over a thousand Jewish lives from the Nazis while they worked as slaves in his factory during World War II.
During World War II, Steve Rogers is a sickly man from Brooklyn who's transformed into super-soldier Captain America to aid in the war effort. Rogers must stop the Red Skull – Adolf Hitler's ruthless head of weaponry, and the leader of an organization that intends to use a mysterious device of untold powers for world domination.
Based on a real-life story, this drama focuses on a small group of Allied soldiers in Burma who are held captive by the Japanese. Capt. Ernest Gordon, Lt. Jim Reardon and Maj. Ian Campbell are among the military officers kept imprisoned and routinely beaten and deprived of food. While Campbell wants to rebel and attempt an escape, Gordon tries to take a more stoic approach, an attitude that proves to be surprisingly resonant.
After World War II, a woman refuses to believe her husband, missing on the Russian front, is dead. Flashbacks reveal their brief courtship and marriage. Years later, she travels to Russia with his photo, determined to find him. What will she discover?
See Kenneth W. Rendell's collection of over 6,000 artifacts that range from the end of World War I and the rise of Nazism to the start of World War II and the fight in Europe and the Pacific.
During World War II, Captain Cassidy and his crew of submariners are ordered into Tokyo Bay on a secret mission. They are to gather information in advance of the planned bombing of Tokyo. Along the way, the crew learn about each other as they face the enemy and some of them lose their lives.
World War II was not just the most destructive conflict in humanity, it was also the greatest theft in history: lives, families, communities, property, culture and heritage were all stolen. The story of Nazi Germany's plundering of Europe's great works of art during World War II and Allied efforts to minimize the damage.
Produced in 1943 under the guidance of Army Air Force Lieutenant Clark Gable, this film follows a single 8th Air Force B-17 crew from training through a series of missions over Europe.
Von Ryan's Express stars Frank Sinatra as a POW colonel who leads a daring escape from WWII Italy by taking over a freight train, but he has to win over the British soldiers he finds himself commanding.