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True to "Captain America," this is the modern (comic book) version of the All American movie. Good guys versus bad guys without a lot of ambiguity. _**NOTHING WRONG WITH THAT**_. This movie is pretty much perfection for the genre. Entertaining A to Z story with high-end Hollywood professional movie making throughout.
**This is a long form review initially published in 2011:** Though it ran at over two hours, I did feel that it had plenty of room to go further than it did. I honestly felt like Red Skull could have had a film all to himself, and actually kind of suffered for making him as intriguing as he was. Chris Evans was an interesting choice as the titular role of Captain America, given that he's already played American sweetheart Marvel Super Hero "The Human Torch" in _Fantastic 4_ and _Fantastic 4: Rise of the Silver Surfer_. He didn't Oh-My-Gosh blow me away type-thing or what have you, but he was pretty great. So far in the Marvel Cinematic Universe, I'd slot Captain America clean in the middle. I liked _Iron Man_ and _Thor_ more, but _Iron Man 2_ and _The Incredible Hulk_ less. Marvel Studios stated that the movie they wanted to make was set in the 40's, even though the rest of Marvel Cinematic is modern-day. This was 100% the right move to make, why? Not because of the setting, aesthetics or direction, but because it's fuckin' smart. How do you have the world appreciate an Uncle-Sam loving upper-middle class white male military blindly-loyal patriot? You make him fight the God damn Nazis, that's how. It may seem strange, but I actually enjoyed the opening of _Captain America_ the most, which he spends a a meek, asthmatic Steve Rogers, yet to undergo the Deus Ex Machina Super Serum. It really showed the best of Evans acting ability, as well as the writing of Christopher Markus and Stephen McFeely whom together wrote _You Kill Me_ and The _The Chronicles of Narnia_ Trilogy. I watched it in 3D, which was more bearable than usual. As the films of MCU progress, each of them becomes more and more a prequel to _The Avengers_, _Captain America_ being the most to date. Despite its almost-entire lack of _Avenger_ cameos, this more than previous films felt like a prequel for what's to come, which is not strictly speaking a good thing. I had plenty of minor issues with _Captain America_, and though their was quite a number of them, all were minor, and ultimately, the only part of me that regrets watching it was the part that keeps thinking "My fucking God, I have to wait a YEAR before _Avengers_ comes out?!" 79% -Gimly
PLOT Steve Rogers, a scrawny young man, wants to enlist in the US Army and go overseas to fight in WWII. But his size and health means his attempts at enlistment always end the same way -- a 4F rating. Until a scientist sees him and recruits him to try out for a special training program to create a super soldier. WHAT I LIKED The Marvel universe sticks pretty close to classic script with him being given a serum that jacks his body into super muscle mode. He's already brave and smart, so it would seem like a no-brainer to send him overseas? But the guy in charge of his training doesn't want him, he's just one man, so Rogers ends up doing public relations back home. And he is quite shocked that the men overseas don't react as positively when they see him as the crowds back home. I really enjoyed the way they handle the first battle scene for him, basically him figuring things out as he goes, a far cry from his battle-hardened approaches later. I even liked his interactions with Agent Carter. I had thought it would be more subtle than it was, and I hoped we'd see a bit more of her operating on her own (after all, they gave her character a whole series on TV!), but she was second fiddle to the hero. WHAT I DIDN'T LIKE The challenge with a lot of American movies of the war is that it is as if they are the only actors in the war, no allies, just them, and that level of nationalistic narrowmindedness is a bit grating. That may be a small gripe when the show is called CAPTAIN AMERICA, not CAPTAIN OF WORKING WITH ALLIES, but still, it's annoying. I also was disappointed there wasn't a lot more on Red Skull. His history, his abilities, other pursuits, all of it was left basically unreferenced. Sure, some of it shows up elsewhere in the Marvel universe, but a bit more crosswalk would have been nice. I felt he really wasn't that well-fleshed out as the uber villain he could have been. THE BOTTOM LINE / TWEET As an origin story, it lacks pizazz
Definitely the most underrated of all the MCU films, Captain America: The First Avenger is a great war film done comic book style about a little guy making a big difference. Red Skull is one of the better villains simply because of how fantastic Hugo Weaving is. Peggy Carter is a great heroine and Hayley Atwell's performance is an absolute joy. Also, Tommy Lee Jones and Stanley Tucci light up the screen whenever they're on. With strong action scenes, nicely developed characters, and seamless CGI, Captain America: The First Avenger is perfectly fine as a stand alone film. Shameful that so many audiences were just going out of obligation for The Avengers, because this movie has a lot to offer.
