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Anti Social Behaviour Order. Splendid slice of British Rock Rock Rockery. Vinyl is based about a Rock "N" Roll Swindle perpetrated by Mike Peters and his band The Alarm in 2004. With the record companies only interested in imaged driven bands with which to cash in the coin, Peters recorded a single and got some pretty youngsters to pretend it was their song. The record company bought it wholesale, with Peters and chums chuckling away until the reveal caused much mirth in the industry. So a sort of Milli Vanilli meets Blue meets The Sex Pistols! Film is based in Wales and features Phil Daniels, Keith Allen, Perry Benson and Christopher Roy Turner as the middle aged punkers who meet up at a friends funeral. Their band The Weapons of Happiness is a long distant memory, gone are the days when they opened for U2 and toured with The Buzzcocks. Hooking up for drinks after the service, the men, in spite of having different ideals in life, get drunk and lay down a jam session, that amazingly in the morning sounds rather ace. But with the record company only interested in image based bands like The Jammie Dodgers and Bling Bling, Weapons of Happiness can't catch a break, that is until lead singer Johnny Jones (Daniels) hits on novel idea... The whole film pulses with a sense of fun and vibrancy, the cast having a great old time of it acting up as a rock band past their prime but still carrying around a torch for the glory days. Their hangs ups and past differences are still there, and much of the comedy is derived from these scenarios. Once the youngsters arrive to be the fake face of the band, fronted by a superb Jamie Blackley, the age divide also provides scope for humour that is utilised fully. A running thread of Johnny and his frustrated partner (Julia Ford) trying to start a family, also provides mirth, while there's one or two surprises in the story as well. It's no rocket science movie, it's very lighthearted and directed breezily by Sara Sugarman. However, the caustic asides inherent within the narrative (prejudices of the music industry/hanging on to the past being good or bad?) do strike the right chords. The soundtrack is kicking, the "band's" song "Free Rock and Roll" beautifully catchy, the comic performances mightily strong, and the serious undertones never cloy the frivolity. From a Ramones/Buzzcocks/The Saints inspired hit single, to Daniels' ass! Vinyl is a winner and worthy of seeking out by music fans of all ages. 9/10
“Vinyl” is based on the true events in the 1990’s of rock band The Alarm. Lead singer / guitarist of The Alarm ,Mike Peters , makes a cameo in this light hearted British comedy , music, drama. The music in the film is catchy and the main characters likeable but Vinyl struggles with a lacklustre script. It’s an easy watch that has some notable British talent but also is quite forgettable afterwards. The subject matter is a good premise that explores the truth behind ageism in the music industry during the 1990’s. This is based on true events that led to many artists being dropped by record companies and their music banned from being played on Radio one. ( including new material being discovered by The Beatles ) The subject matter is certainly well worth being told it’s just that the script doesn’t make the most of the real National story. In conclusion “Vinyl” falls short of being a really good film. This is due to the lack of investigation into why older artists music was considered not relevant and unfortunately a really lacklustre script. That’s not to say I didn’t like it , I just didn’t love it.
When a young boy makes a wish at a carnival machine to be big—he wakes up the following morning to find that it has been granted and his body has grown older overnight. But he is still the same 13-year-old boy inside. Now he must learn how to cope with the unfamiliar world of grown-ups including getting a job and having his first romantic encounter with a woman.
On the eve of his 25th birthday, the day he’s set to receive money from his trust fund, Rocco parties, gets drunk and loses all his money on a poker match. His dilemma: He has to produce the amount, otherwise he will lose the client he needs to defeat his father’s TV commercial production company. Meanwhile, Rocky also needs money to pay the rent, otherwise her family will be homeless. There’s only one way for Rocco to be able to get money from his trust fund: Fulfill the conditions set by his grandmother and that is to get married. Rocky agrees to act as Rocco’s pseudo wife in exchange for a “talent fee.” They seal the deal. As they live like a married couple, Rocco and Rocky face one problem after another, forcing them with no alternative but to reconcile their differences and work with each other. Complication arises when they start to feel for each other, with their bond getting closer.
A struggling comedy duo discovers that surviving the apocalypse is almost as difficult as surviving in Hollywood.
Two lost souls visiting Tokyo - the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial - find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.
It ain't easy bein' green - especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot - a wisecracking donkey.
After the death of his mother, a young boy calls a radio station in an attempt to set his father up on a date. Talking about his father’s loneliness soon leads to a meeting with a young female journalist, who has flown to Seattle to write a story about the boy and his father.
A short movie, made for Comic Relief, in which Blackadder (Rowan Atkinson) and Baldrick (Tony Robinson) must help protect King Charles I (Stephen Fry) from the machinations of Oliver Cromwell and his Roundheads
Minnie Goetze is a 15-year-old aspiring comic-book artist, coming of age in the haze of the 1970s in San Francisco. Insatiably curious about the world around her, Minnie is a pretty typical teenage girl. Oh, except that she’s sleeping with her mother’s boyfriend.
Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.
Two "Normal" teenagers - they cut classes, get into fights and are never far from their Walkman headsets - notice a sudden change in their fellow students. No one is able to explain this zombie-like behavior which, at the command of an unseen alien, makes them punish transgressors with merciless violence.