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Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.
This documentary follows the French soccer team on their way to victory in the 1998 World Cup in France. Stéphane Meunier spent the whole time filming the players, the coach and some other important characters of this victory, giving us a very intimate and nice view of them, as if we were with them.
Bourne is brought out of hiding once again by reporter Simon Ross who is trying to unveil Operation Blackbriar, an upgrade to Project Treadstone, in a series of newspaper columns. Information from the reporter stirs a new set of memories, and Bourne must finally uncover his dark past while dodging The Company's best efforts to eradicate him.
King Kong, a clever thief who steals a cache of diamonds from some gangsters, frames another thief called White Glove for the crime. That's when the bald detective Albert Au, who has been chasing King Kong for quite some time, pairs with the volatile female Superintendent Ho to bring him to justice. King Kong ends up joining the good guys to defeat White Glove and another bad guy dubbed Mad Max, and recover the diamonds from the hiding place where they were left by King Kong's dead accomplice.
"WE ALL PLAY" addresses the reality of the LGBTQIA+ community in sport. In a trip around the world, we will meet outstanding world elite athletes, who will talk, many of them for the first time, about their personal and professional experiences in first person.
Having gained great popularity as a TV series and toys, Crush Gear Turbo here becomes a movie for the first time. The very first Gear even made in the world is stolen. The gear, named Kaiservern, beats the prize winners of the Australia convention one after another. Kouya and Manganji, which won a prize in the Asia Convention, become targets too. When the unidentied gear fighter who handles Kaiservern appears in front of Kouya and Manganji, the two boys decide to fight together to win victory over their enemy.
Vladica lost the only thing that mattered to him - an amateur karate championship. Now he's back in his home town looking for a job, love and redemption.
Step into our world, as we bring you a raw look at the talents of the next wave of riders and photographers. Come face to face with our diverse styles as we take on new lines and new places. ARRIVAL is all about what is happening now. Bringing viewers into the reality of a new generation of freeriders and racers.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Austin's hottest DJ, Jungle Julia, sets out into the night to unwind with her two friends Shanna and Arlene. Covertly tracking their moves is Stuntman Mike, a scarred rebel leering from behind the wheel of his muscle car, revving just feet away.