Probably only my third time viewing and first in at least 8 years and while it's not great, I did find it to be pretty entertaining and Chris Evans embodies the role so well. Red Skull and the heavy prosthetic they placed on Hugo Weaving still was pretty silly looking, however, making him one of many weak villains in the MCU. **3.25/5**
I had a great time with this, it narrowly surpasses 'Iron Man' for me. 'Captain America: The First Avenger' is thoroughly entertaining. I absolutely enjoyed the story and how it is told, while the 1940s style is done fantastically - love the settings and costumes. The only negative I have is about the body double effect of skinny Captain America - which looks, honestly, ridiculous... in an amusing way, at least. This is, possibly, the most I've enjoyed the overall cast for an MCU film so far. Chris Evans is fun to watch in the lead role, he does a grand job. Behind him, the likes of Tommy Lee Jones, Hayley Atwell and Hugo Weaving are enjoyable too. A very pleasant experience, this. Good fun.
Really good movie. I loved the little tiny skinny him. He looked hilarious. Lots of action and cool cgi stuff going on.
Burning Clock, tells the story of the Aiba family, goes into further detail about Shinya and Takaya's rivalry.
Funding ceased due to Brexit pullout by backers. In the early hours of the 6th of June 1944 Allied Airborne Forces launched one of most daring assaults in history. 181 men in 6 gliders landed at night to capture two bridges vital to the success of the D-Day landings, one of these would become known as Pegasus Bridge.
Jim Gordon commands a unit of the famed Flying Tigers, the American Volunteer Group which fought the Japanese in China before America's entry into World War II. Gordon must send his outnumbered band of fighter pilots out against overwhelming odds while juggling the disparate personalities and problems of his fellow flyers.
Bikers, Nazis, Mafiosi, and the FBI all clash in this wild and wooly exploitation picture from director Al Adamson. Mark Adams (John Gabriel) is an FBI agent who has been assigned to infiltrate an organized crime ring that has obtained a set of printing plates that will allow them to produce nearly perfect counterfeit 20-dollar bills. The plates were made in Germany during World War II, and were discovered by a radical right-wing group hoping to restore the Nazi Party to power. The American gangsters are in cahoots with a group of wealthy American neo-Nazis sympathetic to the new German cause, led by fugitive war criminal Count von Delberg (Kent Taylor); the count has in turn recruited a vicious motorcycle gang, the Bloody Devils, to do his dirty work.
An able-bodied scientist has found a cure for the plague from outer space which has eradicated almost all life on the planet. A mad general who wants to repopulate the planet with a new race sends a special female assassin to take him out.
The members of the Super GUTS force, one of whom is secretly Ultraman Dyna, are in the middle of a losing battle against an enormous monster on the surface of the moon, when suddenly a spaceship appears and saves them by zapping the beast. The crew of the ship claim to members of the world peace force that originally created the Super GUTS force, and they invite the GUTS members to enter their brainwave patterns into the ship's battle computer so it can be a more effective fighting system. It sounds like a good idea, but could they have some other plan up their sleeves?
Tsukasa travels to his home world of the World of Decade, where he discovers the origin of his powers and his true heritage as the leader of Dai-Shocker. The film features all ten of the lead Heisei Kamen Riders, as well as all of the Shōwa period Kamen Riders, leading to a total of 25 Riders.
When the Hulk's presence on Earth becomes too great a risk, the Illuminati trick him to board a shuttle destined for a planet where he will be able to live in peace, and launch it into space. The Hulk's struggle to escape causes the shuttle to malfunction and crash land on the planet Sakaar, however, where he is sold into slavery and trained as a gladiator.
Lurking among us are the Horrors, ancient enemies of our kind. Holding the line against them, down through the ages, are the Makai Knights. Assuming the aspect of Golden Knight Garo, Raiga Saezima has vanquished one such demonic creature, but his magical armour has been tainted with evil. Furthermore, a Knight of the dark has materialized, and taken hold of Mayuri, so dear to Raiga. If he hopes to rescue her, Raiga must board a mysterious train destined for the netherworld. As he advances through the cars of this train, Raiga comes ever closer to confronting his own hidden truths…
When the discovery of an ancient artifact unleashes an evil force, Ghostbusters new and old must join forces to protect their home and save the world from a second Ice Age.