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Staggering Negligence *** This review may contain spoilers *** Directors come in all shapes and sizes. They range from megalomaniacal tyrants to milquetoast mice. The best ones are virtually invisible, suggestive, telepathic, allowing their talent and techies to excel, while quietly, expertly weaving together their grand vision. James Ponsoldt is either halfway there, or on his way to nowhere. It's obvious he frees up plenty of slack to let his actors run loose, but they don't always know which direction they're heading, and seem to be improvising without a script, which is interesting in a way, for a while, since it gives the movie a semi-reckless, naturalistic feel. The plan is there is no plan. And if the stars magically align in his favour, everyone wins. The problem is some actors really do need direction. Miles Teller, jester of the present, boy without a future, looks awkward and lost much of the time, which may coincide with his character. Without proper guidance, sometimes he gets it right, sometimes trying too hard to be carefree, otherwise not knowing how to shine in the spotlight. He's probably just trying to keep his gears aligned with Shailene Woodley, who once again radiates, this time as a brainy Cinderella on a collision course with a broken heart. Seems she will redeem a second-rate picture every time. Yet again managing to rescue a movie that appears to have little purpose or scheme other than pairing up various young actors and assembling a series of romantic skits. Many scenes end abruptly, probably because the actors ran out of steam. Exhausting the moment. Making the now spectacular isn't easy when the director is absent. Then there's the accident-from-nowhere scene. When Miles cries out and orders Shailene out of the car in the middle of nowhere and, once stepping out on the freeway, is suddenly struck out of frame by a speeding bus. My heart jumped. Okay I'm awake now. I was ready to forgive the director's sheepishness up to that point, which was, I hoped, only a decoy to set up a fatal or near-fatal accident scene, one that was going to turn the narrative completely on its head. I was next expecting to find Woodley in a coma, a wheel-chair, or completely disfigured. And Miles being tested by an act of fate. How will he answer to this? But the story plods along as if nothing happened. Which I'm sure nothing did, not in the script or on location. It had to be a sensationalized CGI stunt contrived in the editing room to inject the tedious narrative with a much-needed shot of adrenaline. Cheap trick. This is clearly the sign of poor story-telling and a director that isn't in command of his position.
Bare, also known as Bare: A Pop Opera, is a coming-of-age rock musical with music by Damon Intrabartolo, lyrics by Jon Hartmere, and a book by Hartmere and Intrabartolo. The story focuses on a group of high school students and their struggles at their private Catholic boarding school.
Three modern couples juggle relationships and demanding careers while navigating the unpredictable terrain of parenthood.
Mr Banks is looking for a nanny for his two mischievous children and comes across Mary Poppins, an angelic nanny. She not only brings a change in their lives but also spreads happiness.
Matti and Niila, growing up in the mid-sixties in the harsh and conservative environment of a Finnish-speaking part of Tornedalen in Swedish Laponia, close to the Finnish border. Their big dream is to become rock stars. In the present the now grown-up Matti feels guilt for the death of his drug-addicted rock star friend Niila.
Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
From the heights of notoriety to the depths of depravity, John Forbes Nash Jr. experiences it all. As a brilliant but socially awkward mathematician, he made a groundbreaking discovery early in his career and stands on the brink of international acclaim. But as the handsome and arrogant Nash accepts secret work in cryptography, he becomes entangled in a mysterious conspiracy. His life takes a nightmarish turn and he soon finds himself on a painful and harrowing journey of self-discovery.
Young lovers Sailor and Lula hit the road to start a new life together away from the wrath of Lula’s deranged, disapproving mother, who has hired a team of hitmen to cut the lovers’ surreal honeymoon short.
A supernatural tale set on death row in a Southern prison, where gentle giant John Coffey possesses the mysterious power to heal people's ailments. When the cell block's head guard, Paul Edgecomb, recognizes Coffey's miraculous gift, he tries desperately to help stave off the condemned man's execution.
A petty criminal fakes insanity to serve his sentence in a mental ward rather than prison. He soon finds himself as a leader to the other patients—and an enemy to the cruel, domineering nurse who runs the ward.
In early-1970s Las Vegas, Sam "Ace" Rothstein gets tapped by his bosses to head the Tangiers Casino. At first, he's a great success in the job, but over the years, problems with his loose-cannon enforcer Nicky Santoro, his ex-hustler wife Ginger, her con-artist ex Lester Diamond and a handful of corrupt politicians put Sam in ever-increasing danger.
This film by Toyoda depicts the hard life of an unmarried mother in Tokyo. Umeko (Machiko Kyo), at 36, is working in a bar, struggling valiantly to keep her family together. Her 17-year-old daughter Takeko becomes increasingly upset by her mother's constant drinking and yakuza boyfriend, and runs away from home. Kyo's performance was highly praised.