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Much has been said/written/vented about the banning of Travis Matthews' I Want Your Love at this year's Melbourne Queer Film Festival. Many have stressed their disagreement with the Classification Board's claim that the six minutes of sex in Matthews' film did not advance the plot and I'd agree - the sex was nothing if not character driven. What is interesting is just how unerotic realistically depicted sex actually is. Not that it is unattractive; Matthews' film is actually incredibly beautiful in the way that it films the guys getting down and dirty, but it so tied up in the participants, in the case of I Want Your Love two (or three) guys, that it is the facial expressions, the laughs and the unsure expressions that become far more interesting than the mechanics of the bits going up and down, or in and out, or gushing forth. And it is the lead up to the actual act, the will-he-won't-he moments that really provide the tension in these scenes. All it takes is one section of Marco Berger and Marcelo Mónaco's Sexual Tension: Volatile to prove that. The anthology film, with six sections alternately directed by Berger and Mónaco, traces the outline of sex but never actually breaks through. It is a very cheeky 85 minutes of cock teasing but it is also a lot of fun. Each segment takes a potential man on man liaison as a starting point and works it up to the point that it is just about to blow, then moves on. Berger, who's previous films Plan B and Ausente have both traded heavily on sexual tension, gets the pick of the bunch, titled "El Primo". Ausente's predatory star, Javier De Pietro, appears as a young house guest who is taken with his mate's gawky cousin, who tends to lay around the house in his undergarments, which unsurprisingly gets our young hero into a lather. Berger uses his camera and his actors perfectly to capture a familiar scenario: the slippery slope from "how can I sneak a perve" via "how can I sneak more than a perve" to "damn, I missed my only opportunity". It works so well because it taps into countless times when you've been in the self same situation. The same goes for most of the remaining segments. There is always that hint of familiarity tied in that heightens the experience. The best of the rest follows a young guy at a tattoo parlour who gets wrapped up in the tattooist, who doesn't know he exists; from there it is straight guys teaching each other how to better serve their girlfriends, sponge baths, hotel staff with no sense of personal space and personal trainers. Sexual Tension: Volatile is a lot of fun. There is never a dull moment (thanks to the titular sexual tension) but after the first two segments the quality does drop off considerably. Going by the film's Spanish title, Tensión sexual, Volumen 1: Volátil, there is more to come. I'm not going to complain, I'm well up for it. ★★★ Sexual Tension: Volatile screened as part of the Melbourne Queer Film Festival 2013.
Much has been said/written/vented about the banning of Travis Matthews' I Want Your Love at this year's Melbourne Queer Film Festival. Many have stressed their disagreement with the Classification Board's claim that the six minutes of sex in Matthews' film did not advance the plot and I'd agree - the sex was nothing if not character driven. What is interesting is just how unerotic realistically depicted sex actually is. Not that it is unattractive; Matthews' film is actually incredibly beautiful in the way that it films the guys getting down and dirty, but it so tied up in the participants, in the case of I Want Your Love two (or three) guys, that it is the facial expressions, the laughs and the unsure expressions that become far more interesting than the mechanics of the bits going up and down, or in and out, or gushing forth. And it is the lead up to the actual act, the will-he-won't-he moments that really provide the tension in these scenes. All it takes is one section of Marco Berger and Marcelo Mónaco's Sexual Tension: Volatile to prove that. The anthology film, with six sections alternately directed by Berger and Mónaco, traces the outline of sex but never actually breaks through. It is a very cheeky 85 minutes of teasing but it is also a lot of fun. Each segment takes a potential man on man liaison as a starting point and works it up to the point that it is just about to follow through, then moves on. Berger, who's previous films Plan B and Ausente have both traded heavily on sexual tension, gets the pick of the bunch, titled "El Primo". Ausente's predatory star, Javier De Pietro, appears as a young house guest who is taken with his mate's gawky cousin, who tends to lay around the house in his undergarments, which unsurprisingly gets our young hero into a lather. Berger uses his camera and his actors perfectly to capture a familiar scenario: the slippery slope from "how can I sneak a perve" via "how can I sneak more than a perve" to "damn, I missed my only opportunity". It works so well because it taps into countless times when you've been in the self same situation. The same goes for most of the remaining segments. There is always that hint of familiarity tied in that heightens the experience. The best of the rest follows a young guy at a tattoo parlour who gets wrapped up in the tattooist, who doesn't know he exists; from there it is straight guys teaching each other how to better serve their girlfriends, sponge baths, hotel staff with no sense of personal space and personal trainers. Sexual Tension: Volatile is a lot of fun. There is never a dull moment (thanks to the titular sexual tension) but after the first two segments the quality does drop off considerably. Going by the film's Spanish title, Tensión sexual, Volumen 1: Volátil, there is more to come. I'm not going to complain, I'm well up for it.
Football star Charlie has the world at her feet. With a top club desperate to sign her, her future is seemingly mapped out. But the teenager sees only a nightmare. Raised as a boy, Charlie is torn between wanting to live up to her father's expectations and shedding this ill fitting skin.
A 15-year-old Nune creates a fantasy world to escape from the pain of social rejection and bullying. But her archenemy's girlfriend-a model cheerleader with a bleeding heart-keeps luring her near.
Singing and dreaming together, a talented singer-songwriter and a same-aged keyboardist add harmony and love to each other's lives.
Wei, a young lesbian, goes to Thailand on a graduation trip. After witnessing an intimate interaction between the girl she fancies and a male friend, she goes to a Thai massage parlour, but the experience isn't as beautiful as she envisioned.
Joseph learns that his son and his companion have just perished in an accident. They were expecting a child via a surrogate mother in Belgium. What will become of their future baby? Is Joseph the legitimate grandfather? Carried by the promise of this birth which will prolong the existence of his son, the sexagenarian goes to meet the young Flemish woman with a fierce and indomitable character.
Just Ask Him is a romantic LGBT short film about an out high school kid gathering the courage to ask his soccer jock crush to a dance.
The first-born son of a wealthy Mexican businessman, Simon is doted upon by his father, Don Andres. But as Simon grows older, he displays a fondness for dressing in women's clothing and playing with dolls, and is eventually banished from home and disinherited. He then finds work as a performer in a nightclub that his father patronizes. Not recognizing his son as a beautiful young woman, Don Andres discloses some surprising secrets of his own.
A coming-of-age story of a reluctant 13-year-old hustler named Nathan who will do whatever it takes to feel loved.
Tala, a London-based Palestinian, is preparing for her elaborate Middle Eastern wedding when she meets Leyla, a young British Indian woman who is dating her best friend. Spirited Christian Tala and shy Muslim Leyla could not be more different from each other, but the attraction is immediate and goes deeper than friendship. But Tala is not ready to accept the implications of the choice her heart has made for her and escapes back to Jordan, while Leyla tries to move on with her new-found life, to the shock of her tradition-loving parents. As Tala's wedding day approaches, simmering tensions come to boiling point and the pressure mounts for Tala to be true to herself.
The inmates and guards of a modern, clean and efficient maximum security wing are slowly and increasingly brutalized until they erupt in violence.
