War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
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The Rule of Jenny Pen 2024 - Movies (Mar 28th)
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Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
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The One Show - (Mar 29th)
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The Last Word with Lawrence ODonnell - (Mar 29th)
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Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
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Cops - (Mar 29th)
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Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Much has been said/written/vented about the banning of Travis Matthews' I Want Your Love at this year's Melbourne Queer Film Festival. Many have stressed their disagreement with the Classification Board's claim that the six minutes of sex in Matthews' film did not advance the plot and I'd agree - the sex was nothing if not character driven. What is interesting is just how unerotic realistically depicted sex actually is. Not that it is unattractive; Matthews' film is actually incredibly beautiful in the way that it films the guys getting down and dirty, but it so tied up in the participants, in the case of I Want Your Love two (or three) guys, that it is the facial expressions, the laughs and the unsure expressions that become far more interesting than the mechanics of the bits going up and down, or in and out, or gushing forth. And it is the lead up to the actual act, the will-he-won't-he moments that really provide the tension in these scenes. All it takes is one section of Marco Berger and Marcelo Mónaco's Sexual Tension: Volatile to prove that. The anthology film, with six sections alternately directed by Berger and Mónaco, traces the outline of sex but never actually breaks through. It is a very cheeky 85 minutes of cock teasing but it is also a lot of fun. Each segment takes a potential man on man liaison as a starting point and works it up to the point that it is just about to blow, then moves on. Berger, who's previous films Plan B and Ausente have both traded heavily on sexual tension, gets the pick of the bunch, titled "El Primo". Ausente's predatory star, Javier De Pietro, appears as a young house guest who is taken with his mate's gawky cousin, who tends to lay around the house in his undergarments, which unsurprisingly gets our young hero into a lather. Berger uses his camera and his actors perfectly to capture a familiar scenario: the slippery slope from "how can I sneak a perve" via "how can I sneak more than a perve" to "damn, I missed my only opportunity". It works so well because it taps into countless times when you've been in the self same situation. The same goes for most of the remaining segments. There is always that hint of familiarity tied in that heightens the experience. The best of the rest follows a young guy at a tattoo parlour who gets wrapped up in the tattooist, who doesn't know he exists; from there it is straight guys teaching each other how to better serve their girlfriends, sponge baths, hotel staff with no sense of personal space and personal trainers. Sexual Tension: Volatile is a lot of fun. There is never a dull moment (thanks to the titular sexual tension) but after the first two segments the quality does drop off considerably. Going by the film's Spanish title, Tensión sexual, Volumen 1: Volátil, there is more to come. I'm not going to complain, I'm well up for it. ★★★ Sexual Tension: Volatile screened as part of the Melbourne Queer Film Festival 2013.
Much has been said/written/vented about the banning of Travis Matthews' I Want Your Love at this year's Melbourne Queer Film Festival. Many have stressed their disagreement with the Classification Board's claim that the six minutes of sex in Matthews' film did not advance the plot and I'd agree - the sex was nothing if not character driven. What is interesting is just how unerotic realistically depicted sex actually is. Not that it is unattractive; Matthews' film is actually incredibly beautiful in the way that it films the guys getting down and dirty, but it so tied up in the participants, in the case of I Want Your Love two (or three) guys, that it is the facial expressions, the laughs and the unsure expressions that become far more interesting than the mechanics of the bits going up and down, or in and out, or gushing forth. And it is the lead up to the actual act, the will-he-won't-he moments that really provide the tension in these scenes. All it takes is one section of Marco Berger and Marcelo Mónaco's Sexual Tension: Volatile to prove that. The anthology film, with six sections alternately directed by Berger and Mónaco, traces the outline of sex but never actually breaks through. It is a very cheeky 85 minutes of teasing but it is also a lot of fun. Each segment takes a potential man on man liaison as a starting point and works it up to the point that it is just about to follow through, then moves on. Berger, who's previous films Plan B and Ausente have both traded heavily on sexual tension, gets the pick of the bunch, titled "El Primo". Ausente's predatory star, Javier De Pietro, appears as a young house guest who is taken with his mate's gawky cousin, who tends to lay around the house in his undergarments, which unsurprisingly gets our young hero into a lather. Berger uses his camera and his actors perfectly to capture a familiar scenario: the slippery slope from "how can I sneak a perve" via "how can I sneak more than a perve" to "damn, I missed my only opportunity". It works so well because it taps into countless times when you've been in the self same situation. The same goes for most of the remaining segments. There is always that hint of familiarity tied in that heightens the experience. The best of the rest follows a young guy at a tattoo parlour who gets wrapped up in the tattooist, who doesn't know he exists; from there it is straight guys teaching each other how to better serve their girlfriends, sponge baths, hotel staff with no sense of personal space and personal trainers. Sexual Tension: Volatile is a lot of fun. There is never a dull moment (thanks to the titular sexual tension) but after the first two segments the quality does drop off considerably. Going by the film's Spanish title, Tensión sexual, Volumen 1: Volátil, there is more to come. I'm not going to complain, I'm well up for it.
A woman learns about the death of her Orthodox Jewish father, a rabbi. She returns home and has romantic feelings rekindled for her best childhood friend, who is now married to her cousin.
A long term couple on the verge of closing their open relationship find themselves in uncharted territory when one of them forms an intense connection with a younger man. Their individual fears and desires collide over a hot Texas summer.
A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
The drug-induced utopias of four Coney Island residents are shattered when their addictions run deep.
Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.
County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
Following the tragic death of her teenage son, Manuela travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker, and befriends a troubled actress and a pregnant, HIV-positive nun.
An examination on the effect of Franco-era religious schooling and sexual abuse on the lives of two longtime friends.
In 1960s Wyoming, two men develop a strong emotional and sexual relationship that endures as a lifelong connection complicating their lives as they get married and start families of their own.