Matthew Perry A Hollywood Tragedy 2025 - Movies (Feb 25th)
Take That This Life – Live In Concert 2024 - Movies (Feb 25th)
Den of Thieves 2 Pantera 2025 - Movies (Feb 24th)
Cellphone 2024 - Movies (Feb 24th)
Into the Deep 2025 - Movies (Feb 24th)
Gladiator II 2024 - Movies (Feb 24th)
Sisterhood Inc. 2025 - Movies (Feb 24th)
Bottom Feeders 2024 - Movies (Feb 24th)
Veselka The Rainbow on the Corner at the Center of the World 2024 - Movies (Feb 23rd)
Monster Mash 2024 - Movies (Feb 23rd)
Kraven the Hunter 2024 - Movies (Feb 23rd)
Azrael 2024 - Movies (Feb 22nd)
Swimming Home 2024 - Movies (Feb 22nd)
Sugar Mama 2025 - Movies (Feb 22nd)
Ghost Rite Here Rite Now 2024 - Movies (Feb 22nd)
The Bayou 2025 - Movies (Feb 21st)
Old Guy 2024 - Movies (Feb 21st)
Millers in Marriage 2024 - Movies (Feb 21st)
Inheritance 2025 - Movies (Feb 21st)
Daytime Revolution 2024 - Movies (Feb 21st)
Assassins Guild 2024 - Movies (Feb 20th)
Rocky Mountain Wreckers - (Feb 26th)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Beyond the Gates - (Feb 26th)
Win or Lose - (Feb 26th)
Wildcard Kitchen - (Feb 26th)
WWE NXT - (Feb 26th)
FBI - (Feb 26th)
7 Little Johnstons - (Feb 26th)
Kitchen Nightmares - (Feb 26th)
The Rookie - (Feb 26th)
Road Rage - (Feb 26th)
Renovation Aloha - (Feb 26th)
The Real Housewives of Beverly Hills - (Feb 26th)
St. Denis Medical - (Feb 26th)
The Irrational - (Feb 26th)
Hudson and Rex - (Feb 26th)
PITINO- RED STORM RISING - (Feb 26th)
The Last Word with Lawrence ODonnell - (Feb 26th)
***Stands Alone in the Feature Film Series*** A colossal, mysterious space cloud called V'ger travels across the galaxy and threatens Earth, annihilating interlopers along the way ; the origins of V'ger are revealed at the end. "Star Trek: The Motion Picture" (1979) addresses some of the deepest questions of life: Is this all there is? Why are we here? Does love exist since it cannot be proved via pure logic? Who is the Creator? The core message is the intrinsic need to seek one's Creator and reconcile in order to attain a (necessary) higher level of consciousness. Those found the film boring simply failed to penetrate beyond the surface. Like the Star Trek episodes "The Corbomite Maneuver" and "Metamorphosis," “The Motion Picture" (TMP) is a mature, cerebral sci-fi story with very little action. Most kids and young adults won't like it or grasp it. It's depth is evidenced by the emotional wallop experienced when Spock grasps Kirk's hand in Sickbay, truly revealing emotion despite his conflicting desire to attain a consciousness of pure logic; or later when Spock weeps for V'ger and comments on its personal dilemma, which perfectly coincides with Spock's own search for fulfillment: "As I was when I came aboard, so is V'ger now: empty, incomplete and searching. Logic and knowledge are not enough... Each of us at some time in our lives turns to someone — a father, a brother, a God — and asks, 'Why am I here?' 'What was I meant to be?' V'ger hopes to touch its creator to find its answers." Another powerful sequence is a crewman's self-sacrificial fusion with V'ger so that it may evolve to the next level of awareness (seemingly self-sacrificial, that is). My conclusion on the film runs parallel to Roger Ebert's comments: "My inclination, as I slid down in my seat and the stereo sound surrounded me, was to relax and let the movie give me a good time. I did and it did." In other words, just accept the film as is, and you WILL be entertained ; put on a pot of coffee (you're gonna need it, lol), kick back and relish the movie magic. Let me add that TMP was one of the most expensive films of its time, but it did well at the box office and thus made a decent profit, a testimony to how hungry the public was for Star Trek after ten long years (since the cancellation of the original TV series in '69). In fact, aside from "Star Trek IV: The Voyage Home" (1986), TMP is still the most profitable of all the Star Trek feature films with the whole original cast (Making FOUR TIMES its expense worldwide); it therefore can't very well be the cinematic turd that many critics claim. Also, consider the fact that TMP made more at the box office than the acclaimed films "Alien" and "Apocalypse Now," both released the same year. I should add that, although this film is an "Grade A" picture as far as epic, awe-inspiring pieces of cinematic art go, I understand why some would grade it lower. In such cases I suggest making the