La semana que viene (sin falta)

Flora and Victor are fun, modern, caring parents. That is, until they decide to get a divorce, and the perfect job opportunity turns up for them. They now have one problem: custody.

Jimmie is seeing his single friends get married one by one. He isn't too worried until his girlfriend Anne catches the bouquet at his friend Marco's wedding. Suddenly, his wild mustang days are numbered. He finally decides to propose to her, but he sticks his foot in his mouth and botches the proposal. Being insulted by the defeatist proposal, Anne leaves town on an assignment. After she's gone, he finds out that his recently-deceased grandfather's will stipulates that he gets nothing of a multi-million dollar fortune unless he's married by 6:05pm on his 30th birthday: tomorrow! Not being able to find Anne, Jimmie begins backtracking through his past girlfriends to find a wife.

A lonely doctor who once occupied an unusual lakeside home begins exchanging love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it's too late.

A law student takes a job as a night watchman at a morgue and begins to discover clues that implicate him as the suspect in a series of murders.

Malini, a docile nurse, is forced to move into her boyfriend Varun's house, where she is raped — twice — by his boss, and also sent to prison on false charges. When she comes to know who the person behind her predicament is, she plans revenge.

On a test-run of the Mini Merry, Usopp tells Brook the story of the Going Merry, a ship that served the crew well. However, to the Straw Hats, the Going Merry was not just a ship: It was a priceless, irreplaceable friend. *Scenes have been recreated with brand-new animation.

In Ancient Polynesia, when a terrible curse incurred by Maui reaches the island of an impetuous Chieftain, his willful daughter answers the Ocean's call to seek out the demigod to set things right.

Two sets of identical twins are accidentally separated at birth. Several years later, when they are coincidentally in the same town, there is a lot of confusion and misunderstanding when people mistake them for each other.

This is one of the rare gems in early Chinese musical films that still exists today. Nancy Chan plays a naïve young woman who can sing and dance. Under the arrangement of her stepfather, she becomes a star and indulges in the glitz and glamour of the entertainment world before getting married to a wealthy heir in Nanyang. Yet her husband is cruel and unfaithful, leading her to divorce and return to her parents in Shanghai. She is set for a comeback to the stage. Her young daughter suffers from a serious illness. A remake of the Bu Wanchang’s silent film The Light of Maternal Instinct (1933), this film takes cues from Hollywood musicals, resulting in an elegant and lively fusion of camera movement and musical numbers. The film also reflects the harsh reality of China in the 1930s and the pathos of popular literature by combining morals, entertainment and social commentary to show that changes in the idea of femininity is a symbol of progress.

Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.

Bored billionaire executive Thomas Crown entertains himself by stealing a Monet from a reputed museum with an elaborate diversion. When Catherine Banning, the insurance company's investigator, takes an interest in Crown, he may have met his match, and a complicated back-and-forth game with seductive undertones begins between them.