Finding the Funk

Manchester, 1976. Tony Wilson is an ambitious but frustrated local TV news reporter looking for a way to make his mark. After witnessing a life-changing concert by a band known as the Sex Pistols, he persuades his station to televise one of their performances, and soon Manchester's punk groups are clamoring for him to manage them. Riding the wave of a musical revolution, Wilson and his friends create the legendary Factory Records label and The Hacienda club.

Take Me to the River is a film about the soul of American music. The film follows the recording of a new album featuring legends from Stax records and Memphis mentoring and passing on their musical magic to stars and artists of today.

This intimate, in-depth look at Beyoncé's celebrated 2018 Coachella performance reveals the emotional road from creative concept to cultural movement.

This entertaining documentary of the World Cup Soccer tournament of 1966 follows the 15 countries competing for the sport's most coveted prize. Nigel Patrick narrates, with commentary provided by Brian Glanville. The executive producer spent $336,000 on the production and used 117 cameras to record nearly 48 hours worth of action. Four editors were employed to created the final 108-minute feature.

Following the 1974 French presidential campaign with Valéry Giscard d’Estaing.

The Writings On The Wall established Destinys Child as one of the largest-selling female groups ever, selling over 10 million albums worldwide. Survivor debuted at #1 in ten countries including the U.S., and sold more than 8 million albums worldwide. Filmed at their show in Rotterdam, Holland, Destinys Child World Tour gives fans the electrifying experience of a Destinys Child concert. Beyonce Knowles, Kelly Rowland and Michelle Williams give a hand-clapping, foot-stomping live performance of their #1 hits-Bills, Bills, Bills, Say My Name, Bug A Boo, Jumpin, Jumpin, Survivor and Bootylicious, making sure not to miss any favourites along the way. This full concert showcases music from their self-titled debut album Destinys Child, as well as The Writings On The Wall and Survivor, and includes dynamic solo performances from all three ladies.

An usherette in a theatre, where a distinguished and popular actor performs, gets her big break when the leading actress has an accident. The director decides to take advantage of the heretofore unexploited talent of the girl and asks her to replace the leading actress. This unexpected opportunity transforms her from a humble usherette into a shining star. Later on, she wins the heart of the leading actor with whom she was secretly in love. However, her sudden rise to theatrical-musical stardom creates complications in their love affair, as her companion sinks into disappointment and drowns himself in drink, abandoning his career. Nevertheless, the usherette/leading actress doesn't give up; She looks for him, finds him and supports him, psychologically and morally, until he makes a comeback to the stage and their love nest.

In 1972, officer Frank Serpico exposes the corruption which poisons the roots of the NYPD and becomes famous in 1973 when director Sidney Lumet tells his story in the classic film “Serpico,” starring Al Pacino.

One day, while Grigoris is working and singing at a construction site, a conductor, Vangelis, and two bouzouki musicians happen to pass by. They listen, enchanted by his limpid voice, and suggest that he becomes a member of their orchestra. Thus, the newly-wed day laborer gets a second job at Mr. Lefteris’ night club. His wife, Marina, soon joins him at the club, and, before long, she too goes on stage, cuts capers and charms everyone. Her success, however, has a negative impact on the couple’s relationship, since Marina’s admirers as well as those of Grigoris’, turn one away from the other.

Dirt Femme is a 2022 visual starring Swedish singer-songwriter Tove Lo.

London 1976: Between economic crises and the Silver Jubilee, something is brewing in the squats and basement clubs of West London: Punk. A promise, a new beginning. Punk meant self-empowerment, especially for the women in the scene. For the first time, women picked up guitar, bass and drums, formed bands and wrote their own songs.