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Up Periscope and Down Tools. Tricky. It's a decent film, lovely to look at with its scope photography and technicolor palettes, James Garner and Edmond O'Brien are holding court in the acting stakes, and of course this being a submarine war film it has the requisite claustrophobic feel. Yet it never really gels as a whole, submerging too far into the mundane to play out a whole bunch of sequences that test the patience of the viewer. There's also the not too small problem of being able to suspend disbelief with the final mission. Now this is Hollywood and a Warner Brothers film, in 1959, so we don't naturally expect realism in our story telling, in fact we often want incredulity to stir the blood, but this kinda takes the rise too far. Alan Hale Junior is on hand for comic relief, and this proves good foil for Garner's lovable charm, but Gordon Douglas directs at such a snails pace you get the feeling that the comedy is just a merciful release for all involved. In short there's both the good and bad of 1950s war film making on show here; production value is high - narrative thrust is tepid. 6/10
As a kid, I always loved submarine films. As a weapon of war, they aways provided a great vehicle for an adventure - great atmosphere, murky depths and torpedos that seemed very rarely to hit what they were aimed at! Best of all, though, there was positively no room at sea, on the boat, for any slushy romance!! This film opens with James Garner ("Braden") doing his best impression of the beach scene in "From Here to Eternity" (1953) with Andra Martin ("Sally") and my heart sank - yuk, I thought! Yet, no - stick with it. Shortly after all this sand in the swimsuit malarkey and a marriage proposal after knowing each other for a fortnight, he is shipped out to Pearl Harbour and is soon at sea engaged on a perilous top secret mission to photograph some Japanese radio codes. Edmond O'Brien is his captain - the men don't initially hit it off, and Alan Hale Jr ("Malone") is the generally jovial Irish man in the middle trying to keep the peace, and the pace starts to pick up nicely. Garner was better with more comedic roles; he's probably nobody's idea of an hero but he does OK with this. The tension with O"Brien is just too forced, though - we know all along what's going to happen, so why create this extra layer of animosity? Once it's underway (so to speak) it has a fair degree of action and the denouement provides for quite an exciting display of pyrotechnics. Not the best of this genre by a long chalk, but forget the first twenty minutes and it's well worth a watch.
In 1942 the Germans devised an operation to introduce in Egypt spies to provoke a rebellion against the British.
At a village railway station in occupied Czechoslovakia, a bumbling dispatcher’s apprentice longs to liberate himself from his virginity. Oblivious to the war and the resistance that surrounds him, this young man embarks on a journey of sexual awakening and self-discovery, encountering a universe of frustration, eroticism, and adventure within his sleepy backwater depot.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
The classic story of English POWs in Burma forced to build a bridge to aid the war effort of their Japanese captors. British and American intelligence officers conspire to blow up the structure, but Col. Nicholson, the commander who supervised the bridge's construction, has acquired a sense of pride in his creation and tries to foil their plans.
A Russian and a German sniper play a game of cat-and-mouse during the Battle of Stalingrad in WWII.
As U.S. troops storm the beaches of Normandy, three brothers lie dead on the battlefield, with a fourth trapped behind enemy lines. Ranger captain John Miller and seven men are tasked with penetrating German-held territory and bringing the boy home.
In April of 1945, Germany stands at the brink of defeat with the Russian Army closing in from the east and the Allied Expeditionary Force attacking from the west. In Berlin, capital of the Third Reich, Adolf Hitler proclaims that Germany will still achieve victory and orders his generals and advisers to fight to the last man. When the end finally does come, and Hitler lies dead by his own hand, what is left of his military must find a way to end the killing that is the Battle of Berlin, and lay down their arms in surrender.
The lives of Erik Lanshof and five of his closest friends take different paths when the German army invades the Netherlands in 1940: fight and resistance, fear and resignation, collaboration and high treason.
The story of the battle of Iwo Jima between the United States and Imperial Japan during World War II, as told from the perspective of the Japanese who fought it.
The film is set in Karafuto after the radio broadcast of the Imperial Rescript on the Termination of the War. On August 15, 1945, Soviet forces invaded Karafuto. On August 20, the postal telegraph office in Maoka suspended operations and nine of the twelve telephone operators committed suicide by taking potassium cyanide while the city was being invaded.
In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics.
