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Yesterday I was looking for a thread, today I'm looking for a piece of string. Mike Hammer is driving down a dark highway when a half naked blonde forces him to stop, this event sends Hammer spiralling on a journey that may have a cataclysmic consequence for all involved. Kiss Me Deadly is a harsh movie, it contains an array of characters that are dislikable in the extreme, nobody can be trusted, and everyone on the surface appears to be selfish in their respective motivations. Taking in torture, murder, violence on tap, and a wonderful mystery plot, it's not hard to see why the film has gained a massive reputation as the years have rolled by - where although it's brutish in substance, the film is a damn riveting piece of work. Ralp Meeker is excellent as Hammer, a character who refuses to lay down, he gets knocked down constantly, but he gets back up tougher than before, he becomes the kind of hard boiled guy who hits first and then asks questions later. The direction from Robert Aldrich is perfect, off-kilter camera work drags the viewer into this skew-whiff world that Hammer has entered, and we often only see shots of the bad guys torsos so as to make them faceless thugs. It's down right aggressive film making that hits the requisite thriller mark. Kiss Me Deadly has influenced many others since its release, be it "Repo Man" or "Pulp Fiction", the impact is still being felt today. Containing a much talked about ending (both the restored and alternate endings work on differing levels to many), it's a film that leaves things up for discussion and debate, but what we do know for sure is that it's explosive and crowns what is now firmly established as a crime classic from the film noir splinter of film making styles. 8.5/10
Slick lawyer Thomas Farrell has made a career of defending mobsters in trials. It's not until he meets a lovely showgirl at a mob party that he realizes that there's more to life than winning trials. Farrell tries to quit the racket, but mob boss Rico Angelo threatens to hurt the showgirl if Farrell leaves him.
Pursued by the big-time gambler he robbed, John Muller assumes a new identity—with unfortunate results.
An aging hood is about to go back to prison. Hoping to escape his fate, he supplies information on stolen guns to the feds, while simultaneously supplying arms to his bank robbing chums.
An insurance man wishing for a more exciting life becomes wrapped up in the affairs of an imprisoned embezzler, his model girlfriend, and a violent private investigator.
Rick Mason is the no-good lowdown rat who tries to capitalize on postwar patriotism and grief. He finagles a war widow into giving up her savings for a nonexistent memorial. When Mason falls in love with the widow he has pangs of conscience, but he reckons without his con-artist boss, who tends to bolster his arguments with muscle and bullets.
Three desperados try to kidnap a wealthy child in hope of turning their lives around.
After surviving a murder attempt, an auto magnate goes into hiding so his wife can pay for the crime.
Kleptomaniac Dorothy Lyons is paroled from prison into the custody of her sister June, secretary to "reform" politician Frank Jansen. Ben Grace, associate of crime boss Sol "Solly" Caspar, sees this as a way to smear Jansen's campaign. Seductive Dorothy will do anything to get what she wants, which includes having a good time with Ben- whom June is now in love with.
A Serbian émigré in Manhattan believes that, because of an ancient curse, any physical intimacy with the man she loves will turn her into a feline predator.
United States Federal agent Rigby travels to the Central American island Carlotta to investigate a stolen aircraft engines smuggling racket.
Angered that her sister Celia has stolen her fiance, Dell Faring kills her and allows Celia's husband David, knocked out in an argument with Celia, to take the blame and end up on death row. Later Dell, finding out that David's young daughter Susan was witness to the crime and is undergoing psychiatric treatment, plans to eliminate her before her memory returns.
