Three Mirrors Creature's Flashes of Flesh

An elderly countess strikes a bargain with the devil and exchanges her soul for the ability to always win at cards. An army officer, who is also a fanatic about cards, murders her for the secret, then finds himself haunted by the woman's spirit.

When cabaret singer Lily writes Toraya about her illness, Tora-san rushes to Okinawa to be by her side.

Inspired by their putrid desire for this butch hustler named Hollywood, this queer triptych follows a clan of revolutionary femmes as they are driven to righteous violence. It’s pro-drug anti-fascist queer propaganda in gorgeous Super 8mm!

At the peak of his career, billionaire Krishnakant Jhunjhunwala realizes the futility of his success at the cost of his health. Leaving his empire behind, he seeks solace in Varanasi, embarking on a spiritual journey that transcends life and death, searching for true meaning beyond material existence.

A servant-turned-assassin/bodyguard and a dispossessed heiress seize control of the latter's freedom (and if at first you don't succeed, try again in your next life).

Workers in a factory in pre-revolutionary Russia go on strike and are met by violent suppression.

Max, a failed writer, goes in search of her estranged girlfriend while simultaneously, trying to unload a large quantity of drugs she stole off her bosses to pay for a trip back East to care for her dying mother. She also might have her dead sister in the trunk of her car.

The surrealist film shows repetitive imagery involving a string fashioned in a bizarre, almost spiderweb-like pattern over the hands of several individuals, most notably an unnamed young woman and an elderly gentleman. The film also shows a shadowy darkness and people filmed at odd angles, an exposed human heart, and other occult symbols and ritualistic imagery which evokes an unsettling and dream-like aura. Considered an unfinished film.

A night watchman on the Eiffel Tower wakes up to find the entire population of the city frozen in place.

Lot in Sodom is a sensual depiction of the Sodom and Gomorrah story filled with sinewy and semi-clad bodies, delirious bacchanals devoted to physical pleasure, and a searing, cataclysmic finale depicting the fall of a city devoted to sins of the flesh.

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.