Fièvre

The daughter of a count and the son of a shoemaker, both Hungarian, fall in love in America. As they're about to marry, the young woman is called back to Europe. When her betrothed goes after her, difficulties ensue.

The heavily indebted baron Henrik von Hagen, who loves women and partying, learns that his former lover, Russian ballerina Madame Vera Vasiljevna, will be visiting Finland. They are reunited and sparks fly. But Vasiljevan's new hobby casts a shadow over their romance.

A man dreams he is the 'demon barber' who cuts sailors' throats for jewels and uses the corpses for pies.

During a game of hide and seek, a new bride hides in a chest and remains undiscovered until a strange visitation thirty years later.

The film tells the story of a man and woman who don't know each other. After being matched by a matchmaker, after going through a series of red tape, they were sent to the bridal chamber and began a difficult life as a couple. Despite the primitive shooting methods and lack of training of the actors, the film has a very important place in the history of Chinese film. The film has now been lost.

Charlotte Baker is drugged and taken to a brothel by Paul, her fiance, who in reality is a pimp. To find her, Charlotte's family contacts the celebrated detective Bob Macauley.

Mina Rogers (Mary MacLaren) is unfairly cast out into the cruel, cruel world by her crotchety old uncle. She searches for a new home, resorting to deception so that she will be taken in. Along the way she meets a doctor, certain mysteries surrounding her are solved, and the doctor asks her to marry him.

Against the backdrop of New York City of the early 1850s, a young woman - naively seeking to win the love she reads about in the romance novels she devours - finds one prospect in an earnest denizen of the Bowery, and another in an elegant young aristocrat. Focusing on the bygone era's fashions, the novelty of the bicycle-built-for-two, and an inventor's quest for the horseless carriage, the film gently stirs the audiences' nostalgia for simpler times.

When her husband, an aspiring poet, gets his theatrical script rejected, Agnes Holck decides to take matters into her own hands. With the script in hand, she seeks out theatre director Viggo Reyner who takes an interest – not in the play, but in Agnes herself! However, his former favourite actress Lily Werner, doesn’t like being ignored. While the director is working on the seduction of Agnes, she cooks up some sinister revenge plans with fatal consequences. (Stumfilm.dk)

This film begins with the invocation of 'almighty god' at a river where several people are gathered. The child god Krishna rises out of the water astride the demon snake Kaliya. Then we see Yashoda as she rocks the sleeping Krishna's crib and imagines the god as Gopala. The next scene shows Kamsa fantasizing about Krishna threateningly duplicated many times around him. Kamsa then imagines himself dead as his severed head rises up and descends again. People of all castes pay obeisance to the deity with the title-card: 'may this humble offering be accepted by the Lord'.

In Africa a typist is framed for killing a diamond smuggler who betrayed her father.