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The characterisations here are a bit of a stretch, to be honest. Norma Talmadge is "San San" who is to be a concubine of the Emperor (of China) but who becomes embroiled, and falls in love, with the American Ambassador to the court - "Worden" (Thomas Meighan) with whom she has a child. Needless to say, the Emperor is not best pleased and "San San" is dealt with and the baby "Toy" put out for adoption by a family who disdainfully refer to her as the "American". Talmadge plays both roles, the former a little more plausibly than the latter as the daughter seeks out her father, now a high ranking official in the American-governed Philippines. The story is simple, and probably quite typical of the times when any form of inter-racial relationship was somewhat hypocritically frowned upon. Meighan plays well, he ages well, and his character is decent but the rest of this is heavily staged, badly lit and is a meanderingly paced effort that could have launched the career of ten Max Factor's. The sumptuous court settings of dynastic China have to be presumed as the settings and costumes suggest a very basic budget - even for 1918. It isn't terrible, indeed it is quite ambitious, but for me it felt flat and rather sterile.
A recalcitrant thief vies with a duplicitous Mongol ruler for the hand of a beautiful princess.
Two young men, one rich, one middle class, both in love with the same woman, become US Air Corps fighter pilots and, eventually, heroic flying aces during World War I. Devoted best friends, their mutual love of the girl eventually threatens their bond. Meanwhile, a hometown girl who's the lovestruck lifelong next door neighbor of one of them pines away.
When Marie St. Clair believes she has been jilted by her artist fiance Jean, she decides to leave for Paris on her own. After spending a year in the city as a mistress of the wealthy Pierre Revel, she is reunited with Jean by chance. This leaves her with the choice between a glamorous life in Paris, and the true love she left behind.
Charlie, a wandering tramp, becomes a circus handyman - soon the star of the show - and falls in love with the circus owner's stepdaughter.
Experimental silent homage to the origins of cinema, recreating the apparent disappearance of a French photographer in the 1920s.
An unhappily married woman is caught up in scandal and murder when her affection toward a young man is misinterpreted.
Karin, a young girl, gets an hour free from school. She spends it across the street from the school, in the apartment of an older photographer.
Thwarted by his despotic uncle from continuing his love affair, a young man's thoughts turn dark as he dwells on ways to deal with his uncle. Becoming convinced that murder is merely a natural part of life, he kills his uncle and hides the body. However, the man's conscience awakens; paranoia sets in and nightmarish visions begin to haunt him.
A romantic rivalry among members of a secret society becomes even more tense when one of the men is assigned to carry out an assassination.
Two young brothers become the leaders of a gang of kids in their neighborhood. Ozu's charming film is a social satire that draws from the antics of childhood as well as the tragedy of maturity.
