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**Tom Hanks gave life and affection to this project, which easily reminds us of the golden years of rock-and-roll.** The film is a very nice story that revolves around the world of ephemeral "rock and roll" stars. In 1964, a group of youngsters from Pennsylvania suddenly emerge from obscurity when their garage band, the Wonders, achieve fame and success on the back of a single song, "That Thing You Do". Believing in a potential that might not exist, the scouts of the music world waste no time and the boys get a contract with a major label, which is waiting expectantly for equally good songs. However, sudden fame will test the strength of the group, the maturity and responsibility of that guys and their ability to resist the temptations that money and notoriety always make possible. Tom Hanks is more than a protagonist, he is the engine that pulls the film and makes it possible. He had achieved fame at the expense of good comedies like “Big” or “Money Pit”, but he had his consecration in films like “Sleepless in Seattle”, “Philadelphia”, “Forrest Gump” and “Apollo 13”. In addition, he already had two Oscars on his shelf, so he had the means to leverage a project he liked, and there is no doubt that he liked this one, and it was the lever that made it go forward. And contrary to what often happens in these situations, he didn't want the lead role: it's in a reasonably more modest role that we see him, a role where he doesn't fail to stand out. The main role is assured by the band's boys, played by Tom Everett Scott, Johnatton Schaech, Steve Zahn, Ethan Embry and Giovanni Ribisi. All quite young, still at the beginning of their respective careers, all capable of relatively slick and honest work, especially Scott, who is given a little more visibility. We also have to highlight the pleasant participation of Liv Tyler and Charlize Theron. The film is quite light, lively and cheerful, even in the most tense moments, and in which it takes paths that could make it denser, more dramatic and profound, which it always avoids. That was a conscious choice, I'm sure, and that's debatable. Where the film stands out is in its attention to historical details, in the care with which it seeks to recreate the era and environments through the choice of suitable props, good costumes and make-up, as well as a set of excellent sets. And being such a musical film, the soundtrack is unavoidable and vibrant, with songs that stay in the ear and where the main melody, created especially for the film emulating the aesthetics and taste of the time, deserves a very special highlight.
Young members of 3 New Orleans school marching bands grow up in America's most musical city, and one of its most dangerous. Their band directors get them ready to perform in the Mardi Gras parades, and teach them to succeed and to survive.
The new season of "American Dreamz," the wildly popular television singing contest, has captured the country's attention, as the competition looks to be between a young Midwestern gal and a showtunes-loving young man from Orange County. Recently awakened President Staton even wants in on the craze, as he signs up for the potential explosive season finale.
Thursday 27th of October 2016 – Teatro Espace, Turin. Mulatu Astatke is a musician, composer, arranger and Ethiopia’s cultural ambassador. He’s known as the godfather of ethiojazz, a unique blend of jazz, traditional Ethiopian music, latin, caribbean reggae and afrofunk. Born in 1943 in Jimma, Mulatu studied music not only in Ethiopia but also in UK and USA. In 2005 he contributed to the soundtrack of Jim Jarmusch’s film “Broken Flowers”, reaching a new public worldwide.
A sheltered Amish child is the sole witness of a brutal murder in a restroom at a Philadelphia train station, and he must be protected. The assignment falls to a taciturn detective who goes undercover in a Pennsylvania Dutch community. On the farm, he slowly assimilates despite his urban grit, and forges a romantic bond with the child's beautiful mother.
When Madame Adelaide Bonfamille leaves her fortune to Duchess and her children—Bonfamille’s beloved family of cats—the butler plots to steal the money and kidnaps the legatees, leaving them out on a country road. All seems lost until the wily Thomas O’Malley Cat and his jazz-playing alley cats come to the aristocats’ rescue.
An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.
From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.
Manhattanite Ashley is known to many as the luckiest woman around. After a chance encounter with a down-and-out young man, however, she realizes that she's swapped her fortune for his.
More and more parents take competitive behavior towards the teachers of their children: deny votes and programs, vaneggiano of likes, dislikes, and conspiracies. So, instead of helping in the training of their children, they become insurmountable obstacles to their growth. Presumptuously they think: "We know better than anyone else our children and we know what they are worth and how and what you have to teach."