necessary psychological adjustments and watching it again as it is more along the lines of "The Cage" than "The Doomsday Machine.” TMP is the sole Star Trek film that aspires to and attains a level of cinematic awe along the lines of "2001: A Space Odyssey." Actually, TMP is leagues better IMHO. "2001" lacks characters to care about; it's also cold and overly artsy, with way too many unnecessarily boring sequences. TMP, by contrast, has heart. Not to mention an interesting story that delves into the deepest of all universal questions. Say what you will, but "The Motion Picture" towers alone, utterly unique in the feature film series — a profoundly spiritual TRIUMPH. The movie runs 2 hours, 12 minutes. GRADE: A
BORING. I mean, it opens great. The first few minutes sort of give you the impression that this movie is going to be epic... ... and then the rest of it is best spent looking at your phone, cleaning your finger nails, watching linoleum curl, defrosting your freezer... ... finding anything else you can do as it plays in the background just to keep you form dying of Boredom. And I say this as a Star Trek fan.
To be fair, this film does pick up quite plausibly from the television series. The characterisations are roughly the same, if somewhat older - and that does help give it some cohesion; but the opening scene goes on interminably. The premiss is stretched to breaking point and riddled with metaphors and pseudo-philosophical clichés; and there is precious little action. Persis Khambatta who plays "Ilia" - the conduit between the all powerful alien power and our gang of intrepid adventurers - is almost robotic and sterile; as is the general plot of the film. It seems lost between an adventure film and one with a deeper message to convey; as such it delivers well on neither front. Luckily, there were more, better, films to follow - but this one is best forgotten.
Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet's exclusive supply of the most precious resource in existence-a commodity capable of unlocking humanity's greatest potential-only those who can conquer their fear will survive.
After a mysterious blackout, a son goes out to investigate and captures footage of actual aliens. When the aliens follow he and his brothers back to their home all hell breaks lose.
Sam Flynn, the tech-savvy and daring son of Kevin Flynn, investigates his father's disappearance and is pulled into The Grid. With the help of a mysterious program named Quorra, Sam quests to stop evil dictator Clu from crossing into the real world.
2038: George Almore is working on a true human-equivalent AI, and his latest prototype is almost ready. This sensitive phase is also the riskiest as he has a goal that must be hidden at all costs—being reunited with his dead wife.
In the early hours of the night, young David Maclean sees a flying saucer land and disappear into the sand dunes just beyond his house. Slowly, all of the adults, including his once loving parents, begin to act strangely.
Two crew members wake up on an abandoned spacecraft with no idea who they are, how long they've been asleep, or what their mission is. The two soon discover they're actually not alone – and the reality of their situation is more horrifying than they could have imagined.
In the year 2150, Johnny, a lazy Space Delivery Man, must deliver a package on a planet he does not fully understand.
A malevolent rock star kidnaps a female singer to force her to participate in the summoning of a demon and her band must help her stop him.
Kenny Starfighter is probably the most hopeless student the Hero academics of the galaxy has ever had. But in his desperate attempt in graduating he accidentally crashes on earth and discovers Pontus, an earthling who accidentally stumbled upon an intergalactic crystal which gave him inhuman strength. Now Kenny must save Pontus from Rutger Oversmart who wants the powers from the crystal for himself and Pontus must save Kennys faith from failing school and ending up as a hairdresser.
An 11-year-old boy's amazing ability to break wind leads him first to fame and then to death row, before it helps him to fulfill his ambition of becoming an astronaut.
Kamen Rider Fourze: FINAL EPISODE is the director's cut version of the combined episodes 47 & 48 with an additional audio commentary from Ryuki Takahashi, Fumika Shimizu, and director Koichi Sakamoto. It was released on DVD and Blu-ray on February 21, 2013.