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The Amazing Story of March 7, 1945. The Bridge at Remagen is directed by John Guillermin and collectively adapted to screenplay by William Roberts, Richard Yates and Roger O. Hirson from the book The Bridge at Remagen: The Amazing Story of March 7, 1945. It stars George Segal, Robert Vaughn, Ben Gazzara, Bradford Dillman and E.G. Marshall. A Panavision/ De Luxe Color production, music is by Elmer Bernstein and cinematography by Stanley Cortez. Film is a fictionalised account of the battle for control of The Ludendorff Bridge over the Rhine during the tail end of World War II. A war film that’s rich with action and no little intelligence as it views the battle equally from both sides of the warring factions. The bridge is crucial to the war effort to both sides, but for different reasons, here the narrative is a little complex so total investment in the dialogue is strongly recommended. The characterisations are high quality, even if the war is hell weariness of the American soldiers had been done many times before in other notable war movies. Guillermin thrusts the psychologically hurt soldiers into desperate combat situations, from which we the viewers indulge in seeing the survival of the fittest. A sweeping score from Bernstein, gritty looking photography by Cortez, and a cast giving good turns, rounds this out as a thoroughly enjoyable World War II picture. 7/10
_**Sorta obscure WW2 flick from the late 60s with George Segal and Robert Vaughn**_ As the Allies are about to invade Germany in March, 1945, the Germans decide to blow up the last bridge on the Rhine in the area of Oberkassel, but a dissenting general (Peter van Eyck) convinces a major (Robert Vaughn) to keep it up as long as possible so troops can escape Germany. On the American side George Segal plays a lieutenant, Ben Gazzara a sergeant and Bradford Dillman their commander. "The Bridge at Remagen" (1969) is a WW2 film loosely based on real-life events similar to the later “A Bridge Too Far” (1977), but with a lesser cast, albeit more streamlined and colorful, like the contemporaneous “Castle Keep,” but less artsy and more straightforward. It may not be great like “Where Eagles Dare” (1968) or near-great like “Kelly’s Heroes” (1970), but it’s solid and fills the bill if you’re in the mood for WW2 movie from the European theater. The film runs 1 hour, 55 minutes, and was shot in Davle & Most, Czech Republic (the river is the Vltava). Filming was interrupted by the Soviet invasion of August, 1968, wherein Cast & crew were taken to safety via a convoy of 28 taxis. The film was completed in Hamburg, Germany, and various Italian locations. The film unit was amusingly accused by the Soviets & East German press of smuggling weapons into the country, supposedly being a cover-up for the CIA. GRADE: B
The film portrays MacArthur's life from 1942, before the Battle of Bataan, to 1952, the time after he had been removed from his Korean War command by President Truman for insubordination, and is recounted in flashback as he visits West Point.
The story of the senior-level preparations for the D-Day invasion on June 6, 1944 from the time of Dwight D. Eisenhower's appointment as the Supreme Allied Commander in Europe, to the establishment of the beachhead in Normandy.
War - In this thrilling war drama set in Yugoslavia during WWII, a small band of courageous commandoes are sent to kidnap an important German commander in exchange for an American general being held in a German fortress. "Operation Cross Eagles" is a story of suspense and intrigue that will have you on the edge of your seat one moment and blast you back the next. - Richard Conte, Rory Calhoun, Aili King
On Christmas Eve, 1944, in Nazi-occupied Slovakia, the Kubiš family grapples with survival amidst brutal reprisals. Marián collaborates as a fascist guard leader, while his sister Angela has an affair with their Nazi lodger, Major Brecker. The situation escalates when their younger son, Juraj, a former partisan fighter, returns home wounded. As Germans search homes for escapees, Juraj hides in the attic, while an unsettling Christmas dinner unfolds below with Major Brecker present.
Irena Sendler is a Catholic social worker who has sympathized with the Jews since her childhood, when her physician father died of typhus contracted while treating poor Jewish patients. When she initially proposes saving Jewish children from the Warsaw Ghetto, her idea is met with skepticism by fellow workers, her parish priest, and even her own mother Janina.
After handing in a report on the treatment of Chinese colonial labor, Kaji is offered the post of labor chief at a large mining operation in Manchuria, which also grants him exemption from military service. He accepts, and moves to Manchuria with his newly-wed wife Michiko, but when he tries to put his ideas of more humane treatment into practice, he finds himself at odds with scheming officials, cruel foremen, and the military police.
In 1939, Charlotte Salomon leaves Berlin to seek refuge at her grandparents' villa in the south of France. A little later, war breaks out, and Charlotte must, besides forgetting all she left behind, deal with her grandmother's depression, and her mother's suicide. To fight despair, Charlotte starts to paint, producing over one thousand images. "Is my life real, or is it theater?" This is the title she gives her body of work, which highlights her former life in Berlin. She finds herself though her art, but in 1943 is deported to Germany and Auschwitz.
War - Documentary film depicting the attack by Allied forces on the Japanese strong-holds of Arawe Beach and Cape Gloucester, New Britain, in the South Pacific theatre of the Second World War in 1943. - Leo Genn, Burgess Meredith, Anthony Veiller
When a folk high school is turned into an internment camp for German refugees, the headmaster couple Jakob and Lis and their children are thrust into an impossible situation. Should the family help the refugees — or stand firm in the Danish resistance against the Germans?
The Invisible Man's grandson uses his secret formula to spy on Nazi Germany in this comedy-thriller.
Director Quentin Tarantino tasked Eli Roth to craft a mini-movie called Stolz der Nation (Nation's Pride) that will be included in the theatrical cut of Inglourious Basterds. To help promote Inglourious Basterds via the film-within-a-film, Roth has slapped together a trailer for Nation's Pride blending black and white photography with modern multi-layered camera effects.