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The Boys From Company D - Frontier Battalion. Streets of Laredo is directed by Leslie Fenton and adapted to screenplay by Charles Marquis Warren from a Louis Stevens and Elizabeth Hill story. It stars William Holden, Macdonald Carey, William Bendix and Mona Freeman. Music is by Victor Young and cinematography by Ray Rennahan. For fans of traditional Westerns this is as solid as a Brick Adobe Structure. A remake of The Texas Rangers (1936) of sorts, plot finds Holden, Bendix and Carey as three bad boys who get divided by circumstance, love and conscious. Two of them wind up in the Texas Rangers - the famed frontier law enforcement battalion - the other stays on the wrong side of the law. All roads lead to the day of reckoning... The production is the usual mixed bag of superlative location photography (Simi Valley/Gallup) and crude back projection so often seen in the 40s and 50s Oater releases, with Rennahan's Technicolor photography a treat for the eyes. Performances are assured because the three principal guy actors are given characterisations that suits them - Holden tough emotional anti-hero - Bendix a lovable and dopey toughie - Carey sly bad boy. Freeman is lovely but it's a dressage character, while Alfonso Bedoya is on hand for some stereotypical bandido villainy. At 90 minutes in length it feels a bit padded out until the two guys actually join the Rangers, so some patience is required during the first half. However, there is plenty of Western movie action within the story, some turns in plotting to grab the heart strings and a pleasing array of costumes and musical accompaniments to keep the senses perky. All told, it's just a thoroughly enjoyable Oater regardless of if you have happened to have seen the original version. 7/10
The Texas Rangers send Dave and Chito into the badlands to see if they can locate a counterfeiting operation. They arrive posing as wanted outlaws and this gets them into the gang. But as soon as they uncover the operation and locate the printing press, one of Chito's girl friends arrives to expose their identity and they find themselves trapped by the entire gang.
A weary gunfighter attempts to settle down with a homestead family, but a smouldering settler and rancher conflict forces him to act.
With thousands of cattle being rustled from White Sage ranch the 1930's Texas Rangers are called in. They manage to get one of their agents into the gang by making them think he is the Pecos Kid on the lam.
The Texas Rangers round up rustlers by masquerading as the same. Trouble ensues when while in disguise one of the Rangers is accused of a killing.
In 1876 Wyoming, the gun is the only law. And for Duncan and Suzanna McKaskel, newly arrived settlers beset by outlaws, rugged frontiersman Con Vallian is the only hope.
Someone has been stealing ore from a valuable smelting mine. One of the independent mine-owners victimized by the crooks is pretty Joan Manning, making the Rangers' mission a bit more pleasant.
In this western, fake settlers make themselves at home on an ex-ranger's ranch and drive him away. A shady newspaper publisher and a gambler then conspire to take over the land. Fortunately, another ranger endeavors to help his pal. Enlisting the aide of his fellow rangers, they get oust the homesteaders. The publisher and the gambler shoot each other and the retired ranger gets his ranch back.
Sayres and his outlaw gang operate out of a town just across the border and out of the jurisdiction of the Texas Rangers. Ranger Bob Allen is sent across the border where he poses as an outlaw hoping to lure the gang back into Texas. He gets into Sayres' gang displacing the gang boss but the disgruntled ex-boss is able to expose the hoax and Bob is made a prisoner.
A man searching for a stolen army payroll is joined by several men after the reward money.
Texas Ranger Jake Cutter arrests gambler Paul Regret, but soon finds himself teamed with his prisoner in an undercover effort to defeat a band of renegade arms merchants and thieves known as Comancheros.
The Gunslinger Nobody refuses to suck a bull's cock in Colonel Bajon's zoophilia movie, and a musical hunt begins.
