The Bad Shepherd 2024 - Movies (Jan 17th)
The Bouncer 2024 - Movies (Jan 17th)
Tuesdays Trash 2024 - Movies (Jan 17th)
The Girl Who Cried Her Eyes Out 2024 - Movies (Jan 17th)
Clear Cut 2024 - Movies (Jan 17th)
You Gotta Believe 2024 - Movies (Jan 17th)
Wolf Man 2025 - Movies (Jan 17th)
My Divorce Party 2024 - Movies (Jan 17th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Back in Action 2025 - Movies (Jan 17th)
Henry Danger The Movie 2025 - Movies (Jan 17th)
Alarum 2025 - Movies (Jan 17th)
Ed Hill Stupid Ed 2024 - Movies (Jan 16th)
Alien Rubicon 2024 - Movies (Jan 17th)
Smile 2 2024 - Movies (Jan 16th)
Gabriel Iglesias Legend of Fluffy 2025 - Movies (Jan 16th)
The Substance 2024 - Movies (Jan 16th)
Unstoppable 2024 - Movies (Jan 16th)
Here 2024 - Movies (Jan 16th)
The Calendar Killer 2025 - Movies (Jan 16th)
The Last Word with Lawrence ODonnell - (Jan 18th)
WWE SmackDown - (Jan 18th)
Diners, Drive-Ins and Dives - (Jan 18th)
My Lottery Dream Home - (Jan 18th)
The Young and the Restless - (Jan 18th)
Gold Rush - (Jan 18th)
Lets Make a Deal - (Jan 18th)
Listen to the Earth - (Jan 18th)
The Price Is Right - (Jan 18th)
Alex Wagner Tonight - (Jan 18th)
The One Show - (Jan 18th)
Someday at a Place in the Sun - (Jan 18th)
Lopez vs Lopez - (Jan 18th)
The ReidOut with Joy Reid - (Jan 18th)
All In with Chris Hayes - (Jan 18th)
The Beat with Ari Melber - (Jan 18th)
Happys Place - (Jan 18th)
Deadline- White House - (Jan 17th)
The Bidding Room - (Jan 17th)
Bargain-Loving Brits in the Sun - (Jan 17th)
Okay watch, probably won't watch again, and can't recommend. It was interesting to see a young Jodie Foster... While I appreciate this popularizing (I'm still not convinced it birthed) a trope of "body swapping", it seems very uninspired: as if they said, "Wouldn't it be great if a kid and a parent swapped?" and then just stopped coming up with ideas. It was honestly very jarring on both swaps, the latter being honestly confusing (despite having addressed it directly). The movie made me realize how difficult it would be to swap places and attempt to "be" that person without a shred of preparation. I'm sure that's a bad sign as I should be more entertained by the novelty or adversity of the situation, but no. It's not that its a bad movie, there's a lot going on, a lot of it decent, but it's very dated. Even the action in it is a little awkward, but I certainly see why people in 1976 would have been impressed with this. On the other hand, I don't imagine people were talking about it for very long. There is a lot of thought narration that occurs, which isn't very engaging, and most of the engaging humor is cheap physical humor of "what's going to go wrong this time" so you're not engaged very long and the impression doesn't hold. The part of the movie that is actually rather good is the substance of teaching everyone to appreciate everyone else in the family, but we really took "walk a mile in his shoes" to an extreme here. There are more palatable ways to express the concept, and more movies that use this trope. I honestly suggest the 2003 version over this one, it's just not very memorable.
Barbara Harris and Jodie Foster are superb in 'Freaky Friday'! Having only seen the 2003 remake, I wasn't sure how I was going to feel about this 1976 original. In short, I loved it. It's funny and charming, a real shining light in Disney's live-action stuff from the 1970s. They only give you a snippet of Ellen (Harris) and Annabel (Foster) in their actual state, before switching it up, but it's more than enough to set up how the characters should act versus how they then act. The two leads are utterly fantastic, they both boss their respective roles. It's easy to forget they're acting as their opposing characters in moments, which is very impressive. Obviously a load of the story elements are outdated in terms of gender roles etc., but even when that stuffs occurs the film - at least in my interpretation - sniggers at it - especially with Bill (John Astin). The actual comedic moments remain amusing. I enjoyed this way more than I would've predicted, I haven't watched the '03 production in an incredibly long time so look forward to seeing how it compares to this. A great film, elevated by Harris and Foster.
The adolescent Melli moves from the monastery to a big city. Since she is not very popular and is considered a gray mouse, she wants to be part of the popular girls' clique of the school. In the new environment she falls in love with Roque.
Nicolas has a happy existence, parents who love him, a great group of friends with whom he has great fun, and all he wants is that nothing changes. However, one day, he overhears a conversation that leads him to believe that his life might change forever, his mother is pregnant! He panics and envisions the worst.
When awkward artist Eden meets the man of her dreams, she finds herself struggling to make a move. Luckily for her, she’s got quite the sidekick to help her out.
Svante is a young boy who lives with his family in a Stockholm apartment. One day he meets Karlsson, a chubby little man in the prime of his life, who can fly using a propeller on his back and who lives in his little house on the roof.
A younger sister wishes to switch places with her popular older sister and the two bickering siblings awaken to find the wish has come true.
A young boy must restore order when a group of bullies steal the magical book that acts as a portal between Earth and the imaginary world of Fantasia.
The Herdmans – Gladys, Claude, Imogene, Leroy, Ollie and Ralph – are undeniably the worst kids in the history of the world. They lie, steal, cheat, bully and overall terrorize their small community. But this Christmas, they’re taking over their local church Pageant – and they just might unwittingly teach a shocked little town the true meaning of Christmas.
A fairy-tale about an old lady who takes care of snow and Jakub who does not fear death. It reflects the idea of people's longing for happiness, love and understanding, their effort to overcome troubles and win over death. It criticizes greed and evil desires.